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Javier Miranda - Departures CD (album) cover

DEPARTURES

Javier Miranda

 

Progressive Electronic

3.52 | 17 ratings

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memowakeman
Special Collaborator
Honorary Collaborator
3 stars This is the newest release by Javier Miranda, a talented composer from Spain who creates music that could be described as ambient, or prog electronic. Though I didn't know about his music until some months ago, I can say he has caugh my attention so powerfully, that I've listened to his whole catalogue a couple of times.

For this record entitled 'Departures', he gives us four compositions that share an avalanche of emotions. First we can listen to 'Everything', a piece that works with loops, so the repetition may embrace you or, if not in the mood, repel you. It has a peaceful atmosphere, but if you play it with nice headphones, you will perceive some other textures that provoke uncertainty or even tension, maybe this introductory track talks about all the emotions that a departure provide, the reason of the name "Everything". I don't know, and I am not familiar with Miranda's life, but judging from the cover art, I believe this is a very personal record.

''In Transit' is the shortest track here. It has slow rhythm with some piano notes and soft synth noises as background, and it continues like that for the whole 9 minutes. I am not sure if the transit he refers is just plain and simple, but lacks of emotions and surprises. It is actually like an endress two-note ride, but this time, boring.

There is a long 11-minute journey entitled 'The Descent', which seems to be a track about goodbyes, departures, death. There is a constant tension here, also it feels like being floating into the void, in limbo, like an anima in its judgement day. The tension increases after 3 minutes, the work of keyboard creates a dark but at the same time, kind of celestial sound.Then it follows the same repetitive path for the rest of the track, the good thing here is that despite having a plain rhythm, new noises and figures can be found every here and there.

The album closes with its longest track, 'Resurrection', the ambient adjective disappears here and the noise enters instead, creating a dizzy sound that make you feel like floating and spinning. Sounds like confusion, like trying to escape from something and feeling trapped, sounds like desperate. There is also a constant noise that can be annoying, but it may be the reflect of the chaos he wants to share, the chaos a resurrection might bring.

Well,this time I must admit I did not end up as happy as I thought with this record, I had enjoyed his previous albums much more, and was expecting for something that really moved me or made me feel excited, sadly, it did not happen here, however, it is a nice effort and I am sure it has a personal meaning to Javier Miranda, so as long as he keeps creating music and being inspired by his surroundings, he will surely create a masterpiece, sooner than later.

memowakeman | 3/5 |

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