Marco Antonio Araujo

Prog Folk

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Marco Antonio Araujo Influências album cover
3.54 | 16 ratings | 3 reviews | 31% 5 stars

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Studio Album, released in 1981

Songs / Tracks Listing

1. Panorâmica (10:07)
2. Influências (6:26)
3. Bailado (5:06)
4. Abertura Nº 2 (8:33)
5. Cantares (5:20)
6. Folk Song (10:36)

Total Time: 45:48

Bonus tracks on CD reissue:
7. Entr' Act I & II
8. Floydiana II


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Music tabs (tablatures)

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Line-up / Musicians

- Marco Antonio Araujo / acoustic guitars
- Alexandre Araujo / guitars and percussion
- Eduardo Delgado / flute
- Antonio Viola / violoncelo
- Ivan Correia Baixo / bass
- Mário Castelo / drums

Releases information

Label: Strawberry Fields

Reedition on CD: Progressive Rock Worldwide

Thanks to ProgLucky for the addition
and to progshine for the last updates
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MARCO ANTONIO ARAUJO Influências ratings distribution

(16 ratings)
Essential: a masterpiece of progressive rock music(31%)
Excellent addition to any prog rock music collection(44%)
Good, but non-essential (19%)
Collectors/fans only (6%)
Poor. Only for completionists (0%)

MARCO ANTONIO ARAUJO Influências reviews

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Collaborators/Experts Reviews

Review by Tarcisio Moura
4 stars For my 100th review on PA, I´d like to introduce one of Brazil´s best instrumental prog ventures of all times. Marco Antônio Araújo and his band are from my hometown and they played a very unique mixture of progressive, folk, rock and classical music. Araujo, a big Beatles fan, lived in London for a time during the 70´s and when he came back he brought with him all the inlfuences that made him one of the most original and celebrated songwriters of his time. His music is quite rooted in the traditional musical forms of Minas Geraes, a state that was famous for its baroque churchs (therefore the proeminent use of the flute on most of the songs, and also the french horn sometimes).

when the record came out it was hailed as a masterpiece, and it deserved it! It´s difficult to describe the music, since it is quite original, although influences are easy to tag and goes from Jetrho Tull to Beatles, classical music, Brazilian folk and so on. Yet the results are a smooth, well crafted collection of songs. You have to hear it to believe.

He recorded 4 albums of original music and was on his way to become an international successs, when it all came to an end by his tragic death in 1986, of a brain aneuurism. But he left his mark and Influências was his first album, and one of the most celebrated ones, since it was recorded and well received at a time when instrumental prog music was not really in fashion (to say the least!). His band mates are very skilled, most of them did solo works and became much sough after studio musicians in years to come. His brother Alexandre Araújo does some great guitar solos and Eduardo Delgado proves to be one of the best flute players around.

If you like something different, instrumental progressive music, with strong folk and classical influences, this is a must have. Highly recommended!


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Send comments to Tarcisio Moura (BETA) | Report this review (#117705) | Review Permalink
Posted Monday, April 09, 2007

Review by kenethlevine
2 stars Influences factor into the best works of even the most innovative composers and musicians, but there is a subtle and critical distinction between influence and inspiration. It separates a technically proficient but cold production from one that becomes an inspiration to the listener, if you will. Unfortunately, in the case of Araujo's debut at least, the title sums up the extent of the accomplishment rather well. In Quebecois French one says "Il parle pour rien dir", which literally translates to "He speaks to say nothing".

The instrumental permutations suggest a better end result, with flutes from Eduardo Delgado and acoustic guitars often stealing the show, but when Araujo's tonally unpleasant leads attempt to wrest control the effect is oppressive. He's like MIKE OLDFIELD at his raunchiest, all the time, without Oldfield's ability to contrast and connect the dots. The buildup in pieces like "Cantares" is wasted by Araujo's interjections time and again, so the listener is left wanting.

Luckily all is not lost. The closer "Folk Song" is by far the best thing here, even if it bears an uncanny resemblance to "Hurtwood Alley" from DAN FOGELBERG and TIM WEISBERG at times. The strummed guitars and flutes dominate, with electric guitar in more of a supportive role. Hand claps and a few shouts paint a picture of a band that is finally allowed to let their hair hand down and show us a little of themselves. The other winner is "Abertura #2" for similar reasons, with both the woodwind and the guitars alternating melodic passages and violoncelo providing support.

In spite of Araujo's obvious talent and his willingness to share the stage with equally competent band mates, I am for the most part unmoved, and I hope I will not be charged with influence peddling for rounding down to two stars.


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Send comments to kenethlevine (BETA) | Report this review (#297504) | Review Permalink
Posted Sunday, September 05, 2010

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Report this review (#212109) | Posted by Antonio Giacomin | Wednesday, April 22, 2009 | Review Permanlink

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