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WALKING A FULL MOON DOG

Rattlemouth

RIO/Avant-Prog


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Rattlemouth Walking A Full Moon Dog  album cover
3.05 | 4 ratings | 2 reviews | 0% 5 stars

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Studio Album, released in 1996

Songs / Tracks Listing

1. Bread Basket Economy (2:46)
2. Conical Skirts And Hats (2:37)
3. Thin Ballad of A Thick Man (2:39)
4. Plactypus (3:00)
5. Windshield Viper (5:33)
6. Frommage De Tete (3:36)
7. Hole In The Pocket Socialist (2:40)
8. Lumbering Thub (4:23)
9. Zagreb Cobbler (4:01)
10. Crab Nebula (3:29)
11. Bad Data (6:04)
12. Hummalong Combustion (6:02)

Total Time: 46:46

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Danny Finney / saxophone, voacls
- Robbie Kinter / vocals, drums
- Rebby Sharp / guitar


Releases information

Cuneiform Records, Rune 81

Thanks to avestin for the addition
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Buy RATTLEMOUTH Walking A Full Moon Dog Music


Fist Full of IffyFist Full of Iffy
Cuneiform 1998
Audio CD$14.03
$10.39 (used)
Home Fed and Full Grown / Music for Film and DanceHome Fed and Full Grown / Music for Film and Dance
Rattlemouth Guild 2010
Audio CD$9.98
55
Audio CD$13.99
Walking a Full Moon DogWalking a Full Moon Dog
Cuneiform 1996
Audio CD$20.59
$20.09 (used)
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RATTLEMOUTH Walking A Full Moon Dog ratings distribution


3.05
(4 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(50%)
50%
Good, but non-essential (50%)
50%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

RATTLEMOUTH Walking A Full Moon Dog reviews


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Collaborators/Experts Reviews

Review by Syzygy
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Rattlemouth's debut album features a series of short, sharp blasts of avant prog played by a sax/guitar/bass/drums quartet with occasional vocals. The most obvious point of comparison is Etron Fou Leloublan, although it's probably more accurate to say that if EFL had been American they'd have sounded like this (in much the same way you could say that an American National Health would have sounded like The Muffins).

It's a highly listenable album which features little in the way of overdubbing or production effects; as is often the case with recent Cuneiform releases it's the sound of the band playing their instruments in a room and, well, that's pretty much it. Of course they're all extremely accomplished musicians, which helps, the playing is crisp and precise and the arrangements are complex enough to satisfy any reasonably demanding fan of avant prog and there are some inspired moments along the way. On the downside, the dynamics don't vary that much and the pieces tend to blur into one another at times. Although they have a fairly abrasive sound they never really edge into the hardcore brutality of some John Zorn projects, and they never relax into a more mellow, lyrical groove either. The vocal tracks feature some pretty imaginative Captain Beefheart or Tom Waits style stream of consciousness beat poetry, but the voice they're delivered in isn't that strong. The stand out is Lumbering Thub (the de facto title track), which is also the most effective of the three that feature vocals - the second part of the song sounds oddly like John Lydon with Public Image Ltd.

Although there are plenty of good things to say about this album, it's hard to give it a really strong recommendation. If you like Etron Fou Leloublan or Captain Beefheart you'll probably like this as well, but (for me at any rate) there's nothing truly outstanding about it.

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Send comments to Syzygy (BETA) | Report this review (#143196) | Review Permalink
Posted Tuesday, October 09, 2007

Review by snobb
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Quite acoustic and energetic American take on Etron Fou Leloublan. Plenty of contouring sax sounds everywhere, slightly funky drumming, few vocals.

Every separate composition sound quite pleasant and easy accessible, some even has kind of pseudo-klezmer influence. But at the same time you will hardly find many differences between compositions, and even every single compositions sound as good material without right finish.

Melodic and enthusiastic sound from very first tunes will catch you, but very soon you will feel like you're listen same one long a bit raw composition, or rehearsals of what may be one day will be realized material. I like sax contouring sound and nice sax-drums interplays, some scratchy guitar and common atmosphere "John Zorn melted with Etron Fou Leloublan and played on minimal resource". But the feeling of unfinished and raw musical content stays near during all album's listening.

Interesting American RIO work, but hardly essential.

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Send comments to snobb (BETA) | Report this review (#379881) | Review Permalink
Posted Friday, January 14, 2011

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