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AT THE END OF TIME

Robert Fripp

Eclectic Prog


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Robert Fripp At The End Of Time album cover
4.50 | 16 ratings | 4 reviews | 25% 5 stars

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Live, released in 2007

Songs / Tracks Listing

1. Threshold Bells: St. Paul's (1:11)
2. At The End Of Time: St. Paul's (9:44)
3. Evensong: Tallinn (7:20)
4. Evensong Coda: Tallinn (1:48)
5. At The End Of Time: Broad Chalke (12:41)
6. Evensong: Viljandi (10:19)
7. Evensong coda: Viljandi (10:43)
8. Future Shift: Haapsalu (0:59)
9. Evensong: Haapsalu (11:13)
10. Evensong Coda: Haapsalu (8:12)

Total Time 74:14

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Robert Fripp / guitar

Releases information

Discipline Global Mobile DGM0701

Thanks to ThulŽatan for the addition
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  • Midnight Blue A Blessing of Tears 1995 Soundscape-Vol 2 - Live in California, 1995

Buy ROBERT FRIPP At The End Of Time Music


At the End of Time: Churchscapes Live in EnglandAt the End of Time: Churchscapes Live in England
Dgm / Inner Knot 2007
Audio CD$7.49
$6.77 (used)
AT THE END OF TIMEAT THE END OF TIME
VICTOR JAPAN
Audio CD$26.65
$20.46 (used)
AT THE END OF TIME by VICTOR JAPANAT THE END OF TIME by VICTOR JAPAN
VICTOR JAPAN
Audio CD$48.83
At The End Of Time: Churchscapes Live In England & Estonia 2006At The End Of Time: Churchscapes Live In England & Estonia 2006
Panegyric
Audio CD$24.50
Right Now on Ebay (logo)
CD love cannot bear / soundscapes live in the usa
ROBERT FRIPP
~ USD $10.05


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ROBERT FRIPP At The End Of Time ratings distribution


4.50
(16 ratings)
Essential: a masterpiece of progressive rock music(25%)
25%
Excellent addition to any prog rock music collection(44%)
44%
Good, but non-essential (25%)
25%
Collectors/fans only (6%)
6%
Poor. Only for completionists (0%)
0%

ROBERT FRIPP At The End Of Time reviews


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Collaborators/Experts Reviews

Review by Eetu Pellonpaa
SPECIAL COLLABORATOR Honorary Collaborator
5 stars From those Robert Fripp's solo soundscapes I have heard, this record returns again to the finest celestial spheres I found earlier from his divine "The Gates of Paradise" album. The music focuses again more deeply to the mystic feelings and religious experiences. These solemn relations in the musical context are underlined with use of both church bell and pipe organs resembling sounds, which create beautiful contrasts with very low-pitched and vast humming, associating with echoes of infinity and most profound human questions. The descending and ascending motives form waves summoning forth a powerful sacred spiritual experience, full with melancholic solemnity with presence of hope. These tides on the sea of soothing peacefulness sail to both hypnotic calm phases and cross-picked guitar mantras. Some of the synthesized sounds are quite realistic, some having more artificial characteristics. There are also some fine guitar solos, where the instrument's sound is not so much processed.

Major theme of the album are several variations of "Evensong" from the Fripp & Eno album "Evening Star"; In Tallinn the descending notes of referred track are audible in the tingling background layers, in Viljandi the overall humming sound presence and in codas quiet bells, then in Haapsalu session the dark motives behind solo guitar along with the serene coda details. The wind chime sounding quiet bells dominant on codas of these "Evensong" prayers are very beautiful, chanting with piety their minimal cycles. These entities are segmented with two tranquil phases titled "At The End of Time", and the final "Evensong" is reached through powerful deep sounds of "Future Shift", offering visions from more atonal ethereal planes. The last phase of the album has very sorrowful progression with electronically treated solos, reaching later more hopeful yearning to its flight, before escaping to most blissful bells fading to the void of celestial harmonies.

The composition of the record is built successfully from the church concert recordings, which were captured from a small tour in England and Estonia, reaching a solid thematic album from the emotional logics of the sacred sounds. In the CD booklet there are links to DGM Live web shop, from where one can purchase flac/mp3 downloads of five whole concerts from which this album was built. Robert also shares his memories from the tour and contemplations about his musical career and philosophical views.

I believe this music is relying mostly on the feeling of sounds, not containing very complex musical content. The performances must have been extraordinary events in the churches, if one should be open to peaceful spiritual experiences. Though I do not accept any dogmas of religions preached by men correct, but I see wisdom in William Blake's words "all religions are one". I think the urge to search answers to spiritual questions is a fundamental part of human existence. Though the answer might not be possible to be found, it is possible that search itself is more important, and I refuse to accept the conflict of secular scientific and spiritual faith based views of world - a clash that I have noted to be strong in the segment of society being visible to me. For those who are doing this search or just like beautiful ambient-oriented music, I would certainly recommend this extraordinary album.

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Review by admireArt
COLLABORATOR PSIKE Team
5 stars The most sophisticated and "universal" soundscapes album to this day. I feel like I am pushing Robert Fripp to your attention, but it is a shame that this Masterpiece has 5 lonely ratings (all good 4/5 Stars). It is quiet a mystery, considering the sole fact of who this guy is.

But; anyway, this is as good as it gets! And you should try to immerse yourself in this original guitar language project. Of course this has no close contact to the Crimsonsīs fireworks, as that has been established since Fripp's album #2, "UnderHeavyManners/GodSavetheQueen".

Closer to the electronic-"Ambient" experimentations tagging, if such "tag" existed. His guitar-language makes no compromises, like spoken-languages never do, either you get them or not. BUT- The great thing about " At The End Of Time" is the depured synthesis of the "soundscapes" language.

Self-demanding artistry evolution and refinement led its way to this kind of result. So, if assumed that there are no close to "eclectic-prog" average roots like the King, this will fairly be considered "Electronic-Prog". It has all its elements, but totally electric guitar generated sounds and distortions and not the usually found keyboards.

Close to "Enviromental/Experimental/Electronic/Ambients" in spirit and "symphonic-prog"- related, because its well defined symphonic like melodic lines and constructions.

One of those rare efforts which cover the whole scope and intention without losing grip or forcing the outcome. "Loosely/Tight" performance with the makings of perfection adding the same composition wise. "Friendly" as beauty usually is, an uncompromising the same way!

. *****5 "Flawless original, self-impossed perfect pitch performance and songwriting" Stars. Enjoy!

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Latest members reviews

4 stars A quick thought: Robert Fripp's End of time is a live album of more of Fripp's solo ambience & soundscapes.It shares the same premise of the early days with Brian Eno,but Fripp has evolved the concept and sound,some what.Interestingly each song is played in a different church throughout England ... (read more)

Report this review (#248205) | Posted by mrcozdude | Wednesday, November 04, 2009 | Review Permanlink

4 stars A Sunday Times CD of the week no less..as Fripp implies in his typically effusive sleeve notes, if you were to have come along to a performance of his "Churchscapes" expecting some hard riffing then you would be disappointed. Here, it's Fripp and his "Solar Voyager" playing solo in a series of c ... (read more)

Report this review (#150316) | Posted by Phil | Monday, November 12, 2007 | Review Permanlink

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