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Ozric Tentacles

Psychedelic/Space Rock


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Ozric Tentacles Erpsongs album cover
3.51 | 80 ratings | 8 reviews | 11% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 1985

Songs / Tracks Listing

1. Velmwend (4:38)
2. Fast Dots (3:48)
3. Thyroid (5:05)
4. Spiral Mind (3:33)
5. Synth On a Plinth (1:59)
6. Dharma Reggae (4:56)
7. Tidal Otherness (5:41)
8. Erp Riff (1:36)
9. Descension (5:01)
10. Misty Gliss (4:33)
11. Dots Thots (2:49)
12. Clock Drops (2:49)
13. Five Jam (6:53)
14. Oddhamshaw (6:18)

Total Time: 59:39

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Ed Wynne / guitar
- Gavin Griffiths / guitar
- Joie Hinton / synthesizers
- Tom Brooks / synthesizers
- Roly Wynne / bass
- Tig (Nick van Gelder) / drums
- Paul Hankin / percussion

Releases information

MC self-released (1985)

CD Dovetail Records DOVE OT 1 (1993, UK)

Thanks to ProgLucky for the addition
and to NotAProghead for the last updates
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Capitol 1994
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OZRIC TENTACLES Erpsongs ratings distribution


3.51
(80 ratings)
Essential: a masterpiece of progressive rock music(11%)
11%
Excellent addition to any prog rock music collection(45%)
45%
Good, but non-essential (28%)
28%
Collectors/fans only (13%)
13%
Poor. Only for completionists (3%)
3%

OZRIC TENTACLES Erpsongs reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Proghead
PROG REVIEWER
4 stars This is the very first release from the OZRICS. As a matter of fact, they weren't signed to any label. Let's examine what's going on: it's the mid 1980s, the kind of space rock bands like GONG and HAWKWIND were doing the decade before is now long out of fashion. Record labels once sympathetic to that kind of music (like Virgin, which GONG recorded for) turned their backs on that kind of music and started including punk and new wave acts on their roster. OZRIC TENTACLES knew at the time they wouldn't stand a snowball's chance in hell finding a record label to release their material, so they took matters in to their own hands and released cassettes that were produced and released all by themselves (until the time their reputation spreaded far enough, they would get a record deal, in 1989, that is, but that's later on).

"Epsongs" is that first cassette, and for a home made affair, this is quite a decent album. Certainly the production is a bit messed up in places, and it has its share of throwaway filler, but this album proves that they were already making great space rock, with the ever wild guitar work of Ed Wynne, and great spacy synths from Joie Hinton and Tom Brookes. Ed's not the only one handling guitar here, as Gavin Griffiths is the other guy handing guitar too. Also we get future Jamiroquai drummer Nick Van Gelder (aka. Tig). "Erpsongs" is a wonderful historical item, but things will only get better, that is, their following cassette releases, and their more polished official label releases. If you're a newcomer, don't start here, but if you're a fan, you shouldn't go without.

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Send comments to Proghead (BETA) | Report this review (#5379) | Review Permalink
Posted Thursday, May 06, 2004

Review by obiter
PROG REVIEWER
4 stars The first offering from the Ozrics. I first heard this when a couple of the cassettes were circulating amongst the GAS (Gong Appreciation Society) club at university in 1987.

An absolute must-have for any Ozric fan. Be warned, like all the early tapes the mix is not great. If you've listened to later material then this album is striking for the lack of an ethnic feel: that comes to the fore with John Egan. There are also more synth/electronic tracks: sort of Tangerine Dream like. You also get a couple of fairly free range jams: Five Jam and Oddhamshaw.

Velmwood opens with a synth line speeding and heightening beyond hearing limits as the drum bass and guitars sweep in.This is a very typical Ozric track: upbeat bass driving urging the listener to dance. Ed's lead guitar adding to the mix.It has the feel of a jam: the tempo slows, the bass fills in, stops and gaps with synth fills, then here we go off again in another direction: pulsing bass and a new screaming guitar line before the crash ending. Fast Dots delayed guitar sweeps in, heavy bass riff: synth overlay. Spiralmind has a memorable guitar intro, again with considerable delay/echo.

Synth on a plinth is, suprisingly enough, a pure synth number an atmospheric piece than a tune. Dharma Reggae has a simple urgent repeating synth motif. Tidal Otherness has a strong and simple synth line provides the basis for an extended "jam". Ed lays some heavy distorted lead as he free ranges. The Erp Riff is fairly short, but it feels as if you have merely dipped into an extended jam which could take the band in any direction. I wish there had been more of this. Descension is a slow number with some memorable guitar work at the end. Misty Glass is a synth piece ... bit of a Tangerine Dream feel.

Dots Thots: strong bass riff, delayed guitar chords, the whole being shephered by the drumming of Tig.Plenty of room for the band to jam. Clock Drops: it seems as if someone has said to Roly : "here's an interesting little snyth line: sounds like plinking rain with a chinese feel: see what you want to do with it": the bass dabbles around with a couple of ideas. Then without much warning the whole band chimes in with a great riff (reminds me of something I would expect to find in early Thin Lizzy).

Five Jam sounds like a great rambling jam. If you want structure and form this is not for you. Many of the later Ozrics numbers are stictly structured and use a lot of samples and backing tracks around which the band plays with freedom. This is at the opposite spectrum. There is a smooth bassline providing a core about which Ed, Joie, Tom fill. The jam fades out after 7 minutes or so but you have the impression that it may have cointinued in teh studion for another 20. The last track is Oddhamshaw is another jam.

Essential for any Ozric fan and it could be argued that, as the first offerring from Ozrics, and the dawn of a new age, it is worth 5 stars, but I think most people will be encountering this music as part of a retrospective look at early Ozric.

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Send comments to obiter (BETA) | Report this review (#96175) | Review Permalink
Posted Sunday, October 29, 2006

Review by ZowieZiggy
PROG REVIEWER
2 stars This debut was actually distributed by means of cassettes but is now available (and affordable) on CD (as a combo with "Tantric Obstacles" for instance).

Some tracks, like the opener like "Velmwend" are rather "Hawkwind" oriented and are by far the best out of this early release. Some parts are really boring, like the reggae-oriented "Thyroid". But the major problem with this work is just song writing. It sounds as a long psychedelic jam and that's it!

All these space sounds have been heard already a zillion times (remember, this record saw the light in 85) and is frankly quite unnecessary. Average instrumental music, more related with a soundtrack style than a creative one.

The whole doesn't sound too bad (if you would except the poor and already mentioned "Thyroid") but highlights are hard to be found. Actually, I couldn't manage to find one. This long recording being a succession of space-rock themes with little feeling. Probably OK while you are in a contemplation mood but if you're looking to innovation and subtleness, I'm afraid that you have to knock on the next door.

I use to listen to this type of music (enjoying it, don't get me wrong) while coming back home from work after an exhausting day of stress and traffic jams. Under these circumstances, this is a fine affair. But if you listen to this record carefully, analyzing every bits and bytes, then you might be somewhat frustrated. One of my fave being the repetitive and hypnotic "Tidal Otherness".

The upbeat and very short "Erp Riff" being another good moment from this offering. But songs as "Descension" or "Dots Thots" (again reggae-oriented) can't really move me. Uninspired stuff, really. The band is also heading some very good TD sounds ("Pheadra" period) during "Misty Gliss". Since I was a TD freak in those times, I admit that I quite like this piece although it ends quite abruptly.

I'm afraid that there is little to add. Almost no highlight here, some basic music and no real breathtaking tracks (even if "Clock Drops" and its wild beat is OK) couldn't be enough to score above the two stars rating.

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Send comments to ZowieZiggy (BETA) | Report this review (#181205) | Review Permalink
Posted Sunday, August 31, 2008

Review by Modrigue
PROG REVIEWER
4 stars The first recording by the OZRICs and simply the best of their early cassettes !

Erpsongs features short, various songs which style defines the way for OZRICs' future sound: space rock, electronic, reggae, ambient, world... In 1985, the band synthetizes the best of GONG, HAWKWIND, HERE & NOW and TIM BLAKE to later concoct something surprisingly personnal. At this moment, elements were not completely mixed together, but all ideas were here.

The first track, Velmwend, is a perfect opener: fast and energic space rock. It goes on with the psychedelic Fast Dots and the lazy reggae-ish Thyroid. Then comes one of the highlights of the casette, Spiral Mind. Completely different from the song on Waterfall Cities, it has trippy and catchy melody. The band confirms its electronic ambitions in the following three tracks. Dharma Reggae curiously sounds like... KLAUS SCHULZE ! The rest of the cassette alternates between enjoyable space guitar jams and ambient experimentations. TIM BLAKE's influence can be well perceived, for example in Misty Gliss.

Erpsongs represents the birth of a new band, which will modernize and spearhead the space rock genre. This eclectic recording sounded very promising. A must have for any OZRICs or space rock fan !

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Send comments to Modrigue (BETA) | Report this review (#196102) | Review Permalink
Posted Monday, December 29, 2008

Review by Warthur
PROG REVIEWER
4 stars The Ozric Tentacles debut cassette is a real treat for fans of the band, not least because it shows just how quickly they were able to solidify their classic and distinctive sound - given that the core band members only decided to form a group together at the previous year's Stonehenge Free Festival, the rapidity of their musical development is truly impressive. Combining the approach of the likes of Gong and Hawkwind with more modern electronic approaches and organic reggae vibes, and honing their talents on the free festival scene, the band create their own sonic world from the very first note of this tape. In a way, all the Ozrics' songs are Erpsongs, for the blueprint of their entire career can be found here.

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Send comments to Warthur (BETA) | Report this review (#581431) | Review Permalink
Posted Sunday, December 04, 2011

Latest members reviews

3 stars This band was founded by band leader Ed Wynne, who with his brother Roly Wynne met the other band members of the first line-up of OZRIC TENTACLES at a campfire during the Stonehenge Free Festival in 1983. The band immediately hit it off and performed a jam session on the spot. The members took the h ... (read more)

Report this review (#1214636) | Posted by siLLy puPPy | Thursday, July 17, 2014 | Review Permanlink

4 stars Ozric Tentacles was one of many festival bands that got started making their own home made cassettes, and Erpsongs was one of them. Eventually they wanted to make the cassettes more official looking by giving them glossy colored inlays (Erpsongs being red, Tantric Obstacles orange, Live Ethereal ... (read more)

Report this review (#516562) | Posted by Progfan97402 | Tuesday, September 06, 2011 | Review Permanlink

3 stars If I am to be honest and I will be, I find that if you have heard one Ozric release you have heard them all. Or at least one release did not vary much from the other for me. I use to own several including this one and found myself wondering why I even bother. Boring, doesn't hold up to repeat ... (read more)

Report this review (#5380) | Posted by | Friday, May 06, 2005 | Review Permanlink

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