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EIGHT/OOIOO

OOIOO

RIO/Avant-Prog


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OOIOO Eight/OOIOO album cover
2.05 | 4 ratings | 2 reviews | 0% 5 stars

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Studio Album, released in 1997

Songs / Tracks Listing

1. 50102 (3:22)
2. Sister 001 (3:45)
3. Right Hand Ponk (1:40)
4. Switch (1:59)
5. In O (4:57)
6. OOiOO (1:52)
7. 1-2-3-4 (1:42)
8. Tease Her (2:27)
9. On an Ocean Amp (2:08)
10. Speaker (2:43)
11. Ring A Ring A Lee (3:04)
12. She Hates (2:19)

Bonus (US release):

13. Sister 001 (eYe Mix) (4:21)

Total Time 33:39

Lyrics

Search OOIOO Eight/OOIOO lyrics

Music tabs (tablatures)

Search OOIOO Eight/OOIOO tabs

Line-up / Musicians

- Yoshimi P-We / guitar, vocals, jews harp, casio tone, trumpet, drums, synth, Theremin, effects
- Kyoto / guitar, vocals
- Yoshiko / drums, chorus
- Maki / bass, chorus

Guests:

Julie Cafritz / vocals (on "Speaker")
Yamataka Eye (aka eYe) / electronics (on "Speaker")
Keigo Oyamada (aka Cornelius)

Releases information

Japan LP: Time Bomb OOIOO
Japan CD: Trattoria Shock City 003/Polystar PSCR-5591 - 1997
US LP/CD: Kill Rock Stars (KRS317) - 1998

Thanks to Geck0 for the addition
and to Geck0 for the last updates
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OOIOO Eight/OOIOO ratings distribution


2.05
(4 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (50%)
50%
Collectors/fans only (50%)
50%
Poor. Only for completionists (0%)
0%

OOIOO Eight/OOIOO reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Tapfret
PROG REVIEWER
2 stars Not a favorite, but somehow enticing

Sub-genre: RIO/Avant-Prog (good fit)
For Fans of: Indie, Industrial, Experimental
Vocal Style: Multiple female, ranging from flat atonal to sweet melodic to punky screaming
Guitar Style: Dual guitars playing a variety of tinny 60's tones and psychedelic affectations
Keyboard Style: A few modulated square and saw waves here and there for mostly sound effects and ambience
Percussion Style: Sludgy modern rock set with various other percussion tools used in places
Bass Style: Heavy picked electric
Other Instruments: Various noise makers

Summary: The star of this all female band is Boredoms member Yoshimi P-we. The effort in OOIOO appears to be to stray away from the almost purely percussion base of Boredoms, a base that would be reacquainted in later albums. The songs on 8 are primarily very short, sluggish and simple. The album length itself comes in at under 35 minutes. The overall feel of the album is punky and industrial with the slightest hint of progressive adventurousness. The opener, 5oIo2 has an interesting syncopated talkback sequence that foreshadows future works, but is left out of much of the rest of this album. The songs OOIOO and Tease Her are the most enjoyable from the album.
8 is a good example of the growing pains often associated with offshoot bands. This is not a very enjoyable album, but is just titillating enough to warrant further listening. This titillation pays off big time in later OOIOO works. Later growth is exponential and it is readily apparent how that growth was derived from this album.

Final Score: This is a hard album to get into from a progressive point of view, and maybe from a music in general point of view. This album is uninteresting in the same respect that an unbloomed flower is uninteresting. The potential is very much there but hasn't been realized.
2 stars, for fans only. even future fans, if that makes any sense.

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Send comments to Tapfret (BETA) | Report this review (#151134) | Review Permalink
Posted Friday, November 16, 2007

Review by Kazuhiro
PROG REVIEWER
2 stars A lot of bands that appeared in scene of Prog Rock of Japan in the latter half of the 90's exist. The flow with the tendency with stronger element of techno and the avant-garde from the music that had derived in the 70's happened temporarily in the main current that existed in the flow. A very high-quality band existed also in Japan though it was independent production. However, the flow also conceived the element that temporarily lost the directionality of music on the state of saturation oppositely. The direction of Prog Rock of Japan that cultivated it in the 70's was changed the shape of the music character and moved. If the flow for the music of Japan was chased, it was music to take the lock to the Folk music as a tendency to have been influenced from other countries exactly in the 70's. And, the lock takes the element of temporary techno and rushes into in the 80's. A band active by independent music catches the direction from the angle besides the flow and tries Zeuhl and experimental music.

However, circumstances of the music of Japan also have absorbed the element of various music on the state of temporary saturation in the latter half of the 90's. Even the listener in Japan might have indeed given birth to the music produced with the flow to the result of the approval or disapproval's extending. Element of avant-garde and pop. And, there was often a minority in the listener in Japan that liked experimental music for the music character at this time. In the existence of the band with an especially high evaluation in foreign countries also in the band in Japan, the mistake is not found. Even a very listener in Japan guesses they are chased.

It was existence that the name of the band is often known to this band formed by the idea of Yoshimi P-we that was on the register in Boredoms in circumstances of the music of Japan guessed it was in the state of such saturation. There was an idea to say in about 1996 that Yoshimi would do produce the band of fictitious by planning the magazine of Japan. The start band debuts from the project this band with this album. It is said that the origin of the name of OOIOO sees the memo of Yamathuka Eye of Boredoms by Yoshimi, sees writing on the page as "OOIOO", and made it the name of the band.

It is an element of the noise in the avant-garde. And, progressing the tune to which the forecast doesn't adhere etc. are guessed to be time of the main current a little as a flow of the band that relates to Prog Rock of Japan of this time. It is not an exaggeration even if it catches as a band that derives from Boredoms. However, there might be a fact from which a loose a few impressions are given to the listener in this album produced in the flow that existed in the period at that time, too. The band started certainly from this album and greeted the listener. If only this album is said, the experimental element cannot feel the space that gives a loose impression and overflows from the inside so much. However, posture in which it challenges these music is one form that the music of Japan that digested Folk and Rock obtained and the part calculated to some degree might be able to be felt if it listens to music from another angle.

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Send comments to Kazuhiro (BETA) | Report this review (#235127) | Review Permalink
Posted Wednesday, August 26, 2009

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