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Phil Miller

Canterbury Scene

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Phil Miller In Cahoots: Conspiracy Theories album cover
3.31 | 14 ratings | 2 reviews | 29% 5 stars

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Studio Album, released in 2007

Songs / Tracks Listing

1. Conspiracy Theories (7:07)
2. Press Find Enter (8:40)
3. Flashpoint (5:54)
4. 5s & 7s (8:11)
5. End Of The Line (11:03)
6. Freudian Triode (10:18)
7. Orinaca (5:44)
8. Crackpot (7:59)
9. Lydiotic (8:39)

Total time 73:35

Line-up / Musicians

- Phil Miller / guitar, synth guitar, producer
- Peter Lemer / keyboards
- Fred Baker / bass
- Mark Fletcher / drums

- Didier Malherbe / soprano sax (1,2,6,8) , flute (4,5), duduk (1,2), ocarina (7)
- Simon Picard / tenor sax [1,3,4,8]
- Simon Finch / trumpet & flugelhorn (2-4,6,8,9)
- Annie Whitehead / trombone (1,2,4,6,8,9)
- Doug Boyle / guitar (4)
- Richard Sinclair / bass (9)
- Dave Stewart / xylophone (4)
- Barbara Gaskin / vocals (4)

Releases information

Artwork: Herm with Leonardo Pavkovic

CD Crescent Discs ‎- CD8CD (2007, UK)
CD MoonJune Records ‎- MJR013 (2007, US)

Thanks to alucard for the addition
and to Quinino for the last updates
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PHIL MILLER In Cahoots: Conspiracy Theories ratings distribution

(14 ratings)
Essential: a masterpiece of progressive rock music(29%)
Excellent addition to any prog rock music collection(43%)
Good, but non-essential (21%)
Collectors/fans only (7%)
Poor. Only for completionists (0%)

PHIL MILLER In Cahoots: Conspiracy Theories reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Atavachron
SPECIAL COLLABORATOR Honorary Collaborator
3 stars The English are doing jazz-rock right these days. Easy, I suppose, with such a stylish and refined player as Phil Miller and his ever-improving In Cahoots, this time with plenty of brass - trumpet/sax pair Finch and Picard as well as Annie Whitehead's trumpet, Didier Malherbe's soprano sax - the keys of Pete Lemer, and the fantastic rhythm section of Mark Fletcher and Fred Baker from the original line-up. As good as Miller's 'All That' (2003) was, in many ways this is better and shows a deeper relationship between the core members.

'Conspiracy Theories' is in large part a jazz recording but the presence and push of rock is always there, making it an unusually well-balanced album that will probably be disliked equally by both camps. It is jazzrock taken in a slightly different direction by sage masters of their craft; refined palates that prefer suggestion and subtlety over obvious aggressions. Fusion aged in oak barrels, smooth but poignant, and requiring some patience. The title swings with the deft harmonic style this ensemble has forged over the years and moves in between Latin, trad jazz and smokin' bop. Eight-minute 'Press Find Enter' is a pulsing beauty at times, packed with good jams if a bit too long. 'Flashpoint' finds a spacey groove with great fills from bassist Baker, and Dave Stewart & Barbara Gaskin guest on the very reminiscent '5s & 7s', moody and deceptively slow, hiding deep intricacies and making the Canterbury presence nicely felt. 10-minute 'Freudian Triode' is complex but loose, open to new avenues and much room for soloing, modulations, style shifts and spontaneous discoveries, 'Ornica' is fun and almost commercial, and both 'Crackpot' and 'Lydiotic' are slow-growing creatures of immense power that groove with quiet determination topped-off with our frontman's seasoned guitar phrasing. A splendid example of contemporary English fusion from this classy bunch, recommended to anyone willing to listen.

Latest members reviews

3 stars DISCLAIMER ! I am not a jazz expert. Neither have I had much exposure to jazz. I am a newbeginner in this type of music I am starting to really enjoy now. Phil Miller is a guitarist from the Canterbury scene. He has been involved in a lot of the most known bands here. He is also listed ... (read more)

Report this review (#408643) | Posted by toroddfuglesteg | Saturday, February 26, 2011 | Review Permanlink

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