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I Califfi - Fiore di Metallo CD (album) cover

FIORE DI METALLO

I Califfi

 

Rock Progressivo Italiano

3.34 | 38 ratings

From Progarchives.com, the ultimate progressive rock music website

Todd
Special Collaborator
Rock Progressivo Italiano!
3 stars Great potential!!

This is almost like three different groups coming together to make a good RPI album. There's the awesome progressive style with keyboards galore and shifting rhythms; the pop style with nice, memorable vocal passages and prog flavoring; and the straightforward blues-rock style with its repetetive riffs and unimaginative solos.

Let me start with the three great tracks, the most progressive entries on the album. The opener "Nel Mio Passato" is the most successful song which blends the various styles that the band brings to bear. Nice vocals, nice keyboards, melodic tune, good guitar work. Strong opening! The fourth track, "Varius," is a keyboard driven masterwork that is captivating and exciting. The closing track, "Campane," is a great blend of the above two works, with strong keyboards and good variety. If the entire album were along the lines of these three songs, this album would be considered a classic.

The three pop style songs, with a typical singer/songwriter style, are also excellent. They are "Alleluia Gente," "Felicita, Sorriso e Pianto," and "Madre Domani." As is typical of the italian pop style, they are centered around vocals, usually accompanied by nice acoustic guitar, mellow organ, and fairly straightforward rhythm section. "Alleluia" and "Madre" have really nice prog-inflected sections as well, featuring some excellent melodic keyboard work.

The three straightforward blues-rock songs, "Fiore Finto, Fiore di Metallo," "A Piedi Scalzi," and "Col Vento nei Cappelli," are completely forgettable. I now skip them every time I listen to the album.

Overall, the album isn't very successful at blending their various styles. (That kind of success is frequently seen in the RPI classic works.) The album seems fragmented to me, almost a hodgepodge of different composers with contrasting styles trying to force their will onto the rest of the band (late Beatles, anyone?). The album is good enough for three stars, but it could have been so much more . . .

Todd | 3/5 |

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