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Genesis - Foxtrot CD (album) cover




Symphonic Prog

4.61 | 4060 ratings

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Prog Reviewer
5 stars I remember when I realized I had to start checking Genesis out. I was familiar with 70s acts from ELP, Crimson, Jethro Tull, and Yes to the Moody Blues, Kansas, and Supertramp. Pink Floyd, I believe, was the band that came before Genesis for me. All I knew was that everything I read everywhere said that Genesis was one of, if not the, best prog band of the 70s.

So, at the store, I find two albums, entitled Nursery Cryme and Foxtrot. I looked at them, examined them, and thought, "Which do I get?" Well, Foxtrot was my pick. Why? Because there was something I spotted on the album. Supper's Ready. A 23-minute epic. Bam, the album was mine.

And here's how it went down.

Watcher of the Skies: OK. It makes me laugh now. But I remember on the ride home, I put it on, and was, well, confused. Weird vocals, strange music unlike any I'd heard until then. Honestly, I thought "I guess Genesis isn't for me." Hmmmmm. Right. That's why it makes me laugh now, seeing as they are one of the top bands in my collection. Watcher... is one of the towering Genesis songs. Basically the anthem of the band in a way. The opening keyboard work sets the stage for the mind-blowing bass riffs and verses to come.

Time Table: First listen: OK. Average song. Well, I know recognize that it is a fantastic song, not average in the least bit. Piano, followed by Gabriel's voice, perfect. As a small side note: Tony Banks, if you don't already know, is a very different breed of keyboard player than, say, Keith Emerson or Rick Wakeman. Each are great in their own way, but Banks stands alone in terms of, dare I say it, knowing when not to play. Granted, Emerson is my favorite keyboardist. But Banks does have that different quality about him.

Get 'Em Out By Friday: Now, probably my favorite song on Side 1. From that blasting intro, to the first verse with the insane Rutherford bass below it, to the extremely soft section towards later parts of the song, the whole thing stands out as a strange, haunting, but in a way, beautiful track. Also, the story behind it (if anyone can fully figure it out) seems to fit the context of the album. Go ahead and read them, and you will, most likely, see where I'm coming from.

Can-Utility and the Coastliners: Of course, there's the sleeper song. My first listenings did not let this song stand out. It just blended with the album in a way. But, of course, things emerge, and I realized. This song is on the same level as every other song here. In it's own way, it's special. I've yet to see a song that can change so smoothly and so frequently in under 6 minutes.

Horizons: Simply the (great) guitar intro to Supper's Ready. Hackett does a nice job setting an atmosphere, in a way, also showing his own tastefulness.

Supper's Ready: Yup, the song of all songs. I think it's most likely Genesis' best song (along with Dancing with the Moonlit Knight). My father can't seem to get into Genesis that much, but he loves this song as much as I do. I don't want to go into it too much, because that can ruin it for the first-time listener. Just keep in mind that it will be one of the best songs in your collection, in all likelihood. Everything from Willow Farm, Apocalypse, everything.

All in all, one of the best albums of the 70s. And a top tenner for me. So far, it ranks above Selling England (although I've already stated that Dancing with the... is one of if not their best song). If you enjoy prog, it is a landmark and foundation album. Diverse, unique, out there, yet beautiful. To Foxtrot, I award 5 out of a possible 5 stars.

Yanns | 5/5 |


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