Header
Miles Davis - Black Beauty: Live at the Fillmore West CD (album) cover

BLACK BEAUTY: LIVE AT THE FILLMORE WEST

Miles Davis

 

Jazz Rock/Fusion

3.27 | 18 ratings

From Progarchives.com, the ultimate progressive rock music website

js (Easy Money)
Special Collaborator
Honorary Collaborator / Retired Admin
3 stars It's hard to talk about this album without comparing it to Miles Live at Fillmore (Fillmore East), an album that was recorded a few months later after Keith Jarret joined the band. Both albums are based on material taken from Bitches Brew, Jack Johnson and a few other sources, but I think Live at Fillmore is the far better album. On this album, Black Beauty Live at the Fillmore West, the band still sounds like they are trying to get their individual voices to merge into a cohesive unit. Saxophonist Steve Grossman is still playing in an all-out expressionistic avant-jazz style, by the time they record Live at Fillmore he will be into the more forceful and riff driven psychedelic jazz-rock that Miles was looking for. The band as a whole is so much more in tune with each other and intuitively cohesive when they record the latter album.

This album also sounds spare without Keith Jarret, who will bring so much when he joins the band later. Chick Corea is an incredible electric pianist, but something about him and Jarret together is even more incredible. The sound of two furious highly skilled dissonant electronic keyboardists battling it out is one of Live at Fillmore's strongest points. Also, by the time they record the latter album, Corea is experimenting a lot more with his echoplex and ring modulator, which brings a lot more intensity and sonic variety to the music.

The other thing that is missing from Black Beauty is Airto, He's there, but you can't hear him. On Live at Fillmore he leads the band like a shaman/clown with various noise makers and percussion instruments and adds so much to the sound. I think on Black Beauty someone forgot to turn his microphone on.

This isn't a bad album at all. Miles, Dejohnette, Corea and company crank out that hard driving dissonant avant jazz-rock that Miles is so well known for during this period. Since Corea is by himself on keyboards, you can clearly hear all his inventive lines and chord voicings , which are hard to hear on some of Miles' more cluttered albums. But if really want to hear Miles and his cohorts really expand on the spare material provided by Bitches Brew, get the much better Live at Fillmore, also called Live at Fillmore East.

js (Easy Money) | 3/5 |

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Share this MILES DAVIS review

>

Review related links

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | GeoIP Services by MaxMind | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.01 seconds