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Abarax - Blue Room CD (album) cover

BLUE ROOM

Abarax

 

Crossover Prog

3.57 | 28 ratings

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Rivertree
Special Collaborator
Psych/Space Team & Band Submissions
3 stars Although not provided as a concept album on this occasion, ABARAX are fundamentally linking to their debut here as for the compositional aspect. Which means 'Blue Room' is surely not designed to be very experimental, so much the more you will listen to solid rock songs made of symphonic and psychedelic elements in the majority. All in all less floydy this time and a little more commercially coloured. The rocking component has evolved. So this album holds eight calculated songs offered by experienced musicians where Howard Hanks has a large share when it comes to the lyrics.

Due to the fact that they are situated nearby my hometown I had the chance to see them playing live for several times in the meanwhile. And I was always impressed by As We Spoke because of this special mellow atmosphere and groove, a very emotional song somehow. I'm not that good in interpreting lyrics but releatively sure this is a kind of love song. Luckily the track got a place on the album, an extraordinary methinks. Andre Blaeute's expressive voice perfectly fits here decorated with some echoes - charming, a catchy melody ... oddly ponderous drums, synth and guitar are harmonizing ... and watch out for the bass excursion in between to make it big really.

'Now we've sent you to hell, to where you belong' - Sermons & Lies sounds lovely but is an accusation as well, cryptic though who is meant. Udo Grasekamp offers fine varying synthesizer accents including string arrangements on Life, probably a leftover from early days. ABARAX are getting tough here, are contrasting due to some heavy rocking moments. Red Roses And Bullets on the other hand ventures out into mainstream territories a lot, where Howard's End is provided with a dramatic opening - first of all the vocal arrangements are something special.

This is certainly not the end of Howard ... in any case ... with intent or not, they remind me of Deep Purple's 'Child In Time' during some moments. A melodic finale for this album. Dennis Grasekamp's front guitar work is strong as usual. 'Blue Room' appears not that spectacular as for my summary ... just an effort featuring well made rock songs in order to witness some relaxed moments basically.

Rivertree | 3/5 |

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