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Änglagård - Viljans Öga CD (album) cover

VILJANS ÖGA

Änglagård

 

Symphonic Prog

4.26 | 1172 ratings

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Mellotron Storm
Prog Reviewer
5 stars Some of us wondered if this day would ever come. A new ANGLAGARD album ! Woot ! Woot ! It's been 18 long years since "Epilog" and the cool thing is that we get the same lineup minus Tord on guitar who's left. Johan is still here playing guitar though and at times he really comes to the fore like never before. Anna is back on flute and is very prominant but she also adds some sax this time around. Another difference is Thomas leaning heavily on the piano and synths while the Hammond organ takes a back seat. He still uses lots of mellotron thankfully. So yes there are some differences between this and "Epilog" and "Hybris" but there is no doubt that this is ANGLAGARD. We get four long instrumentals that add up to almost 58 minutes total.

"Ur Vilande" opens with solemn flute which is eventually joined by bass, cello, piano, acoustic guitar and more. These sounds seem to come and go and then it kicks in after 4 minutes with huge bass lines. It settles back with mellotron, a beat, flute and bass. It's fuller again with chunky bass as contrasts continue. Great section 8 1/2 minutes in as the drums and mellotron impress. Check it out before 9 1/2 minutes. This is vintage ANGLAGARD. A calm before 10 1/2 minutes then it picks back up with deep bass and more. Love the sound before 12 minutes then it turns intense. Mellotron alert before 13 1/2 minutes then it settles after 15 minutes with piano and acoustic guitar to end it. "Sorgmantel" opens with melancholic flute then cello and piano help out. It picks up before 2 minutes. Great sound. It settles after 5 1/2 minutes then kicks back in after 6 minutes. The guitar comes in lighting it up. I love how it builds 7 minutes in with mellotron. The bass and drum section is killer before 8 minutes. The guitar joins in along with mellotron. It calms right down late.

"Snardom" has a powerful intro with huge bass then the mellotron joins in as the drums pound. The flute comes and goes. It settles before 1 1/2 minutes but not for long. Killer bass and drums here. A calm 4 minutes in then it kicks in again. Such an uplifting section from before 7 1/2 minutes until it settles a minute later. Cello before 10 minutes as it continues to be laid back. Organ after 11 minutes but it's still mellow. It starts to pick up after 13 minutes and tasteful guitar joins in but then it starts to light it up late. Nice. "Langtans Klocka" is quiet to open, too quiet. Sparse piano comes in then flute. It picks up some before 3 minutes including acoustic guitar and mellotron. It kicks in hard before 5 minutes and the guitar rips it up with some angular melodies. It settles back after 6 1/2 minutes then turns fuller a minute later but it continues to change. A disturbing calm 10 1/2 minutes in then it picks up. Vocal melodies before 12 minutes. There's a 2 minute stretch in there that made me think it was a nod to HOYRY-KONE.

I still feel that "Epilog" and "Hybris" are better but "Viljans Oga" is also brilliant. The flavour is just a little different that's all. Besides this is still growing on me.

Mellotron Storm | 5/5 |

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