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The Album Leaf

Post Rock/Math rock

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The Album Leaf Into the Blue Again album cover
3.93 | 26 ratings | 1 reviews | 31% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 2006

Songs / Tracks Listing

1. Light (4:29)
2. Always for You (5:07)
3. Shine (5:53)
4. Writings on the Wall (4:55)
5. Red-Eye (7:01)
6. See in You (4:37)
7. Into the Sea (4:31)
8. Wherever I Go (4:38)
9. Wishful Thinking (5:32)
10. Broken Arrow (8:20)

Total Time 55:03

Line-up / Musicians

- Jimmy LaValle / Fender Rhodes, organ, synthesizer, grand piano, acoustic guitar, bass, glockenspiel, drums, drum programming, Fx, vocals, composer

- Pall A. Jenkins / backing vocals (8)
- Drew Andrews / guitar (6-8)
- Matthew Resovich / violin (1,3-5,7-10)
- Joshua Eustis / drum programming (3,5,10), synth cowbell (10)
- Ryan Hadlock / effects (1,9)

Releases information

Artwork: Andy Ward

CD Sub Pop - SPCD 708 (2006, US)

LP Sub Pop - SP 708 (2006, US)

Digital album

Thanks to chamberry for the addition
and to projeKct for the last updates
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THE ALBUM LEAF Into the Blue Again ratings distribution

(26 ratings)
Essential: a masterpiece of progressive rock music(31%)
Excellent addition to any prog rock music collection(38%)
Good, but non-essential (23%)
Collectors/fans only (4%)
Poor. Only for completionists (4%)

THE ALBUM LEAF Into the Blue Again reviews

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Collaborators/Experts Reviews

Review by Warthur
4 stars Another album showing the Album Leaf's command of the electronic side of post-rock, Into the Blue Again also finds them producing songs which work really well as songs, as opposed to abstract post-rock soundscapes. The incorporation of tender vocals - as well as the violin work of Matthew Resovich - helps elevate the album above the post-rock crowd, and the drum programming by project main man Jimmy LaValle and Joshua Eustis is really adept, to the point where I actually didn't realise the drums were pre-programmed. On the whole, it's another success for the Album Leaf and comes recommended to anyone who has a soft spot for the Sigur Ros side of the post-rock scene.

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