TURN LOOSE THE SWANS

"Turn Loose The Swans" is a gothic masterpiece of hopelessness intertwining with crushing beauty.

My Dying Bride's sophomore album puts the band high on the Olympus of Doom Metal bands; still today, this band is one of the most respected acts of Metal music, receiving something like a cult status.

Doom Metal in 1993 wasn't exactly the most popular kind of music that was metal-oriented: this genre though has been one with a very interesting fan-base, and a genre that has a well-respected history that goes way back, from the early Black Sabbath days. My Dying Bride is a major symbol of evolution in Doom Metal, a band that distanced themselves from the "Traditional" Doom Metal sound typical of bands like Pentagram, Candlemass or Trouble. Although there were bands that incorporated Death Metal and keyboards slightly before the arrival of My Dying Bride, the British band, along maybe with diSEMBOWLMENT, was the first to make Doom Metal more recognized.

"Turn Loose The Swans" has all of the traits of the genre: low-octave, slow, heavy riffs and desperately gloomy lyrics. But the bluesy, retro-feel Traditional Doom sound here is nowhere to be found. Instead, we have an excellent production, Death Metal passages,-- usually the heavier ones-- and a great dose of atmosphere, created by keyboards or various effects. Another important addition that really gives a touch of elegancy to the songwriting is the violin, very frequent even in the heavier moments, or the piano driven moments. All this together makes My Dying Bride's "Turn Loose The Swans" a very ambitious, almost progressive album, with many twists and turns, short and long cuts that still aim towards a precise and effective scope.

Starting with the seven minute, piano driven "Sear Me MCMXCIII", a desolate, grief-inducing introduction to the general atmosphere of the album, My Dying Bride go full force with "Your River", where they vent extremely intriguing songwriting, great performances, and a desperate feeling that might even discomfort the listener. The desolation persists especially with the twelve minute "the Crown Of Sympathy", one of the key moments of the album, a wonderfully arranged, complex, and multi-parted track that is haunting as well as terrifying. Some of the heavier moments, like "The Snow In My Hand" or the title track, are more focused on actual songwriting instead of creating gloomy auras, but the closing track "Black God", as beautiful as it is, is more repetitive and once again more focused on the atmospheric delivery.

"Turn Loose the Swans" is one of the key Doom Metal albums of all time; essential listening for whoever is into Metal music. It's almost unearthly despair still give the chills today.

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