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Kayak - Seventeen CD (album) cover




Crossover Prog

3.91 | 147 ratings

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5 stars Finally came the new album "Seventeen" of the famous Dutch band Kayak! This is their 17th album too. The band was founded in Hilversum, the Netherlands in 1972, and dissolved in 1982, but reorganized in 1999 and is still active today. Initially their style was the most popular symphony of the time, but later became somewhat popular. After the revival of the 21st century, they devoted themselves to the creation of rock opera. They released three pieces, each featuring Merlin and Nostradamus And Cleopatra's story, in which Merlin that Zhang is the re-production of the old album, a medieval style. These albums have received a good rating. Their symphony melodies are very attractive, Moog and Mellotron are used frequently, and keyboardist Ton Scherpenzeel also joined Camel (it was during the dissolution of Kayak, Kayak reconstituted that he quit Camel back to the old ), Explains why Kayak's style is a bit like Camel, beautiful, meticulous, melodic, and sometimes majestic, with late-rocking and pop flavors (which is what keeps pace with the times). Last year, the band released a box called "Journey Through Time," recording all of their studio albums and two addendums, leaving a space in the box. The band explained that this was their 17th album. This year, 1 On May 12, Kayak fans are finally able to fill this space with a new album. The new album has been four years since their last album. The band said on the official website: "Kortom: het bootje slaat welens om, maar weigert voorlopig te zinken." (In short: Kayak Meaning kayak, then the name of the band with the sex) will turn, but will not sink.) Now, they are back! Speaking back to the new college, the reason for this is also because Camel guitarist Latimer also guest guest, Camel last year announced on the official website of the band assembly and explore their future path, can not think of his new special did not come out, Latimer and old friends Scherpenzeel made Kayak's new music together, and Latimer was busy himself, helping with the band's bassist Colin Bass. I have not got the exacting creator of "Seventeen" for each song, but there are many guitar solos that have the charm of Latimer ("Falling", "Walk Through Fire", "Ripples on the Water" ... oh my god! Latimer has been involved in the creation of almost all songs!), Elegant and long, soothing, and sometimes straight to the heart, soul-stirring! The album is exactly 60 minutes, the basic structure of three songs about ten minutes, plus nine more than three minutes of short songs, so that both the avant-garde and popular potential. Although such a structure is similar to the rock opera they had previously done, the band said it was not a concept album. In addition to symphony and opera blend, the new album is also some folk features, the introduction of some folk music melodies, and melodious flute (Latimer should not be the style), more than three minutes of short songs are beautiful and beautiful, some very witty relaxed, Some are rock-and-roll and form a contrast with those magnificent and complex long songs. Scherpenzeel's keyboard is still hot and pleasant, he is also used for the synthesizer as pure fire, the piano played smooth as water. For the three long songs, they are all standard symphonic shaking structures, which have brought back the feeling of the 1970s. They mainly focus on the melodious guitar solo. The piano is laid out in the back and strings are added to enhance the momentum. In addition, I must mention that the voice of lead singer Schwertmann did not show the old state, but it sounds very comfortable. The first song "La Peregrina" as its name, which a synthesizer solo very "pilgrimage" atmosphere. The second "Walk Through Fire" opening is the Latimer iconic style, followed by the Northwestern European folk style melody to join the last hot guitar, string and synthesizer have hurricane, the perfect ending in the passionate chorus. The third song "Cracks" is more conventional, without the first two so prominent, which is the album's weakness, the first half is too exciting, the second half is relatively mediocre. However, flaw does not cover Yu, the old cannon this combination has brought everyone a classic! Proper four-star semi-critical, the top10 contender of the year!
mitarai_panda | 5/5 |


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