IN THE LAND OF GREY AND PINK

A tougher album than this one must be hard to come by, at least if you're trying to review it. For the last month or so I've listened to it say...two-three times a week, and I've never felt the same for it. I'm torn between what on some days is nothing more than humorous lyrics (always puts a smile on my face), seemingly simple music and a nice mellow prog-tinged 70's experience. Other days I have no problem seeing past this faulty accusation and discover the great music actually there. Slightly folky, cheerful, well-instrumented prog rock with more twists and turns and different elements than you'd think.

So what to make of it?

Well, this isn't a masterpiece. And it won't ever be one for me. Very mood-dependent songs, and though they always cheer me up, the rare moments when I fully appreciate them are way too far apart. I do like the flutework/winds and soloing, and the way it all floats together in this relaxed, care-free way. But that's it. I don't feel challenged in any way, and I miss that very integral part of prog music.

The favourite here is Winter Wine. Darker atmosphere and great singing. Second in line is the title track. It might be due to the fact that it's the first song I heard from the band (the sample here on PA), but I think it's very representative for this album. Nine Feet Underground, the epic on this album? Well, not a favourite. I'll have to concur with some of the previous reviewers about this one's repetitive tendencies. Shines from time to time, but then again, it's 23 minutes of it.

And yes I DO enjoy the shorter arrangements. Golf Girl is great. But great in this silly, feel-good way that wanes rather quickly.

Depending on your natural mood-swings and the way you perceive things different while in those different moods this album ranges from 2 stars to 4 stars in my book. Guess I'll settle for 3 then.

//Linus W