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Genesis - Nursery Cryme CD (album) cover

NURSERY CRYME

Genesis

 

Symphonic Prog

4.42 | 2178 ratings

From Progarchives.com, the ultimate progressive rock music website

apps79
Special Collaborator
Neo Prog Team
5 stars For the third Genesis album the line-up changed once more.Drummer John Mayhew quit (and little had been heard around him until his death in 2009) and he was replaced by the talented figure of [Artist721], while guitarist [Artist5520] also left the group because of his stage fright during the lives and Genesis welcome [Artist3555] of [Artist17426] in the most succesful line-up of the band.The new members even contrivuted both compositionally and with singing parts in ''Nursery Crime'', which was released in November 71' originally on Charisma, featuring again an eccentric cover by Paul Whitehead.

Genesis developed their style even further with ''Nursery crime'' and the album opens with the fantastic ''The Musical Box'', actually the first complete epic of the band, an incredible journey through the world of Acoustic Folk and Progressive Rock, highlighted by the mellow acoustic passages, the powerful organ runs and the theatrical performance of Gabrierl next to his delicate flute parts.The short ballad-esque ''For Absent Friends'' features the first ever vocal performance of Collins with Genesis, while ''The Return of the Giant Hogweed'' became an all-time classic, having a sound close to ''The knife'' with more evident symphonic sections.Plenty of incredible organ flights, grandiose Mellotron waves and piano interludes by Banks with dominant guitar riffs by Hackett offer again a unique exprerience.''Seven stones'' is an underrated piece of high-quality music in Genesis' books, a lovely mix of flute-based lyrical music with dramatic organ/Mellotron-based breaks and a superb atmosphere towards its end.The humurous ''Harold the Barrel'' has sort of a Cabaret feeling, a welcome addition to soften things a bit before the entrance of the folkish ''Harlequin'' and its dreamy all- British atmosphere with the excellent vocal lines of Genesis' members.The closing ''The Fountain of Salmacis'' is just another example of how good Genesis were on producing long and imaginative music pieces.Smooth Symphonic Rock with great guitar work by Hakett and (yes, again) another monumental performance by Banks on Mellotron and organ along with a superb rhythm section.

''Trespass'' was just so beautiful but with ''Nursery Cryme'' Genesis moved a step closer to perfection.High-class musicianship, among the most valuable treasures in Progressive Rock's history and a band finally establishing its name among the greatest of the style.Extremely highly recommended and a must-have for any prog fan's collection.

apps79 | 5/5 |

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