BEYOND THE NIGHTFALL

'Beyond the Nightfall' - Metaphysics (7/10)

Progressive metal may be a something of a stagnant genre nowadays, but there's still great quality to be found. Metaphysics is an Italian group that have been together since 2005, and though their sound is but a sliver away from the prog metal giants that so clearly influence them, they have created a memorable first album with "Beyond the Nightfall". If you've ever listened to Dream Theater or Symphony X and wished they focused a little more on the melodic side of their music, then Metaphysics should fill a hole.

Filled with hooks and catchy melodies galore, Metaphysics is truly able to convey their melodic songwriting in progressive metal, without letting it slip into banal AOR territory. In fairness, it's nothing new for progressive rock or metal in general, but there's plenty of enjoyment to be had with Metaphysics.

Beyond the Nightfall kicks off on a strong start with 'Fallin'', a rocker of a track that quickly introduces the band's style. Flashy guitars and keyboards are held on generally equal grounds in terms of their importance to the music. The bass work is impressive, although- much like Dream Theater and a host of other prog metal bands- it feels under-represented compared to the other instruments. Drummer Marco Aiello arguably gives the most consistently impressive performance on the album, firing away with a similar sort of busy intensity to Mike Portnoy's work on the first few Dream Theater records. Vocalist Davide Gabriele does not sound like a LaBrie or an Allen, yet his voice does not sound out of place at all for the style that Metaphysics play. His voice emphasizes melody over anything else, and while his voice could be mistaken for one of many power metal frontmen, he pulls his weight well, leading Metaphysics with a delivery that favours the mid-to-higher range.

For such technically complicated music, it's very surprising how accessible Metaphysics' music feels. Perhaps it's the fact that "Beyond the Nightfall" is very similar to many prog metal albums I've heard, but I think it's their penchant for melodic songwriting that really sells them on the first listen. The instrumentation is saturated with time signature changes and the occasional freak-out that's bound to make a newcomer's head spin, but Gabriele's vocal melodies give an openness that should agree with most listeners. 'Follow Your Desires' and the brilliant climax 'Lifend' are among my preferred picks, best representing the band's clear talent and skill in performance and songwriting.

With their potential in mind, it's a little disappointing that ' like so many prog metallers- Metaphysics sound so similar to their influences. That can be generally forgiven, given how many newcomers choose to do the same thing, but I think "Beyond the Nightfall" would have had given a stronger impression, had Metaphysics approached the progressive metal genre from a little more of a unique angle. Original it's not, but "Beyond the Nightfall" is one of the better progressive metal albums to have come out of 2012.

Italian band METAPHYSICS was formed in the fall of 2005, its members deciding from day one that their aim was to create and perform their own material. A demo was made and released at the start of 2007, which brought positive attention to the band. 2011 saw them hit the studio to record their debut album, and in the summer of 2012 the end result was released as "Beyond the Nightfall" on the Italian label SG Records.

How much or not you'll enjoy Metaphysics' debut album "Beyond the Nightfall" depends very much on how deeply you have explored bands that take on the sound of Dream Theater in my opinion, and how much you generally enjoy music of that specific nature. If you have a deep love and affection for early 1990's Dream Theater and songs that blend calmer, ballad-oriented themes with majestic sequences and the occasional harder edged, aggressive insert, then this is a disc I suspect you'll enjoy quite a lot. Others may want to approach this one with a slight bit of caution.