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AUGUST 1974

Taj-Mahal Travellers

Psychedelic/Space Rock


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Taj-Mahal Travellers August 1974 album cover
4.25 | 14 ratings | 3 reviews | 64% 5 stars

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Studio Album, released in 1974

Songs / Tracks Listing

1.Side a (19:51)
2.side b (21:27)
1.side c (23:29)
2.side d (23:27)

Total Time: 88:14

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Takehisa Kosugi / electric violin, harmonica, voice
- Ryo Koike / electric double bass, suntool, voice
- Yukio Tsuchiya / bass tuba, percussion
- Seiji Nagai / trumpet, synthesizer, timpani
- Michihiro Kimura / voice, percussion, mandoline
- Tokyo Hasegawa / voice, percussion
- Kinji Hayashi / electronics

Guest musician:
- Hirokazu Sato / percussion, voice

Releases information

Re-issue: Double CD, P-Vine PCD-1463/4, 1998

Thanks to Black Velvet for the addition
and to ProgLucky for the last updates
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TAJ-MAHAL TRAVELLERS August 1974 ratings distribution


4.25
(14 ratings)
Essential: a masterpiece of progressive rock music(64%)
64%
Excellent addition to any prog rock music collection(14%)
14%
Good, but non-essential (21%)
21%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

TAJ-MAHAL TRAVELLERS August 1974 reviews


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Collaborators/Experts Reviews

Review by DamoXt7942
FORUM & SITE ADMIN GROUP Moderator / Psych / Avant / Neo Teams
4 stars For them, everything is an instrument. For them, everything is alright. For them, everything is forever. TAJ MAHAL TRAVELLERS is such an outfit in Japanese psychedelic scene.

I suggest for them the words "recording" or "stage" should not be suitable. The recording work should follow their occasional play itself, and the stage should be the ground where they happen on bearing sounds. (That is, if they play to surf and ripples by chance, the seashore can be their stage I think.) So each of their "songs" cannot be copied again even by themselves - a once-in-a-lifetime one.

Anyway, their play is always lazy but perfect. Guess they should make "equivocal" arrangement before playing but once they set out on a performance, each plays free and improvised without any theoretical thought. (Well I always wonder why they play improvisational sounds together steadily and completely...are their minds only one?) And their performance itself can let them fall into a trance and fly higher and higher. The percussive stairway of Side C is exactly a typical example. In the latter half, loud and aggressive low tone noises motivate them massively. On that moment, TAJ MAHAL TRAVELLERS should go on a trip for the psychedelia beyond expression. There is nothing special or nothing persistent - only air or space is there!

They are not musicians. They are artistic creators. Listening to this "art" can notify you of this fact without any suspicion.

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Send comments to DamoXt7942 (BETA) | Report this review (#238065) | Review Permalink
Posted Tuesday, September 08, 2009

Review by octopus-4
COLLABORATOR RIO/Avant/Zeuhl Team
4 stars The Japanese answer to Tangerine Dream's "Zeit". As the most famous German album, it's made of four tracks, one per side of about 20 minutes. The difference is that Taj-Mahal Travellers didn't spend their time in finding exciting title tracks. They are just "Side A" to "Side D".

Very spacey sounds, minimalistic but not dissonant as many psychedelia. So if psychedelia and space rock are two different things, they belong mainly to the second.

Listening to Side A you can imagine astronauts exploring a cave on an outer planet, or an abandoned starship encountered in the deep space. It's a music that could fit very well as soundtrack of a SciFi Thriller movie. Better than "Birth of Liquid Plejades". Something similar to a sitar, God knows what instrument it is, reminds us of the band's name. Also the percussions in the second part of the track add some indo flavours. Close to the end, some elephants or other wild animals scream in the jungle. We have suddenly been transported from Space to Earth, or at least on a planet full of wildlife.

Side B is spacey again. The "elephants" are still present, but the keyboards countinue their travel in the deep space. A string instrument, probably a mandolin takes the role of giving the rhythm if it can be called rhythm. It's a very unusual way to use a mandolin. The other sounds are mainly electronic plus something similar to a didgeridoo (electronic of course). Again, they remind me to Zeit.

Side C opens very low-volume, with percussions still in indian style but with "violins" and bells, too. there are positive sensations. It's like waking up before the day becomes too warm. The Asian flavour permeates the music. Closing my eyes I can see the Indo river flowing...well I didn't take anything, I just like creating mental images when the music is evocative. The bells have also a bit of "Barong" so instead of the Indo it could be a temple in the island of Bali. Then we move north to Tibet. It's like viewing postcards of the Far East. Sometimes it becomes a bit more chaotic, but still very evocative.

Side D starts with didgeridoo and voices, that means electronic sounds, with some percussive noises which lie low in the background. Edgar Froese's "Aqua" is a good reference. This is the base to which sometimes a keyboard adds and removes sounds. We are looking for small variations on a repetitive base. Going to the end, the repetitive base is replaced by percussions and a wind instrument. Here it comes back from space again and fits into psychedelia, but just for a while. The final part of this suite is very Floydian and reminds me to the minimalistic parts of Intertellar Overdrive, Saucerful of Secrets, or also some parts of "More".

My rating is between 3 and 4 stars, because not ALL the proggers are keen to have this kind of music in their collections, but this applies also the the early Tangerine Dream and to some krautrock, so I round it up to 4.

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Send comments to octopus-4 (BETA) | Report this review (#300667) | Review Permalink
Posted Monday, September 27, 2010

Latest members reviews

5 stars Thought I'd save my second review for one of my all time favourites. This appears on the famous 'Nurse With Wound' list of which I've heard about 90%. (The list contains around 275 of the most obscure, out there and and experimental bands you could hear before 1981). This certainly belongs on it. I ... (read more)

Report this review (#206734) | Posted by Dobermensch | Thursday, March 12, 2009 | Review Permanlink

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