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John Greaves - John Greaves, Peter Blegvad & Lisa Herman: Kew. Rhone. CD (album) cover


John Greaves


Canterbury Scene

4.16 | 59 ratings

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Prog Reviewer
4 stars John Greaves and Peter Blegvad enjoyed working with each other on the Henry Cow/Slapp Happy albums Desperate Straights and In Praise of Learning so much that they got back together (and brought Lisa Herman into the fold) to produce this eccentric avant-Canterbury piece. Presenting a jazzy Canterbury sound that borders on Henry Cow's later chamber-rock explorations, the album also features Blegvad and Herman indulging in wild, fanciful wordplay with the lyrics.

Apparently, some people have blamed the album's commercial failure on it coming out on the same day as the Sex Pistols' debut album, but I think that buys into the punk-vs-prog myth a little too much. The fact is that the Canterbury scene was always a bit less high profile than the likes of Genesis, Yes, Pink Floyd or ELP, so the idea that an avant-garde side project from two members of underground Canterbury/RIO bands with lyrics so complex the album art provided diagrams to aid in their interpretation might have become a serious commercial hit is rather far-fetched.

Simply put, this is Canterbury at its most complex, obscure, and inaccessible. Of course, if you're a prog fan then that's a plus - but for my part, whilst I do consider it a worthwhile accomplishment at the same time I think the album is a bit too much in love with its own cleverness to show much interest in communicating its ideas effectively and engagingly with the listener, and so doesn't quite attain the fifth star for me.

Warthur | 4/5 |


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