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INTRODUCING (THE ELEVENTH HOUSE WITH LARRY CORYELL)

Larry Coryell

Jazz Rock/Fusion


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Larry Coryell  Introducing (The Eleventh House With Larry Coryell) album cover
4.02 | 30 ratings | 5 reviews | 30% 5 stars

Excellent addition to any
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Studio Album, released in 1974

Songs / Tracks Listing

1. Birdfingers ( 3:07 )
2. The Funky Waltz ( 5:10 )
3. Low Lee Tah ( 4:17 )
4. Adam Smasher ( 4:30 )
5. Joy Ride ( 6:08 )
6. Yin ( 6:03 )
7. Theme For A Dream ( 3:26 )
8. Gratitude ( 3:21 )
9. Ism-ejercicio ( 3:59 )
10. Right On Yàll ( 4:21 )

Total Time : 44:47

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Larry Coryell / guitar
- Randy Brecker / trumpet
- Mike Mandel / keyboards
- Danny Trifan / bass
- Alphonse Mouzon / drums

Releases information

LP Vanguard VSD 79342 ( 1974 )
CD Vanguard VMD 79342 ( 1990 )

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LARRY CORYELL Introducing (The Eleventh House With Larry Coryell) ratings distribution


4.02
(30 ratings)
Essential: a masterpiece of progressive rock music(30%)
30%
Excellent addition to any prog rock music collection(47%)
47%
Good, but non-essential (23%)
23%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

LARRY CORYELL Introducing (The Eleventh House With Larry Coryell) reviews


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Collaborators/Experts Reviews

Review by The Owl
PROG REVIEWER
5 stars You know this thing means business, from the stellar lineup including trumpeter Randy Brecker to the appropriately titled burning opening track Birdfingers (and those fingers was a flyin' here!). Here, Larry and Company carved out a unique sound for themselves in a genre' that Larry helped pioneer. The interaction between Larry C and Randy Brecker is pure magic, as keyboardist Mike Mandell lets forth funky Herbie Hancock-eque interjections and the rhythm section of bassist Danny Trifan and drummer Alphonse Mouzon pushes things along at a harrowing pace.

The Highlights: Birdfingers with Larry and Randy exchanging lively phrases and challenges, Funky Waltz, Low-Le-Tah, and the screamingly funky Adam Smasher amongst many. The introspective Theme For A Dream is a great change of pace. Even more wonderfully psychotronic is the inclusion of extra tracks like the ominous Cover Girl (which was even more so played live), Randy Brecker's Rocks (which later wound up redone on the first Brecker Bros. album) and Eyes of Love. Gratitude-A-So-Low is a mysterious and edgy electric guitar solo piece by Larry that will have you on the edge of your seat as well.

The Only Gripe: Alphonse Mouzon's drumming, sometimes grooving and then maddeningly sloppy and over-technical in the blink of an eye. Having the sheer chops that Alphonse did was both a wonderful blessing AND a horrible curse at the same time. Depending on the song, Alphonse could either carry it along very strongly, or let his technique and ego get so out of control and try to cram as many notes into a bar as fast as possible like a caffeine-crazed octopus, leaving little to no breathing room for the other musicians at times. However, the sheer quality of the tunes and the players enables me to look past this more than I would otherwise.

Gripes aside, I am just sooooo glad this made it to CD, a wonderful slice of classic fusion and Larry Coryell reaching for a higher level!

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Send comments to The Owl (BETA) | Report this review (#158360) | Review Permalink
Posted Friday, January 11, 2008

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
4 stars 4.5 stars really!!!!

As the title indicates, this LC's new fusion group, as he thought it was also pertinent to build a JR/F group as McL had (MO), or Zawinul and Shorter (WR), or Corea (RTF). So in came The Eleventh House, with a solid line-up, with powerhouse drummer Alphonse Mouzon, Randy Brecker on trumpet, Mike Mandel on keys and little-known Tritan on bass. Again produced by Vanguard label in-house Danny Weiss (it seems LC only wanted him), this album comes again with a major psychey and spacey artwork from Jacques Wyrs. But as LC was one of the last great jazzman to get his group together (or jump on the bandwagon if you wish), he wouldn't really be as successful either commercially or artistically. This EH project will not be a vehicle for its leader, the way MO would be for McL, as LC will regularly leave space for Alphonse Mouzon and Mike Mandel writing songs (two each on this album). The grouop has its roots in the previous LC solo album Offering.

While this debut album smokes in places, and rocks your wimpy arse to the ground, it also has its share of flaws and fails to really convince completely as did Inner Mounting Flame or Weather Report's debut did. Starting on the ultra fast asc/desc-ending riff of Birdfingers, which resembles a bit MO's first album, Brecker gets the solos for himself. The following Mouzon-penned Funky Waltz is more reminiscent of WR's Mysterious Traveller (same ideal: find a groove and stick to it, soloing away), released the same year, with Brecker's trumpet replacing Shorter's sax. Low-Lee-Tah (I suppose Lolita) is a slow torrid fusion, seemingly crossing early MO and early WR, and it comes out as a pure scorcher. The Mandel-written Adam Smasher should be the pianist's bravery piece, but Brecker again seems to steal the show, with Coryell's wah-wah guitar solo equally impressive. Mandell can't catch his moment in his other track, Joy Ride, and his choice of synth is astonishing for the year (he must've been one of the first to own it), but I was never fond of that sound, which will pollute the later 70's fusion albums.

On the flipside, Yin kicks in open doors, but it's so sweet to get this type of 100 mph track right between MO and WR, RTF being not far away, either. 100% molten lava pouring out of the crater of your speakers, with again the same synth. The Dream theme is a slow and rather uninteresting tune, lacking the energy of its sister tracks. Gratitude is a guitar solo piece that would've been best left out, and saved for solo album. Ism-Ejercico is much reminiscent of Yin and Birdfinger, again finding its influences on the MO/WR axis. The closing Right On (Mouzon-penned) repeats the formula of Funky Waltz with better luck and finesse.

Soooo, aside a weaker passage on the flipside, Eleventh House's debut is a very impressive start and maybe the group's finer moments, even if there will be more. Maybe LC's most

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Send comments to Sean Trane (BETA) | Report this review (#163201) | Review Permalink
Posted Wednesday, March 05, 2008

Review by snobb
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Most popular Larry Coryell album, really not a bad one ... but not for my taste.

Larry plays plenty of fast, technical and liquid guitar, and in best moments it sounds as excellent fusion from mid 70-s. But - whole music is bombastic (not very often case for progressive jazz fusion from mid 70-s), and Randy Brecker's trumpet adds many of brass orchestration I really don't like there.

By my head I understand, that Larry demonstrates there possibly one of his best fusion guitars playing, but the whole music just doesn't touch my heart. It too often looks as bombastic demonstration of musicians abilities and real great atmosphere you can so often feel in many early 70-s fusion releases, is absent there.

Again, it's more question of taste I believe. If you can enjoy fast and technical guitar-based jazz fusion with some bombastic brass all around, possibly you will like this album more than me. And -Alphonse Mouzon's drumming there is really great!

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Send comments to snobb (BETA) | Report this review (#301931) | Review Permalink
Posted Monday, October 04, 2010

Latest members reviews

5 stars Larry Coryell stands on equal footing with John McLaughlin as one of the premier jazz fusion guitarist and this probably represents his finest achievement. Many people consider his earlier work with McLaughlin, 'Spaces' as writing the textbook for fusion style guitarwork, but to me, this is his gr ... (read more)

Report this review (#130013) | Posted by wooty | Monday, July 23, 2007 | Review Permanlink

3 stars Larry Coryell & The Eleventh House Introducing The Eleventh House With Larry Coryell represents something quite different when compared to Larry's earlier guitar work. The core of the band (Mouzon, Mandel & Coryell) is set in place for this very experimental record, quite ahead of its time wh ... (read more)

Report this review (#127049) | Posted by vingaton | Thursday, June 28, 2007 | Review Permanlink

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