GUIDING LIGHT

PYMLICO is a brainchild of Norwegian talent Arild Brøter who surrounds himself with several partners. The chairperson's brother Øyvind can be heard on piano and organ, Axel Toreg Reite is here for bass performance, Larry Saltzman provides flute and percussion, Ivan Mazuze delivers saxophone. This particular squad weaves imagery and mood within an instrumental framework. Pymlico now bring their most mature work to date, entitled 'Guiding Light'. From the opener 'A Day Out' until the farewell passages of seventh track 'Neptune' the musical content sounds like entrancing alchemy with lots of room to maneuver, plenty of scope to explore a level of diversity, nice melodies in abundance. It draws the listener into journey of emotion and thought. Being a very good composer, arranger, drummer, keyboardist, guitar player, Arild Brøter still remains loyal to his source of inspiration: halcyon days of the Golden era. In terms of construction, CD 'Guiding Light' has relation to Alan Parsons Project as well as apparent vibes of Genesis, interrupted by Arabic motifs and jazzy elements. All these accents are superbly executed. The use of distinctive credentials, subtle nuances and variety should satisfy prog aficionados. So... if vocals aren't a prerequisite, then this excellent album is for you.

I will not deceive anyone into thinking that I am an exclusive prog fan! Roxy Music/Bryan Ferry will always be my number 1 but I also deeply enjoy the John Foxx/Ultravox/Midge Ure style of cold sizzling electronica. Pymlico is a Norwegian prog band that combines progressive rock tendencies with a 'cool' sense of modernity, a synthesizer heaven with blazing melodies, thumping rhythmic drive and a clear and polished sound. Their 2 previous all-instrumental albums had a wondrous sense of adventure, the style that non-proggers would describe as 'video game music', a term perhaps meant to be only slightly derogatory but let's face it, it has helped sell an ocean liner load of games across the globe.

The spooky front cover does give one the creeps but its just an innocent tourist in a hoody, which may be lethal only in Miami, Florida, I guess .But the music within the artwork is sensational, highly atmospheric (the way I like my prog) and extraordinarily balanced between accessible and detailed. Truth is the content is highly charged and emotional, due in no small part to that mesmerizing saxophone. I often asked myself why Dick Parry did not get more credit for exfoliating Pink Floyd's deep psychedelic jungle and blowing so many passionately incredible strains into the stratosphere!

Pymlico is the brainchild of Arild Broter, a drummer for heavy rock band Lucifer Was displays a great rhythmic mastery as well as composing some sparkling cinematographic pieces that simply go beyond the norm. His beat is solid, the bass wielded by Axel Reite carves in sync, a great tandem between the two. Brother Oyvind Broter shoots off some celestial synthesizer streaks, as well divine piano, organ and e-piano. There are also two guitarists to fill in the sound, both Mads Horn and Stephan Hvinden show great chops, tones and textures that span a great many styles.

"Guiding Light" is way more homogeneous and free-flowing than their two first albums , which were more piece-oriented, showing a greater attention to detail and placement, each track flowing nicely into the next thrilling chapter, with a plethora of comfort moments , either a sharp chorus , a sizzling melody , often both within the same track. Needless to restate the playing is absolutely spot-on, a major prerequisite for instrumental-only prog. On "The Sounds of The City", the listener is rattled by the main synthesized air, the choppy rhythmic convulsions, the threatening guitars and finally, the manner in which they all blend harmoniously. Damn good modern prog!

The glorious saxophone takes centre stage on "The East Side", conjuring all kinds of urban images of twilight party goers, fumbling for their Audi keys, while the stiletto-heeled vixen adjusts her mascara. Yeah, the music is both sensual, misty, gritty and yet still energized. Pymlico also enjoys venturing into more modernistic zones, infusing Middle Eastern motifs into moody electronic puddles of sound, bolstered by mammoth drum patterns and hypnotic improvisations, as best showcased on the tempestuous "Wanderlust".

They are unafraid of complexity when called upon, as they display acrobatic chops on the fiercely named "Bobcat", a wild adventure full of feline grace, intricate attitude that borders hard-jazz and also some serious grace under pressure, as exemplified by the sublime e-piano sheen that evokes sultry images of fantasy. The main theme is immediate, in contrast to the rather dislocated intro, a perfect example of their genial compositional craft.

Being a bass fanatic, I fell to my knees in abject surrender upon hearing the four-string line played by Axel Reite on the highlight track "Piz Gloria", a cannonading assault on the senses, only made more compelling by the masterful keys , a swirling overhead synth in particular, that will just leave you gaga. The main benefit of instrumental prog is that you need no lyrics or voice to guide you towards your own interpretation of the notes being played and you can thus create your own little world of musical fantasy.

The majestic 13 minute+ "Neptune" ends this loving affair on a high note, and what better instrument to supply this 'high' note than that bitchy sax, partnered by a lyrical guitar rant. Being such a Roxy fan, I am always under the spell of Andy Mackay's sax and oboe and I now realize why I am so ennamored with this style of music, as it's like a combination of vocal-less Pink Floyd and Roxy Music. It should therefore come to no surprise that Gilmour and Manzanera have been loyal friends and partners for the past 20 years or so. Both fret maestros Horn and Hvinden are inspired to emulate their idols and to shatter the speakers with duelling axe explorations that defy explanations. The urgency picks up half way through and one has no choice but to succumb to the sublime delivery and the unending creativity displayed!

As it stands, "Guiding Light" just might wind up among the very best 2014 albums, a compelling instrumental masterpiece of the highest order. I haven't heard 'The Endless River" yet (it's on order) but it better be good coz these Norsemen have made one hell of a torrent. This is my kind of very 'saxy' prog!

5 Recon Luminosities

Norwegian project PYMLICO is the creative vehicle of composer and musician Arild Bröter, which started out back in 2009 and with the initial album released two years later. So far Bröter has recorded three studio albums under this moniker. "Guiding Light" is the most recent of these, and was released through his own label Spider House in 2014.

Pymlico's third studio album is one that covers quite a lot of different ground, and appears to hone in on contemporary progressive rock just as much as on the vintage varieties of this type of music. Compelling melodies and distinct, well-developed moods and atmospheres are key features throughout, and the CD is, as expected these days, I guess, well produced and mixed as well. An album for those who enjoy progressive rock when it is instrumental and varied, a key audience might be those that find as much pleasure in listening to Jan Garbarek at his most accessible as they do when they pop in a CD by Porcupine Tree in their CD player.

Pymlico, being a solo project of Norwegian drummer Arild Brøter, with "Guiding Light" presents a slight change in style from his previous solo efforts. With his two first albums mainly being rooted heavily in the soft side of Camel, Solaris and David Gilmour's solo instrumentals, "Guiding Light" is heavier, with more complex arrangements, more soloing with Arild's drumming playing a key role. The music is still 100% instrumental, and like on his previous albums, Arild is supported by a range of "guests" on the entire album.

Heavy drums introduce the instrumental opener which continues in grand fashion with jazzy sax and majestic arrangements. A slow and bluesy groove continues into the 2nd track; "Sounds of the City". "The East Side" is for me the first track that stands out, even though it's still lacking a bit in the composition, there is some very nice soloing soaring over a "wall of sound".

"Wanderlust" is another track built upon heavy drums, this time with guitars and synths performing the soloing parts on top of the drums without really getting anywhere.

"Bobcat" brings the jazzy elements much more to the front, with everything from tight percussions and rapid solos to slow textures of electric piano washing out the main theme over a calm but steady layer of rhythm from Arild's range of drums and percussive tools. The track also holds a much more calm and gentle centre and ending section. Nice one!

"Plz Gloria" leans much more towards heavy prog with a steady, up-tempo beat, developing into the same pattern as we have seen on several other tracks on this album. Again, drums are dominant, with guitar and synth soloing on top.

The definite highlight track is the album closer "Neptune", clocking in at nearly 14 mins. Perhaps it's because this track points back to some of the greatest compositions on his previous albums. The soloing on "Neptune" takes on a much more melodic and structured approach, with sax also playing a key part.

On his previous albums, the highlights have partly been marred by "out-of-the-context" and outright painful individual tracks, "Guiding Light" stands forward as a much more consistent album. Arild clearly states in the album booklet that this points out a new direction for his coming albums. It's darker, more complex and contains a lot of nice soloing. Still, and apart from the closing track, I believe it's lacking a bit in composition.