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UNORTHODOX CREATIVE CRITERIA

Coprofago

Tech/Extreme Prog Metal


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Coprofago Unorthodox Creative Criteria album cover
4.20 | 11 ratings | 1 reviews | 64% 5 stars

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Studio Album, released in 2005

Songs / Tracks Listing

1. Crippled Tracker (3:19)
2. The Inborn Mechanics (3:52)
3. Neutralized (3:28)
4. Merge Into (1:27)
5. Fractures (2:17)
6. Hostile Silent Raptures (5:09)
7. Streams (2:10)
8. Isolated Through Multiplicity (5:12)
9. Individual Choice (3:10)
10. Glimpses (2:45)
11. Constriction (2:25)
12. Motion (7:09)
13. Wavelength (7:02)

Total Time: 49:18

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Pablo Alvarez / vocals, guitars, keyboards
- Sebastian Vergara / guitars, vocals, keyboards
- Marcelo Ruiz / drums
- Felipe Castro / bass

Releases information

CD Sekhmet Records (2005)

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Unorthodox Creative CriteriaUnorthodox Creative Criteria
Galy Records/Lumberjack 2006
Audio CD$24.00 (used)
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COPROFAGO Unorthodox Creative Criteria ratings distribution


4.20
(11 ratings)
Essential: a masterpiece of progressive rock music(64%)
64%
Excellent addition to any prog rock music collection(27%)
27%
Good, but non-essential (9%)
9%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

COPROFAGO Unorthodox Creative Criteria reviews


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Collaborators/Experts Reviews

Review by Tapfret
PROG REVIEWER
4 stars Fitting title.

Sub-genre: Extreme/Tech Prog Metal (Death Metal interlaced with lots of Jazz Fusion)
For Fans of: Destroy, Erase, Improve era Meshuggah, Cynic, Martyr
Vocal Style: Cookie Monster
Guitar Style: Broad range of Metal/Rock/Jazz tones. Many Holdsworth style solos over heavy compresed metal grinds
Keyboard Style: Polysynth saw waves with various string and brass patches
Percussion Style: Standard rock kit used with extreme dynamics
Bass Style: Fretless electric ranging from heavy picked to slapped and jazzy walks
Other Instruments: Beautiful string arrrangement on Glimpses

Summary: Chile's Coprofago is often accused of being a Meshuggah clone. It is true that much of their sound is remeniscent of Meshuggah, the booming guitars, polyrhythmic drumming, Holdsworth-esque guitar solos, and death Metal vocals. But Coprofago maintains a firm foothold on their jazz roots. Previous work by Coprofago was peppered with jazzy undistorted breaks, but Unorthadox Creative Criteria takes their love of jazz to a new level. In fact, the second half of the album has only two songs that would be even remotely considered metal. It is best to review the album on a song be song basis. Song ratings take into account how the fit in the overall work, not just how the work individually.
1. Crippled Tracker - A staccato blast of polyrhythmic metal, similar to much of what was offered on Genesis, complete with a spacey close and Holdsworth toned guitar solo.(4/5)
2. The Inborn Mechanics - Starts as a thrashing metal piece that morphs into a jazzy bridge with atonal guitar solo and short bass answer. Fades to an ambient mix of metal guitars and synth. (5/5)
3. Neutralized - Intro speed is increased for this number. The strength in this song is in the break. An expansive reverbed out guitar solo gives the song character, but the machine gun style of the main theme is a little hard to enjoy. (3/5)
4. Merge Into - A quiet interlude of guitar synth very much like late 80's Holdsworth (4/5)
5. Fractures - The most uninteresting part of the album. Pretty much a straight forward Death Metal song (2/5)
6. Hostile Silent Raptures - Polyrhythmic grind, much stronger and more interesting than Fractures. Bridge is a talk back part with a funky bass break. Closes with a long resolution guitar solo and synth guitar. (4/5)
7. Streams - Album starts to get really interesting at this point. Difficult song to describe. Electronica elements interspersed with Eric Johnson-esque guitar work. Short chamber string break included. (4.5/5)
8. Isolated through Multiplicity - Very strong instrumental jazz/metal fusion song. Opens with guitar-synth sqare waves backed by double bass. Much of this song sounds like it could have come from Holdsworths Sand. Perhaps the best song on the album. (5/5)
9. Individual Choice - Another smoking jazz piece with a short metal break. Its just a lot of fun to hear these guys go off on this kind of stuff. (5/5)
10. Glimpses - One would think that a band known for playing metal would have a metal song be their most sinister piece, but this song consists entirely of chamber strings and background subteranean ambience. Very evil sounding with absolutely no distorted guitars. Exemplifies the album title to an extreme. (5/5)
11. Constriction - These guys want to beat you silly with contrast. Coming out of Glimpses, we get assaulted with the noisiest part of the album. It works pretty well when taken in context. (3.5/5)
12. Motion - Starts with a simple bass line and almost electronica sound with ambient synth vibes. Resolves into a beautiful instrumental jazz/fusion piece. Some of their best work. (5/5)
13. Wavelength - Interesting piece in that they incorporate the death metal vox into jazz/fusion directly for the first time. Alarming at first, it starts to grow. This song cycles repeatedly through fusion/metal and throws in strings to add to the mix. (4.5/5)

Overall the strong parts of Unorthadox Creative Criteria are extremely strong, the weak parts are short and tolerable. For my part, I consider this a 5 star album. But it is definitely not for everybody. Undoubtedly hated by metal purists. Get Unorthadox Creative Criteria if you: 1. Like stylistic blends. 2. Are tolerant of death metal vocals for the sake of wonderfully creative music.

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Posted Thursday, November 01, 2007

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