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Procol Harum - Grand Hotel CD (album) cover

GRAND HOTEL

Procol Harum

 

Crossover Prog

3.88 | 210 ratings

From Progarchives.com, the ultimate progressive rock music website

kenethlevine
Special Collaborator
Prog-Folk Team
3 stars One might argue that Robin Trower hindered more than helped along the Procol cause. He arrived after the first smash hit and left before their second. It's doubtful the hit live album would ever have been realized while he was in the group. The best evidence that his departure took PH up a notch is in this studio follow up to the anemic "Broken Barricades".

"Grand Hotel" is elegant from its title on down. Perhaps a bit too aristocratic at times, choosing ornate over unaffected more than called for, it contains the strongest songs on a Procol album since their debut, and a refreshing stream of Gary Brooker's best career piano work. The lyrics are provocative always, but here they actually make sense. The ditties are superior to the highlights on "Barricades". The new guitarist Mick Grabham has unfortunately that same fuzz bucket style that Procol seems to demand, but thankfully he is suppressed more often than his predecessor (not counting David Ball who was only on the live album).

The title track exhibits all the positive and negative facets of the album, but, like most here, tips to the plus side of the ledger, especially thanks to the classical allusions and Russian styled passages. My favourites are "Rum Tale", which seems to encapsulate all the best aspects of the group's earlier work, the catchy and insightful "TV Caesar", the organ dominated "Bringing Home the Bacon", and the uber-elegant "Fires Which Burnt Brightly", with its near Haslam like noodling by soprano Christianne Legrand. But even the snide commentary of "Souvenir of London" and "Toujours L'Amour" work for me in their way, the latter including Grabham's best work along with "Bacon".

While the very modest success of "Grand Hotel" suggested that the smash of "Conquistador" represented a last gasp rather than a commercial resurgence, this album simply exudes class in the way of a fine wine or opera. Such is a rarity in rock. But like much art of this type, the emotional impact is somewhat wanting, so I must round down to 3 stars to make this accommodation.

kenethlevine | 3/5 |

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