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Genesis - The Lamb Lies Down On Broadway CD (album) cover

THE LAMB LIES DOWN ON BROADWAY

Genesis

 

Symphonic Prog

4.28 | 1995 ratings

From Progarchives.com, the ultimate progressive rock music website

lazland
Prog Reviewer
4 stars Okay, it's probably heresy, but this classic gets only four stars, in spite of the fact that it contains some of the best music (let alone prog) ever written. Why? Well, as I said in a recent poll on this site, I still, after owning the LP for some 31 years, cannot figure out just what on earth it is all about. I will also probably upset a few visitors to the site by stating unequivocally that it is too long. I seem to recall some years ago Rutherford saying that it would have made a perfect two side LP, but they got carried away - I agree.

If I were just reviewing the first two sides, this would be a no brainer five star work. The Lamb... itself is a fantastic opener, In The Cage a genuine classic with such strong keyboards, backings, and vocals, the ultimate keyboard solo to weep to in Hairless Heart, a fine example of catchy and essential pop/prog in Carpet Crawlers, and Gabriel at his most emotional and heart rending in Chamber of 32 Doors, up there with my all time Genesis favourites. The rest of the first two sides blend together perfectly and there is never a dull moment, with the band itself proving themselves to be consummate professionals and musicians backing Gabriel's story about Rael (whatever it means).

For me, the last two sides are overlong. Lilywhite Lilith, and It are amongst the best works ever recorded by the band, and I especially enjoyed the remix of It on the Archives Boxset. The Light....would, to me, have been a perfect bookend to The Lamb...in much the same way as Aisle of Plenty was to Dancing.....on Selling England.... Here, it just seems somewhat out of place (pardon the pun). A lot of it is disjointed - excellent playing, but not quite right. Colony of Slippermen is a good example of this as parts of it rock with a classic keyboard solo, but others just don't seem to fit into place and noodle for the sake of it.

Don't get me wrong - this is a masterpiece, but it is by no way the finest of the Gabriel era LPs and it is easy to see in hindsight why it was his last. There were interesting times ahead.

lazland | 4/5 |

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