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Arabs in Aspic - Pictures In A Dream CD (album) cover


Arabs in Aspic


Heavy Prog

3.94 | 109 ratings

From, the ultimate progressive rock music website

4 stars This is an album which overtly fits into the realm of stoner rock/psychedelia. What has really impressed me with this album is the production--the sound quality and layers of subtleties woven into the fabric of each song. I compare this music to that of HYPNOS69, QUANTUM FANTAY, and SAMSARA BLUES EXPERIMENT, among other, but find the music to be much more thoughtfully constructed and more creatively engineered.

1. a) "Rejected Wasteland" b) "Pictures in A Dream" (6:05) opens the album with some awesome sound combinations, evolving into a kind of HYPNOS 69 sound, but then showing their multi-dimensionality and song-writing maturity with some awesome codas, bridges and cadenzas. The song's "b)" section starts out as a kind of blues-rock jam before taking on a GRAND FUNK/NEKTAR-like shift progression. Love the vocals! Outstanding! (9/10)

2. "Let U.S. Pray" (5:18) though this politically-oriented song starts out like a BLACK SABBATH/LED ZEPPELIN song, at 1:20 it devolves into an interesting, creative and original song with great team vocal work--almost KHAN-like. At 3:12 an awesome scream-vocal introduces an awesome instrumental section. Again I can't help but compare this song to the work of KHAN on my favorite Canterbury album--their only album--Space Shanty. (10/10)

3. "You Are Blind" (5:41) begins loudly before settling back into an acoustic guitar based standard blues rock song. By 1:50 it has turned into a full-blown LED ZEPPELIN song, though more with the vocal harmonies of early BLUE OYSTER CULT, CREAM. At 3:40 the new section even directly references "Stairway to Heaven" and some other ZEP, HEMDRIX, and BEATLES songs. Well done tribute! (8/10)

4. "Felix" (3:04) streams in on the psychedelic synth from the previous song as a simple blues rock chord progression is established with "House of the Rising Sun'-like guitar arpeggios. The Clapton-imitating lead guitar is understated until he starts to soar at the 1:40 mark. Clever and catchy lead melody hooks. (9/10)

5. "Hard to Find" (3:01) travels into early Metal territory, the Farfisa-like organ giving it a MOODY BLUES/BLACK SABBATH quality and sound. Great RAY MANZEREK keyboards at the beginning of the instrumental section at 1:44. Great chunk of nostalgia. (9/10)

6. "Difference in Time" (2:46) again reminds me of a cross between early BLUE OYSTER CULT and LED ZEPELLIN--with a little ROBERT WYATT thrown in there. Good CREAM/ARGENT-like blues rock with a tinge of Canterbury. (8/10)

7. "Lifeguard at Sharkbay" (5:09) is an interesting song with a split personality. The instrumental second section is set up to showcase the Clapton-esque guitar skills. Section three speeds things up like a great URIAH HEEP song. Section four brings it into arena- anthem territory. It all adds up to a kind of a CORUS STONE jam setup song. (8/10)

8. "Ta et steg til siden" (2:53) starts right off into blues rock territory like a classic CREAM or BLUE OYSTER CULT song--and stays there. Solid but . . . proggy? (7/10)

At this point the album is starting to wear on me as being more imitative of classic 1970 blues rock and less of what proggers got hooked onto.

9. "VI Motes Sikkert Ighen" (6:48) opens with some bombast quite reminiscent of classic BLACK SABBATH. Nice song structure, chord progressions, and development. The sparse beginning to the vocal section at 1:48 sets up a pretty classic, almost RPI, section. This one, for some reason, feels less imitative of elders and more original (despite the less-than- exciting drumming in the first four and a half minutes). Great NEKTAR-ish dream-freakout section beginning at the 4:45 mark. Too bad it ends?goes back to the kind of dragging, dramatic vocal section. Still, I like that for the first time the band is displaying something creative and original. (9/10)

10. "Prevail to Fail" (3:22) is an electrified acoustic guitar strummed song with some alternating vocalists kind of treading CHICAGO and STYX ground. I like this second vocalist! He sounds quite impassioned. The quirky synth soli and vocal harmonies make for a very pleasant, catchy, almost poppy tune. (10/10)

11. "Pictures in A Dream" (acoustic version) (3:23) the acoustic version here really brings out the LED ZEPPELIN, URIAH HEEP and even CROSBY, STILLS AND NASH influence on this band. (8/10)

A very enjoyable listen by a group of well-polished stoner-rock imitators, but it is in the band's more original stuff that I find myself drawn back for repeated listens.

Four stars.

BrufordFreak | 4/5 |


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