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Various Artists (Tributes) The Moon Revisited (Pink Floyd tribute) album cover
2.32 | 22 ratings | 3 reviews | 5% 5 stars

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Studio Album, released in 1995

Songs / Tracks Listing

1. Speak To Me/Breathe - Cairo (3:56)
2. On the Run - Rob LaVaque (3:38)
3. Time - Shadow Gallery (7:10)
4. The Great Gig in the Sky - Dark Side of the Moon (4:37)
5. Money - Magellan (7:12)
6. Us and Them - Enchant (7:44)
7. Any Colour You Like - World Trade (3:27)
8. Brain Damage - Robert Berry (2:31)
9. Eclipse - Billy Sherwood, Bret Douglas, Mike Baker, Trent Gardner, Rob LaVaque, Jon-Michael Engard, ted Leonard, and Robert Berry (2:00)

Total Time: 42:20

Line-up / Musicians

Track 1:
- Mark Robertson / Hammond organ, Roland D-70, vocals on intro
- Jeff Brockman / drums, electronic percussion
- Alec Fuhrman / guitars, Moog synthesizer sound effects on intro
- Bret Douglas / lead vocals
- Rob Fordyce / bass

Track 2:
- Rob LaVaque / performance and engineering
- Jon-Michael Engard / additional guitar textures

Track 3:
- Mike Baker / lead vocals
- Brendt Allman / second guitar solo
- Gary Wehrkamp / all other instruments, backing vocals
- Thom Jaeger / backing vocals
- Laura Jaeger / backing vocals

Track 4:
- Joan Burton / lead and backing vocals
- Terry Hand-Smith / lead and backing vocals
- Rob LaVaque / keyboards
- Jon-Michael Engard / slide guitar
- Robbie Robinson / bass
- Dave Taddeo / drums
- Sonia Tratch / backing vocals

Track 5:
- Trent Gardner / lead vocals, keyboards
- Wayne Gardner / guitars, basses
- Tim Downer / drums
- Ken Stout / sax solo
- Sarah Gardner / female spoken voice

Track 6:
- Ted Leonard / voice
- Douglas A. Ott / guitars, other voice
- Paul Craddick / drums
- Ed Platt / bass
- Phil Bennett / piano
- Armen Boyd / sax
- Matt Guillory / keyboards
- Robin Ott / backing vocals

Track 7:
- Billy Sherwood / bass, guitar, keyboards
- Jay Schellen / drums

Track 8:
- Robert Berry / instrumentation, vocals

Track 9:
- Robert Berry / instrumentation, vocals
- Billy Sherwood / vocals
- Bret Douglas / vocals
- Mike Baker / vocals
- Trent Gardner / vocals
- Rob LaVaque / vocals
- Jon-Michael Engard / vocals
- Ted Leonard / vocals

Releases information

CD Magna Carta MA-9002-2 (1995)
A tribute to Pink Floyd's Dark Side of the Moon.

Thanks to progaeopteryx for the addition
and to SouthSideoftheSky for the last updates
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VARIOUS ARTISTS (TRIBUTES) The Moon Revisited (Pink Floyd tribute) ratings distribution

(22 ratings)
Essential: a masterpiece of progressive rock music(5%)
Excellent addition to any prog rock music collection(32%)
Good, but non-essential (41%)
Collectors/fans only (18%)
Poor. Only for completionists (5%)

VARIOUS ARTISTS (TRIBUTES) The Moon Revisited (Pink Floyd tribute) reviews

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Collaborators/Experts Reviews

Review by Easy Livin
SPECIAL COLLABORATOR Honorary Collaborator / Retired Admin
2 stars Meet the new moon, same as the old moon (with apologies to Keith Moon!)

Having just reviewed "A special tribute to Pink Floyd", I thought I would carry on and take in this earlier tribute specifically dedicated to "Dark side of the moon". I will not reiterate my general comments on tribute albums, but any assessment of the music must be nonetheless be tempered by the fact that there is nothing original here, this is simply a facsimile of the original.

Indeed, this album is "Dark side of the moon" track by track in the same order, each song being covered by a different band or artist. Right from the start, Cairo's "Speak to me/breathe" and Rob Lavague's "On the run" are little more than direct imitations of the originals. Indeed, it is difficult to spot any difference at all between LaVague's version and the original, even down to the sound effects and synthesiser tone.

Shadow gallery's "Time" is no better the vocals sounding weak and ineffective, while instrumentally it might as well be the original album. WHAT IS THE POINT!? Even Magellan and Enchant have much of their originality sucked out of them as they take on "Money" and "Us and them" respectively.

Despite the obvious quality of the original material, there really is little of a positive nature to be said about this pointless exercise. There is no question that the artists who perform on this album are consummate professionals, who carry out their allotted tasks of recreating the songs of "Dark side of the moon" note for note. The obvious question though is, WHY?

Review by progaeopteryx
3 stars One of Magna Carta's earliest tribute albums designed to attract listeners to their practically unknown signed prog bands was The Moon Revisited, a tribute to Pink Floyd's Dark Side of the Moon album from 1973. It basically contains a who's who in the Magna Carta lineup and the help of Rob LaVaque and his Pink Floyd tribute band ironically called Dark Side of the Moon (clearly a suitable name for this project).

The one thing that grabs my attention immediately is that this really is not a revisitation per se, nor is it an attempt to explore the album in a creative way. It's just a bunch of new people performing the album as accurately as they can. And they succeed at this, but one has to ask the question: Why? Why not just listen to the original if all you're going to do is perform it note for note? About the only possible interest might be what it would sound like using today's recording technology (back in 1995 of course). Even the vocals on much of this album are fairly close to the original album. You would think that that would be difficult to do, but that's just what they did. It's true you may not exactly come close to the vocal tones of Gilmour, Wright, and Waters, but the deliveries are identical.

Now let's look at this song by song so that we can be introduced to the Magna Carta lineup. Cairo starts everything off with Speak to Me and Breathe. Their rendition is note for note and sets the tone for the rest of the album. Cairo is best known as a symphonic prog band, most notable for their strong ELP influences courtesy of keyboardist Mark Robertson. It would clearly have been more interesting if Cairo had put an ELP spin to this song. At least that's what I was expecting. One good thing about this is that the production on this song is better than that on any of the Cairo albums to date.

Rob LaVaque performs On the Run flawlessly. It sounds like the original, but digitally recorded. Even the sound effects sound like they were ripped right off the original album. The performance is accurately done and this is probably not a song that is easily reproducible, so I'll give him that much credit. Next, Shadow Gallery, a somewhat popular prog metal band that was just starting to make waves when this tribute was released, performs their version of the famous song Time. It sounds very accurately done and because of this it doesn't really sound like Shadow Gallery (just like Cairo's version of Breathe didn't sound like Cairo). It's almost as if these bands just shut off their personalities and became Pink Floyd robots.

Next, Rob LaVaque's Pink Floyd tribute band, Dark Side of the Moon, does a faithful rendition of The Great Gig in the Sky. It features two female vocalists (Joan Burton and Terry Hand-Smith) who perform Clare Torry's famous vocal soars as accurately as can be expected. By now it's obvious that this should be the trend throughout the rest of this album.

Magellan performs Money next. I sort of suspected something that would have a bit of quirkiness to it. After all, Money is a somewhat quirky song and Magellan is (or was) a quirky band. I couldn't think of another song in the Pink Floyd catalogue that would suit this band than Money. Magellan at least tries to layer their special personality over this song and they succeed at this. It really sounds like Magellan performing Money, rather than Magellan warping into a Pink Floyd clone band like the other guests on this album did. Still, they try to be faithful to the original, so it isn't a complete departure from the intended purpose this album seems to have.

Next, Enchant performs Us and Them and we're back on track for another note-for-note rendition of a Pink Floyd classic. Of course it doesn't sound like Enchant, it sounds like another Pink Floyd clone band. World Trade (of Billy Sherwood fame) performs Any Colour You Like. Again another accurate note-for-note performance. The very least he could have done was give it a little Yes twist, but no, imaginations continue to be empty as we approach the end of this album.

The omnipresent Robert Berry performs Brain Damage and since we're just so used to the fact that nothing different is going to happen, the song passes by without a thought occurring in my little brain. Perhaps a better title for this album would have been Brain Damage Revisited, as the ideas are nearly entirely absent. The album concludes with Eclipse featuring all the vocalists from the previous songs. Another faithful rendition for the classic ending of this album. They even remember to put in the line about there not being any dark side of the moon at the very end.

Basically this project was one where somebody (Magna Carta, LaVaque, who knows?) said let's go to the bookstore and buy the score for the Dark Side of the Moon and invite people over to play each song. I can just sense the excitement they must have had. It's too bad no one had the idea of taking this classic album to another level or interpretation.

I guess I can't be completely negative about this album. The performances are true to the original and nicely done. That could be considered an achievement. But I will always have the thought of why anyone would want to do a note-for-note copycat rendition. I guess maybe they were fearful that their interpretation would have come off worst, but you never know if you don't try. The most likely excuse was probably money. This album probably sold better for Magna Carta than the original albums of the bands that performed on here. The Pink Floyd name sells, even when it isn't Pink Floyd performing.

If you like accurate note-for-note tribute albums or are a die-hard Pink Floyd fan, you may very well enjoy this. If you're looking for something original or a new interpretation of Pink Floyd music, you won't find it here. Best for you to avoid. Because I thought the performance was good, I'm going to give this three stars. Good, but this will never be essential. Buy the original if you want an original masterpiece.

Review by SouthSideoftheSky
1 stars Brain damage

Part of a series of tribute albums dedicated to major progressive Rock acts of the classic era that was created by the Magna Carta label in the 1990's, The Moon Revisited is a tribute to Pink Floyd. Or, actually, it is not so much a tribute to the band, but specifically to one album - namely, the 1973 album The Dark Side Of The Moon. Here, the well-known Pink Floyd album is faithfully recreated and little or nothing is different from the original arrangements.

Many of the same bands and artists that were involved in the creation of two other instalments in the series by Magna Carta - the Yes tribute Tales From Yesterday and the Genesis tribute Supper's Ready - also appear here, including World Trade, Cairo, Shadow Gallery, Enchant, Magellan, and Robert Berry, all of which were signed to the label at the time. I respect and appreciate most of these bands and artists and everything here is competently executed, but one cannot help asking the obvious question: what is the point of this exercise?

I must admit, first, that I am not a very big fan of Pink Floyd, and, secondly, that The Dark Side Of The Moon is not my favourite Pink Floyd album. I think it is a good album, but no more than good (I rate it with three stars). Given its status as one of the most loved Rock albums of all time, I have always thought that it is massively overrated. But regardless of what you think of the original album, this re-visitation is unnecessary.

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