Progarchives, the progressive rock ultimate discography
Roz Vitalis - Patience of Hope CD (album) cover

PATIENCE OF HOPE

Roz Vitalis

 

RIO/Avant-Prog

3.86 | 54 ratings

From Progarchives.com, the ultimate progressive rock music website

BrufordFreak
3 stars A collection of odd songs that have trouble fitting into any genre as the music varies--within each song--from Baroque and classical to vaudevillian and King Crimsonian jazz.

Five star songs: 11. "The Unfading Sun (The Loving Version)" (3:56) the chamber/classical, acoustic/folk version of this song. (10/10) 3. "To Stir Up Your Pure Minds" (3:10) opens with cello, then clarinet before dulcimer lays down a foundational chord progression for the two to rejoin a pretty weave. (10/10) 2. "The Unfading Sun (The Loved Version)" (2:50) is the electrified piano version of this pretty melody. (9/10) 5. "The Forgiven Monday" (3:36) is a spacey electronic piece (9/10) 9. "Dove il Sole E Meraviglia" (1:57) opens with plucked dulcimer playing solo before being joined by clarinet in a slow pretty song. At the end of the first minute the song picks up speed and adds a cello to weave a classical arrangement together. (9/10)

Four star songs: 10. "Touching Upon the Mystery" (8:55) opens with solo harpsichord before band kicks into a kind of quirky electro-polka. By the fourth minute it has reverted to classical music but then almost as quickly switches back into circus jazz polka and then into a kind of Latin cinematic. Odd song but I like it. (8/10) 7. "Mother of All Rain" (4:28) begins as a simple almost New Age piano étude, before electric guitar and rock combo join in and eventually take over in what ends up being a bit of a heavier number. (8/10) 1. "Patience of Hope" (6:43) is an Arp synth-drenched pensive electric guitar solo, 6. "Gorgeous Cliff" (1:35) (8/10)

Three star songs: 4. "Seeds Fell Among Thorns" (6:17) opens with a bit of minimalist feel to it before devolving into an odd Balinese-sounding weirdness. (7/10) 8. "Confidence" (5:53) opens as a classical piano solo piece--another "étude"--before turning vaudeville-jazzier in the second minute. At 1:53 drums, bass and saxophone take over the main melody in a fully jazz effort--though admittedly this takes on a King Crimsonian approach to jazz. Such a simple and unimpressive song. (7/10)

The King Crimson Lark's Tongue influences are quite recognizable in instrument choices but even more in the sound recording choices: there is a very hollow "old" sound to this album throughout.

3.5 stars rated up for potential!

BrufordFreak | 3/5 |

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

Share this ROZ VITALIS review

Social review comments () BETA







Review related links

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — jazz music reviews and archives | MetalMusicArchives.com — metal music reviews and archives

Donate monthly and keep PA fast-loading and ad-free forever.