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Procol Harum - Procol's Ninth CD (album) cover


Procol Harum


Crossover Prog

2.85 | 117 ratings

From, the ultimate progressive rock music website

3 stars A natural follow up to Exotic Birds and Fruit, Procol's Ninth does have it's flaws. Having dispensed with producer Chris Thomas, whose productions were getting denser by the record until the reverberant "wall of sound" found on Exotic Birds and Fruit was the resulting cut off point for the band. Seeking out uber American R&R producers Leiber and Stoller, Procol recorded their cleanest and most uncluttered record since A Salty Dog. And what does work on Procol's Ninth, works wonderfully, while what doesn't is hardly bearable. Namely the album's closing track, a cover of The Beatles' Eight Days A Week.

It truly is bad enough to make one twinge. However, eight of the album's ten tracks are good, with the two worst placed at the end, so ending this listening trip early seems unencumbering.

The leadoff tack Pandora's Box, with it's exotic mix of marimba, guest flute and more of Keith Reid's esoteric lyrics, let PH have one more UK hit, getting as high as number 16 on the British charts. Fools Gold seems like more of Reid's and Gary Brooker's laments about chasing riches and the eventual fall back to earth that worked so well for the group on Exotic Birds and Fruit. Brooker's vocals are as convincing as ever, but it seems like we've heard this all before. Indeed. With Exotic Birds And Fruit, we have.

Taking My Time is a bluesy number, naturally suited to Brooker's voice, and has the unusual accompaniment of brass. Many have said, including guitarist Mick Grabham, that the band sound like Chicago on Procol's Ninth, but in fact, the brass is more New Orleans style jazz and fits even better with the later bluesy track I Keep Forgetting. Yes, as many have said, Chris Copping's organ is relegated to the background, but if Procol Harum fans have not heard enough organ played on the previous hundred PH songs, then they truly deserve a cigar.

R&B and blues is also central to the excellent The Unquiet Zone which features Reid's take on the ravages of war, and some of Grabham's best guitar playing on the album. And this is saying a lot as he's stellar throughout the whole album and has an ear for melody and tone quite similar to Tull's Martin Barre if Ian Anderson would have let him cut loose a bit more.

The Final Thrust and The Piper's Tune are quintessential Procol Harum. The former featuring stately piano from Brooker and the later featuring Lowery Organ in place of bagpipes. Both work well with more of Reid's pessimistic lyrics to give the songs that special Procol Harum gravitas.

The less said about the last two tracks, Typewriter Torment, and the afore mentioned cover of Eight Days A Week, the better. The only thing I find off putting about Procol's Ninth is that I can only play it as a follow up to Exotic Birds and Fruit, as it has the same vibe but lacking the bombast I love so much about Exotic Birds and Fruit. I would never play it at any other time.

With that in mind, 3 stars seems right for this good but non essential album from the once mighty Procol Harum.

PH would go on to make one more album in the seventies, the dismal Something Magic before the band broke up. An album not even worth reviewing simply because the lack of objectivity that drove band to record a cover of Eight Days A Week only became worse by the time the band recorded Something Magic. Truly sad.

SteveG | 3/5 |


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