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Leprous - Aphelion CD (album) cover




Tech/Extreme Prog Metal

3.84 | 102 ratings

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5 stars LEPROUS is the mega band founded in 2001 playing on extreme tech at the start. They have approached IHSAHN and EMPEROR closely and make music that is almost unclassifiable, flirting prog metal then art music with a complex range, hard, djent, pop with the voice of Einar recounting his existential torments in the titles. An 8th album worked on in 3 different studios, covid obliges, album moving further and further away from their mentors DREAM THEATER, OPETH, CYNIC or WINDS. LEPROUS is also high and classic forays with Raphael and his magical cello, it is the violence of riffs associated with a divine voice, it is the association of hitherto opposing sounds united to create a new genre.

"Running Low" Leprousian attack with brass from the group Blåsemafiaen, slightly oriental atmosphere of the tune and the sublime voice of Einar which navigates between softness and trance due to his falsetto organ; not too accentuated this sound, minimalist break to properly stage the sounds, the emphasis is limited with a reminder of the recognizable 'pitfalls' sound and this Raphael cello solo that ends up tickling your ears. '' Out Of Here '' title intimate on percussions juggling with the hip-hop synth and bringing a dreamlike melody of any beauty, latent air; adrenaline rush with vocals and high guitar, its synth-wave starting with prog metal that keeps you going. '' Silhouette '' continues with a characteristic synthetic frame, the violin very present, the choirs, Einar vociferating, Baard's jerky rhythmic imposes on a surge of adrenaline that can induce trance; note the Leprousian airs anchored on the 'oh oh oh' furnishing more than anything else, necessary I doubt. `` All The Moments '' for the real progressive incursion with the classical orchestration and the melancholy strings of Raphael and Chris, the creaking country slide guitar, the sad rise which is transposed in beauty with this minimalist piano, we are not far from 'a depressive climate pointing to contemplation and again this inimitable voice. "Have You Ever?" Muted intro then synth flooding the sound space, almost pop, almost industrial, almost electronic, here we are dealing with a huge title; the east still very close, the keyboards invite to dance, the voice too, what can I say, we reach perfection in this animal air, undulating and hypnotic, short in time, long in musical sensations, a title which imposes it.

"The Silent Revelation" starts with the pure LEPROUS sound, jerky tune covered with a frozen synth; the angelic voice, whispered, siren or archangel, sets off on a good intriguing dancing rock; the electronic orchestration takes the bet on an intimate break then the raging guitars of Tor and Robin accompany the final chorus in an insane apocalyptic rise. "The Shadow Side" simple, minimalist, bordering on bombastic new wave with soft intro gives pride of place to fresh and airy synths; more common title jazzy limit where the voice is put forward to praise it a little more; the finale comes back to repetitive clichés on a high voice with riff, fortunately magnified by a too rare hyper energetic guitar solo which makes you want to put the title back. "On Hold" continues on an icy vocal harmony, spatial atmosphere; the longest track marshmallow, it's beautiful, it reminds me a bit of MANFRED MANN's keyboards on 'Chance' a time; the break with Raphael on the cello drives the nail on the beauty of an unclassifiable title, neither pop, nor rock, neither djent, nor jazzy; it is at the same time grandiloquent, cutesy and majestic with the rise of the voice and the rhythmic guitar, all amalgamated by the drums of Baard. from ANATHEMA, a deep basic air playing on a muffled sound pierced by Einar's voice; a dreamlike rise, progressive in fact which puts you in a trance after a few titles more behind, more overdone, too obvious; here it's power in crescendo with a crystal clear two-step solo; it sounds simple but it's perfect. "Nighttime Disguise" for the finale which goes off strong, riff of the drums, the bass, the synths, the Leprous what; a syncopated sound already on the distortion attenuated by the guitar and the voice; break metal then drift with again the Norwegian brass group Blåsemafiaen which gives another dimension, breaking all musical criteria; the interlude ends with what makes the strength of this quintet, namely its colorful swirling choirs; go for some growl, throaty sounds, some symphonic djent now for the final dreamlike explosion and an all too rare guitar solo; there it's finished.

LEPROUS due to the pandemic composed each title separately, without a frame except for the melancholy tone that emerges from it; powerful positive chaos whether in the register of rock, pop, djent, funk, trip hop or metal; Einar taking charge of the progressive soldering with an intrepid zest of inventiveness, ravishing melancholy and spleen that ANATHEMA would have signed immediately. Note the starting title "Adapt" sign of our company, "Aphelion" not being better since it expresses our maximum distance from our benefactor sun. Good mental health you will need to remain impassive in the face of this musical inferno, energy you will have while listening to this opus in the continuity of Pitfalls, heavy, nasty, metallic, depressive and high how overwhelming. A fresh, lively, intense album that can bring you to the musical firmament.

alainPP | 5/5 |


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