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CANO Tous Dans L'Meme Bateau  album cover
3.20 | 18 ratings | 3 reviews | 11% 5 stars

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Studio Album, released in 1976

Songs / Tracks Listing

1. Viens nous voir (8:37)
2. Dimanche après-midi (3:40)
3. Pluie estivale (2:51)
4. Le vieux Médéric (3:00)
5. Les rues d'Ottawa (3:45)
6. En plein hiver (9:25)
7. Chanson pour Suzie (1:00)
8. Baie St. Marie (9:12)

Total Time: 41:30

Line-up / Musicians

- Marcel Aymar / voice, acoustic guitar,Turkish cymbals
- David C. Burt / electric guitars, harmonica
- Michel Dasti / drums, percussion
- John Doerr / bass, synthesizer, trombone, electric piano
- Michel Kendel / grand piano, bass, electric piano
- Wasyl Kohut / violin, mandolin & Seagulls
- Rachel Paiement / voice, acoustic guitar, percussion
- André Paiement / voice, acoustic guitar

Guest musicians:
- Merv Doerr / trombone
- Nick Ayouh / clarinet
- Jimmy Tanaka / congas
- Luc Cousineau / percussion

Releases information

LP A&M SP9024
CD A&M 3145403712

Thanks to Sean Trane for the addition
and to ProgLucky for the last updates
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CANO Tous Dans L'Meme Bateau ratings distribution

(18 ratings)
Essential: a masterpiece of progressive rock music(11%)
Excellent addition to any prog rock music collection(28%)
Good, but non-essential (39%)
Collectors/fans only (17%)
Poor. Only for completionists (6%)

CANO Tous Dans L'Meme Bateau reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Sean Trane
4 stars Debut album from this combo emanating from a communal art association in Northern Ontario, and quite a pleasant surprise for the proghead looking for progressive folk music. Heavily laced with the rude weather and rough wildlife mixed with a superbly generous hippydom, Cano's music shines in this writer's memories of a happy "teendom". Memories of campfire with girls (and condoms;-), beers (and doobies;-) and guitars (and bongos;-) on a lakeside beach (called Creemore Dirtywater Upheaval;-) with the stereo blasting Harmonium or Rush certainly, but also of Cano. The album came with a superb artwork evocating the old Pioneering days with Fur traders, Canoes and portages, which represent one facet on CANO.

Cano's music certainly reflects the calm pastoral life of the mid-Northern Ontario, where French and English speakers lived alongside with few problems (in later albums Cano will also sing tracks in English), but as mentioned above, the rough conditions. Apart of the stunning 8-min opener (Viens Nous Voir inviting you to jump in their wonderful world), most of the first side is relatively short folk rock (trad folk as main inspiration but with a clear Acadian flavor) tracks, depicting crazy old fools (Mederic - a jig), to boring Sunday Afternoons and getting lost in the big cities (Rues D'Ottawa). The piano playing is sometimes reminding me of the one in Skynyrd's Freebird.

The second side of the album was made of two lengthy stunners with a short interlude separating them. En Plein Hiver, depicting the winter "blah" (Ontarians will appreciate) with this especially beautiful spirit that Harmonium managed on their debut and the Cinquième Saison. As will be usual, Cano start slowly and calmly, taking their time in building a sweet but implacable crescendo, to culminate superbly, and then ending in a short recap of the intro. In some way, if people asked how rush could make so much "noise" being just a trio, one of the most intriguing antithesis of that is how could an octet such as Cano be so delicate? The closing Baie St-Marie (written by Marcel Aymar who also had done the opening salvo) is probably a better tourist postcard than any possible picture could probably: as cymbals, seagulls, creaking wooden boats will gradually lead into an acoustic strumming guitar doubled by an electric piano, bongos, a swinging funky electric guitar, then drums and a superb violin (remember this was an octet), the track is now into a delightful groove with Kohut's violin twirling, swirling, twiddling, circling, flying from one ear to the other. Believe me, you'll want to visit the place that inspired such a great musical moment. In the middle section, the track slows back down to allow a sleepy trumpet answers the seagulls and the dramatic violin underlining the sea-lost father (Acadian hardships are never really far away from the superb lyrics) and a solemn end. I think I found my next holiday destination (once more;-).

Both Cds are now coming with fully translated lyrics. I wonder if these guys actually ever considered their music to be the equivalent in quality of the great folk-prog groups that are included in our beloved Archives, but their more ambitious tracks certainly stand out with the masters of the genre.

Review by apps79
SPECIAL COLLABORATOR Honorary Collaborator
2 stars ''Coopérative des Artistes du Nouvel-Ontario'' was a French-Canadian artistic community based in Ontario,Canada,which included not only musicians,but also sculptors,actors,painters and other people,who devoted themselves to the language of art.Regarding the bunch of musicians around CANO,they were lead by singer/guitarist Andre Paiement,who was also member of New Ontario's Theatre,and wrote most of the material of the band's debut.No less than eight musicians participated on this first effort of CANO,supported by various guest musicians on different traditioonal instruments.Actually the band owned a farm near Sturgeon Falls,where most of the recordings took place.

''Tous Dans L'Meme Bateau'',released in 1976,was a mix of pleasant Folk tunes with more intricate pieces of Folk Rock music,like the dark opener ''Viens nous voir'',featuring beautiful violins and acoustic guitars accompanied by the poetic performance of Paiement.The four short followers are nothing more than Pop-Folk tracks with somekind of a rural edge,based mostly on pleasant harmonica and violin passages along with joyful voices,where I notice the sensitive voice of Paiement's sister Rachel (listen to the nice piano-ballad Les rues d'Ottawa).

Placing side B,I was really a bit dissapointed,expecting musically much more from the almost 10-min. long ''En plein hiver''.About half of the track is covered by intense lyrical music with strong acoustic content and ethereal choirs and you'll have to wait for the middle-section for some fine instrumental music with electric piano battling with bass,congas and even some electric guitar sounds.''Chanson pour Suzie'',sung by Rachel Paiement, functions as a bridge between the previous track and the closer ''Baie St. Marie''.Here the traditional folk side of CANO blends with their Art Rock nature.Wasyl Kohut mixes seagulls' effects with violin solos supported by David C. Burt's mellow electric guitar,before the vocal section introduces the listener to the jazzy side of CANO with some good instrumental playing and a horn section delivering deep funky sounds until the end.

As for the rating this is a hard decision.The truth is that the pure Folk tracks hold no particular interest for the prog fans.Regarding the three longer ones,the opener and closer of the album will leave every prog fan rather satisfied,while ''En plein hiver'' holds some interest for the half of its duration.So my true rating is close to 2.5 stars,but I will have to go with the 2 stars here,as my final taste is that the album heads mainly to fans/collectors of Folk-Rock.Admirers of Classic Prog or more adventuruous listenings will propably be dissapointed by ''Tous Dans L'Meme Bateau''.

Latest members reviews

4 stars Their first album is, in my opinion, their best. The album flows very well, and all the songs are great or very good. While Rachel Paiement does not sing as many of the songs here as she does on the second album, Andre Paiement does a great job with those songs he sings and in general the vocal qual ... (read more)

Report this review (#1698933) | Posted by Walkscore | Sunday, March 5, 2017 | Review Permanlink

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