NURSERY CRYME

"Nursery Cryme" is one of the great albums of Progressive Rock.

In 1971, Genesis release their first masterpiece, "Nursery Cryme", an album that went down in history as one of the finest Symphonic Prog releases ever. After 40 years, the album has not lost any of it's magic, and continues to stun new and old fans.

"Trespass", the sophomore LP, gave a much more clear vision of how Genesis will become: it's melodies, it's atmosphere, were typical of the band's style that is known today. But with "Nursery Cryme", the maturity level is complete, giving a wonderful mix of atmospheric passages and beautiful, haunting melodies. What clearly improved compared to the sophomore LP is the musicianship, much more precise and detailed, without ever having any goofs. "Foxtrot", the next album released the following year, will have some of the best and most original musicianship that has been heard in any piece of music, so it's just wonderful knowing that "Nursery Cryme" Genesis have barely started in stunning the audiences. The slower passages are very present in the album, very frequently accompanied by Peter Gabriel's intimate vocals, or some additional instrumentation such as flute or mellotron. These calmer moments are kind of a trademark for this album in particular: the enlivened moments are here, but they still have a somewhat similar feel to the slower ones.

"Nursery Cryme" might just be the most delicate, intimate, playful album Genesis have ever released: however, like it was previously mentioned, the maturity is here, so the innocence is exquisitely mixed with haunting, beautiful moments, that suggest quite the opposite, especially in the opening track "the Musical Box", now regarded as one of the great tracks of the band. "Nursery Cryme" is a dare-to-open box of toys, that any child can open, but his innocence will be gravely endangered, as there is in it the adult world. It's almost like a coming-of-age album: You will not be the same, when you have properly listened to this masterpiece.

The magic seems to never end in these 39 minutes, but they pass so quickly, you wish they were more. The ten minute opener "The Musical Box" is probably the most haunting, complete, and eclectic song off the entire album, featuring slow, mysterious moments, and bursts of guitars, keyboards, and intense drumming. It simply has it all, with an incredibly thought provoking structure. "The Return Of The Giant Hogweed" is the most theatrical song off the album, very brave, with enchanting melodies, and a gigantic sound as well,that will even terrify you in some moments. The shorter songs, from the interlude "For Absent Friends" to another perfect song, "Harold the Barrel" and the gentle "Harlequin". "The Fountain Of Salmacis" and "Seven Stones" are other complex, seven minute songs that provoke and move at the same time, making both of them, like all the other songs here, priceless experiences.

The power of Progressive Rock is that an album itself can bring you to a fantastic, surreal world. The universe of "Nursery Cryme" is one of the most vivid and credible ones: one of the great albums of Symphonic Prog, a masterpiece that hasn't aged a bit, and probably never will be.

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