EVERY STEP A DANCE, EVERY WORD A SONG (BRUFORD & BORSTLAP)

I postponed listening to this album for six years - something which never happened with any other Bill Bruford projects, which I invariably tried to play as soon as they came out! I was worried this was going to be just another academic exercise in the same vein as Bruford's duets with Patrick Moraz, which have never appealed to me. I couldn't have been more wrong!

All of the music on this album is entirely improvised, but some of the tracks are so melodious you get the feeling the main melody was pre-written. There are only two musicians involved, but Michiel Borstlap makes excellent use of electronic keyboards to provide running bass and orchestral textures, which at times recall Weather Report, at times Dave Stewart (circa ONE OF A KIND) or Django Bates (who featured in the first incarnation of Earthworks). Most of Borstlap's soloing is on grand piano though - and what a star he is! Quite possibly the most imaginative piano virtuoso Bill ever worked with! (Lovers of UK jazz may disagree and point out that no-one could top Gwilym Simcock... They may be right, but unfortunately, when Simcock joined Earthworks the band was already past its peak.)

So this entire album is sheer joy from start to finish, just because it allows you to hear two masters of their craft inventing beauty (and generating excitement) together - without the help of a safety net.

If I have one criticism of this album, it's that it is not much of a live experience. The music was performed live all right, but there's not much of a flow, since the tracks were gathered from various concerts. Thus, the opening track ends on wild and enthusiastic applause from a rock 'n' roll crowd, but the next track is treated to the polite clapping you will hear in the classical concert hall. This album will never give you a high in the same way as a Rolling Stones album. But the beauty on display is considerable. My admiration for Mr Bruford has just received another boost. It's no exaggeration to say that he and Michiel Borstlap are the very INCARNATION of the progressive spirit: their music incorporates elements from rock, jazz and the European classical tradition, and it is always incredibly audacious. I am NOT going to wait for seven years before I try the second Bruford-Borstlap album!