THE SNOW GOOSE

The most unique Camel album that finds the band being at most focused. Conceptually, this is a symphonic prog album maintaing musical complexity of the Mirage and Moonmadness but bringing more experimentation without commercial ambitions. Compositions are rather short but very memorable; my complaint is that they could more often last longer to be further developed. Canterbury influence, despite being symphonic prog with orchestra and flute, is still manifested; take "Rhayader" or "Migration" as an example with organ sound like from Soft Machine/Caravan. The next track is the most intensive track with very interesting keyboard sounds and emotional/symphonic mellow part. "Sanctuary" shows Latimer in the acoustic spotlight, not far away from Mr. Hackett.; Fritha, on the other hand is Bardens number with keyboard textures. Title track has a catchy melody; it is both high quality and air-friendly. "Flight of the snow goose" is an uplifting track with walls of Moog; incredibly catchy too. "Dunkirk" is a marching graduating piece with great fast paced drumming and guitar.

Excellent addition to any prog rock music collection, no doubts about it.