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6LA8 - In Wake of a Dying Nation CD (album) cover

IN WAKE OF A DYING NATION

6LA8

 

Progressive Electronic

2.33 | 3 ratings

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colorofmoney91
Prog Reviewer
3 stars Pakistani electronic post-rock for almost 4 hours.

Yes, almost 4 hours; In Wake of a Dying Nation is a very overbearingly longwinded album and I'm actually surprised I made it through the entire set. This being said, it's actually not bad music at all. It's actually quite dreamy, in fact. Still, almost 4 hours is unjustifiable.

But throughout this album's runtime you will hear variations on two more general genres: post-rock (typically either straight-up sluggish post-rock or 21st century electronically enhanced post-rock) and electronic (ambient or industrial). I personally have never been a fan of typical post-rock, and the post-rock present through this album is generally typical post-rock, featuing slow single note guitar picking that grows a bit louder as each track goes on. If you're a post-rock fan then have at it. But there are also the tracks that are more of the, what I call, 21st century electronically enhanced post-rock (God is an Astronaut, 65daysofstatic) that uses the same formula but ups the ante a bit by adding dense electronic backdrops and faint IDM techniques. This style is displayed well on tracks like "Loadshedding Brings an Empowering Visit to Our Moonlit Rooftops" and "Triumph of Some Win Replaces All Lives and Hearts Lost". I can see how fans of modern post-rock might seriously enjoy this group, but this style simply tests my patience too much.

While a large chunk of this album is relatively boring, a few tracks stand out. "We Lost Much in the Flood, But at least there is Farmville" is a guitar laden depressor of a track reminiscent of Fripp & Eno's No Pussyfooting but luckily doesn't come off as a rip- off at all. "Choices Plague You, Let Only a Single Voice Be Heard" is a mid-paced post- industrial minimal techno track that sounds like a less involved Monolake track from Momentum. On some of the more drone-oriented ambient tracks on this album there is a huge Manuel Gottsching influence, like on "Tired Faces Look at Dawn with Resigned Lives" which loops a lonely guitar staccato over a passionately drifting soundscape that concludes with piercing sirens. 6LA8 also show an intent to be experiemental, which is very apparent on "Feverish Missteps and a Burning Tape of Drama and Revolution" which is abraisively percussive and features glitchy Italian vocal samples and a grindingly repetitive mechanical synth loop.

Though this group is from Pakistan, it wouldn't be obvious through listening to most of their music. Elements of middle Eastern music do show through occasionally though, such as on "We Ride through Deserts and Think of Lives Forlorn" which plays with an obvious middle Eastern tonality and beat, and on the opening track to the first disc there is a very emotive middle Eastern percussion (I won't pretend like I know the name of the exact instrument - Tabla, maybe?).

I went into this album excepting that I would be overwhelmed by the overwhelming runtime of this three disc debut album, but I left with almost an hour of tracks that I really do enjoy. While I think there is a huge misstep in terms of quality control, I think 6LA8 have crammed enough music into their debut for anyone interested in electronic music or post-rock to leave with at least a standard album length worth of enjoyable material. In Wake of a Dying Nation is a definite winner for most inaccesible format for a debut album ever, but I can't consider it too much of a winner in any other category.

colorofmoney91 | 3/5 |

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