MIRAGE

My first Camel purchase and listen. Based on the strength of this album, I have since purchased nearly every studio album and a couple of live albums. One of the things I like most about Camel is that they do, in fact, progress. They can't be accused of sounding the same from album to album.

This particular album, is very much in the early 70's classic rock style, while veering quite a bit into 70's prog territory. This album and the first one are probably the only two that sound qutie similar to each other in their whole discography, though this one is definetly superior to the debut. There is much to love here, especially if you grew up listening to 70's rock.

Bardens organ playing is outstanding on every track, reminding me of Tony Kayes playing on The Yes Album, but with far more blues and soul leanings (he even sounds like Ray Manzarek from the Doors during Lady Fantasy!). Latimer is starting to sound like the great guitarist he was going to be on future albums, playing some wonderful solos and melodic lines. Not to mention his very nice flute playing on a couple of tracks, most notably Supertwister. And let's not forget the incredibly entertaining drumming of Andy Ward. Doug Ferguson is not exactly a stand out bassist, but he does get the job done.

In fact, the only thing here that makes me hold back a 5th star, is the weak vocals. They border on mumbling in some spots and just seem to be so soft and bland as to almost be pointless. Still, they are not off key or particularly bad, just very weak (this will be an issue for me with many Camel albums, though starting with Moonmaddness they do improve).

Overall, a great album worth having for any progger, and probably the most energetic Camel album ever. If you only get one of their albums, make it this one.