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IN THE COURT OF THE CRIMSON KINGKing CrimsonEclectic Prog4.64 | 4903 ratings |
From Progarchives.com, the ultimate progressive rock music website
thellama73
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Considered by many to be the record that defined Prog Rock, this was also the record
that got me into the genre. It is truly a masterpiece and unlike anything that came
before it (or since for that matter.)21st Century Schizoid Man opens the album with a fiery ferocity hitherto unknown in rock. The distorted vocals, and the blindingly fast horn and guitar lines in unison are light years ahead of their time. This is before Robert Fripp became overly self- indulgent in his playing and there is no fat on the track at all. I Talk To The Wind takes things down a notch and adds flute and classical influence. In fact, the overall Medieval feel of the album is one of the things that makes it endure as one of my favorites. I regret that Greg Lake didn't stay with the band longer, as his voice is perfect for it. What I regret even more is that Michael Giles left after this album. I'm no percussion expert, but his drumming sounds like nothing I've ever heard. He blows Bruford out of the park. Epitaph, although at first glance seems pretty straightforward, has become my favorite track on the album. It's incredibly dark and intense while holding up the pretense of being mellow. And of course the infamous Moonchild, which so many people complain about. The beginning is gorgeous, and while it does go on a tad long, I feel that it lends the album some much needed breathing space, after the intensity of the preceding songs. Finally, In The Court of the Crimson King closes the record appropriately. It is an epic in the truest sense of the word, with sweeping guitars and keyboards and pounding drums. The sound of this piece is absolutely HUGE. In short, this is an album that no Prog fan should be without. It paved the way for things to come and still holds up wonderfully after all these years. Buy it!
thellama73 |
5/5 |
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