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LE GRAND JEU

Dionysos

Eclectic Prog


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Dionysos Le Grand Jeu album cover
3.12 | 14 ratings | 2 reviews | 7% 5 stars

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Studio Album, released in 1971

Songs / Tracks Listing

1. Narcotique (12:16)
2. Suzie (6:20)
3. la Colère (5:10)
4. L'Âge du chlore (8:39)
5. L'Âge d'or (6:27)
6. Agneau de Dieu (6:29)

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Paul André Thibert / vocals, hamornica and flute
- Robert Lepage / percussion & drums
- Éric Clément / guitar
- Jean-Pierre Legault / bass
- André Mathieu / organ

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DIONYSOS Le Grand Jeu ratings distribution


3.12
(14 ratings)
Essential: a masterpiece of progressive rock music(7%)
7%
Excellent addition to any prog rock music collection(57%)
57%
Good, but non-essential (14%)
14%
Collectors/fans only (14%)
14%
Poor. Only for completionists (7%)
7%

DIONYSOS Le Grand Jeu reviews


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Collaborators/Experts Reviews

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
3 stars 3.5 stars really!!!

One of Quebec's earliest and most historically important albums is Dionysos' debut called Le Grand Jeu (referring to life's big play/game), along with Frank Dervieux's Dimension M, because of its use of the Quebec-French singing and even if the prog contents are relatively low, this is definitely a proggish blues-rock album.

Dionysos is a quintet (the usual prog quartet plus leader Thibert on vocals and wind instruments) that develops a relatively conventional hard blues-rock with the usual prog traits (all tracks between 5 and 12 minutes) of the early 70's. Organ-driven, filled with searing and soaring guitar leads, the odd flute and the then-surprising Joual vocals (the local French dialect was not really fully accepted in 1970 in arts) and an intriguing gatefold artwork the inside being fairly naïve/childish though.

With the opening12-min+ Narcotique is a typical Dionysos blues-based track, but comes with plenty of drama, interplay, interludes and changes of tempo, but it will not raise the hair from your arms. Suzie is a good standard 12-bar Blues with no surprise and therefore a bit boring. La Colère is a fuzz guitar piece that tries to emulate anger, but I must say that it is not entirely convincing either. Thibert's voice is a fairly typical one for Quebec's Joual singing (somewhere between Charlebois, Octobre's Flynn and Offenbach's lead singer.

Much more interesting is the 8-min+ L'Age Du Chlore, an up-tempo affair evenly shared between organ and guitar reminiscent of Purple in their proggier moments and even The Nice, due to Mathieu's presence. But the better has yet to come with the mid- tempo instrumental L'Age D'Or where the flute fights the guitar for supremacy early on, with the organ lurking just under, underlined by the efficient drumming until the flute seems to win and the track strangely fading out, to come back more energetic with a vengeful guitar. The album closes on the Agneau De Dieu (god's lamb), another hard driving organ-dominated rocker where Clement's riffy guitar is the main feature, especially in its middle section, where he hints at some Frippian tricks.

While this review was made from a loaned (thanks JM ;-) Spanish bootleg CD, I can't remember if the original vinyl presented the same sonic flaws (sounds like it was done from a so-so vinyl) as the pirate, but beware of this issue should you want to investigate the band. While hardly essential to most progheads, this early Quebec prog album is nevertheless an important step in La Belle Province's rise to greatness.

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Send comments to Sean Trane (BETA) | Report this review (#124962) | Review Permalink
Posted Thursday, June 07, 2007

Review by debrewguy
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Ah, the 70s ... the grand Epannouissement of the Francophone culture in Quebec. No longer limited or interested in french covers of English pop hits, many of the province's musicians are turning to more musically challenging styles.

Dionysos are among those. For those who also have heard of the first Offenbach albums, this one will likely appeal to you.

For those who don't know much about the then Quebec scene, the point of reference would be a more organ based harder version of the MKI Deep Purple and early Uriah Heep. Even Atomic Rooster can be used as a comparison.

As Sean has mentioned, the music here has firm roots in the blues & rock. But there is that extra something that takes it beyond your basic 12 bar boogie compositions.

For Quebec, Dionysos and other such groups were part of their own wave of progressive bands that were taking over the scene. For those outside the province, this album also stands in good stead with much of the heavy prog of the time.

Conclusion - Worth it for lovers of Heavy B3, especially if you come across a good deal. Not necessary, but good to have when you consider that they don't really make this kind of music any more. If you know what I mean ...

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Send comments to debrewguy (BETA) | Report this review (#204315) | Review Permalink
Posted Wednesday, February 25, 2009

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