THE FIRST TRAGEDY OF KLAHERA

'Justice, My Tragedy' begins soaring before the metal kick-off with two vocals; backing vocals and riff and a growl; break, fleeting operatic tune, on a heavy Ayreon; Nervous guitar solo and cinematic finale, it's fashionable with a crying baby. 'Child of the Bloodmoon' arpeggios over a dark musical climate accompanied by sound effects, a progressive drift. 'Oldstead' nervous drums and bass for the metal track. 'Broken Puzzle Piece' solemn tune, heavy- rock opera without its magnificence. 'It Lives' is a sort of aggressive and catchy musical magma. 'Despicable' changes tone with a jazz title with soft harmonies, then moving towards hard, thrash for the frenzied riff, reminiscent of Unexpect, electro finale launching 'Knowledge From Afar' for the calm, colorful prog rock piece, alternating pop and energy.

'Celebrations' returns to a cheerful, oriental, intimate cinematic folk base. 'Mother Dearest' title track with prog metal exchange between mother and child; an electric, nervous style and colorful, festive jazzy atmospheres, on Panzeballett for the sax and Sleepytime Gorilla Museum; sweet creative madness. 'Pushed' dark acoustic ballad and tambourine, a final rise à la Anathema. 'Heroes and Charlatans' again with an electro atmosphere then metal bordering on djent; the apoplectic finale. 'Discovery' even heavier, hard heavy, nag supposed to express the little girl's distress, the judge's vocals in 'The trial'; acoustic break which denotes and cottony melodic solo. 'Chain of Consequences' for the final sound which swells, grows, rumbles; the child is banished, yes the story follows the music and vice versa; the guitar solo is strong, tortured, energetic like the decision.

TDW/Dreamwalkers Inc. fuses genres, vocals and modern metal with rock opera; a fantasy metal opera based on a novel by Janneke Stam and the story of a girl found in a forest who will upset her adoptive parents, its moving musical melting pot concept; a bewitching but singular album, more metal than prog.