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SEA OF THE DYING DHOW

shels

Experimental/Post Metal


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shels Sea of the Dying Dhow album cover
3.98 | 39 ratings | 7 reviews | 41% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2007

Songs / Tracks Listing

1. The Conference of the Birds
2. Indian - Part 1
3. The White Umbrella - Part 1
4. The White Umbrella - Part 2
5. Water - Part 1
6. Sea of the Dying Dhow
7. Atoll
8. The Killing Tent
9. Indian - Part 2
10. Return to Gulu
11. In Dead Palm Fields

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Mehdi Safa / vocals
- Tom Harriman / drums
- Simon Maine / guitar
- Green Dave / guitar
- Phil Maine / guitar
- Red Dave / bass
- Ed Matthews / atmospherics
- Arif Driessen / trumpet

Releases information

CD Shelsmusic (2007)

Thanks to TheProgtologist for the addition
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SHELS Sea of the Dying Dhow ratings distribution


3.98
(39 ratings)
Essential: a masterpiece of progressive rock music(41%)
41%
Excellent addition to any prog rock music collection(41%)
41%
Good, but non-essential (9%)
9%
Collectors/fans only (3%)
3%
Poor. Only for completionists (6%)
6%

SHELS Sea of the Dying Dhow reviews


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Collaborators/Experts Reviews

Review by Prog-jester
PROG REVIEWER
3 stars I remember founding this band through numerous recommendations here on PA forum. They are great indeed...but I wouldn't regard them as my favourite Post-Metal band.

The best thing about *SHELS is that they care not about Metal much, they're about creating atmosphere (and they even have a band member for this purpose ;) ). Mostly medium in size (3-10 minutes except for 2 intros), pieces are built in Post-Rock "quiet intro-long progression-loud climax" standard, but this is the case where cliches work FOR the band, not against them. Another positive side of this depressing stuff (ha-ha) for me is CLEAN VOCALS most of the time. Mehdi definitely SINGS, and this is far better in my book than usual Post-Metal/Sludge hardly bearable scream. Due to the fact that band stuck in 6/8 signature, many OPETH fans will find them more than enjoyable ;) Besides these 6/8 harmonies are well-played/arranged - with three guitars (!) you can hardly go wrong! Despite all these "advantages", the album failed to click on me THAT much, but it is strong and promising effort (3.5 stars really!!!). Highly recommended to all Post-Rock/Metal fans, especially those who appreciate melodies over riffs (like I do)

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Send comments to Prog-jester (BETA) | Report this review (#155130) | Review Permalink
Posted Tuesday, December 11, 2007

Review by Dim
PROG REVIEWER
5 stars BRILLIANT, BRILLIANT,BRILLIANT! My favorite of 2007! This fresh-out-of-the-box band is one of the greatest post rock/metal bands to date. The music ranges from ambient spacey, to hardcore screaming, and everything in between. At first, I was thinking "what kind of band name has an astrict at the begging", but after two or three listens, I knew that this album was a gem. Dominated by acoustic guitars, the album is very mellow and atmospheric, with sparse clean vocals (that sound very much like Phil Collins'), and sometimes the songs build to some bone crushing chords and even rarer screams.

The album starts with the typical trippy lead line that defines post metal, but with a smooth drum beat and acoustic guitar to destroy any illusion of heaviness. After a couple of lines of overdubbed singing, everything drops out except the lead, and acoustic guitar... then hell erupts with the ever so powerful post metal riffing. I know, so far I sound like I'm describing just any post metal song, but there is an atmosphere that swallows the the entire albums music, no sludgyness, and squeaky clean recording is what, I think, gives *shels it's atmospherical edge. Anyways, the mood drops down to acoustics again, but there is a feeling of something coming in the song. A trumpet is introduced, giving a more Mexican/Spanish kind of feel, then the second eruption of the song, with ever climbing power chords, and the trumpet just wailing (usually I'm not a horn fan, this is an exception). After this slightly more colossal climax the song quickly gives way to the ending. The music does more than just give a atmospheric feel. Even without lyrics, the sounds actually creates landscapes, or soundscapes if you will, directing the music to an even higher affinity. Most of the tracks are around four minutes long, some just ambient atmospherical, some the climactic progpower song, and there is even a popish song, which also sounds great. Every song is well structured, well balanced, and well placed throughout the album.

It's actually, very hard to sum up this album, it flies from spectrum to spectrum, whether it be acoustic, or super heavy riffing, everything about the songs are almost perfect. I'd have to say, the first (the conference of the birds) and last (in the dead palm fields) songs are the best, but really it does not matter none of the songs are below average. After each listen you feel you heard something you've missed, and want to hear it over and over. I proudly award this album 5 stars.

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Send comments to Dim (BETA) | Report this review (#155167) | Review Permalink
Posted Tuesday, December 11, 2007

Review by avestin
SPECIAL COLLABORATOR Honorary Collaborator
4 stars When power and subtleness meet

Can you imagine an album in which you can literally swim in its music? For me, this is such an album.

The interplay of electro-acoustic guitars with the devastating heavy riffs of the electric guitars is a great ear-catcher. Done very well and makes for a great listening experience. This band puts emphasize on emotion, melody and power in their music. Crushing upon you with their heaviness is not the only thing they know how to do; they also deliver smoother and softer facets, creating beautiful soundscapes of marvelous power and beauty.

The music can come tumbling upon you like a ton of bricks (The White Umbrella Part 2). The riffs are just like I love them; crunchy, heavy, raw and wide. But here is also the good thing about these guys; there's no dominance of the heavy upon the subtle. On the contrary, where softness is needed, it is given its place; in the aforementioned song, the light and delightful part follows the heavy one and they co-exist together so well. The switch is natural, flowing easily from one to the other. The vocals are mostly on the clear and malleable side, fitting very well with the two opposing facets of the music, those being the soft where they enhance it and the harsher where they contrast it. When they are on the more ferocious side, they are very well done, fit the music perfectly and add to the rawness of the sound and to the volume of the music. Another good thing here is that it is not a shiny and clean production; rather it is crispy, hard edged and somewhat raw, whether in the overall sound or specifically in the guitar riffs.

I find that I make the most of listening to this album during night time; there is fantastic soundscape weaving here and a great interplay of mellow and harsh. It is an album that is pretty accessible but that needs several listens to appreciate its beauty and intricacies, mainly due to its length. There is a very good balance between the scenic musical soundscapes and the more song-oriented songs which makes for a well equilibrated album and a varied sounding album.

This album has all the right elements, and all act synergistically to create what is an exceptional listening experience. This is not a simply metal release; it is an exercise in texture making, in layering, and in building tension through contrast while actually reaching harmony. Powerful is a word that is used often, but in this case, the word does not only describe the metal elements, but also the emotions the music elicits. Last but not least, the art of composing an appealing tune is applied here throughout the album; melody is oozing from each moment of each track. It is compelling and haunting music; such that stays with me after the album is done and which makes me want to come back and listen to it again.

What you should do: Get this album, dim the lights, put this cd in your player, sit down, close your eyes and be carried away by and with the music.

More than 4 stars...

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Send comments to avestin (BETA) | Report this review (#162494) | Review Permalink
Posted Saturday, February 23, 2008

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
4 stars The full length debut from Shels Sea of the Dying Dhow is a positive surprise to me. This is one of those post rock/ metal albums that is excellent entertainment. Itīs a very memorable album.

The music is very melodic and even though it has all the trademarks of the post rock/ metal genre like repetitive slow building riffs, sporadic vocals and dynamics that shifts between crushingly monumental metal riffing and quit acoustic parts itīs not trivial and it never gets generic. This is music that provokes images in your mind. I find it very beautiful. The singing isnīt the most dominant feature on the album, but when it does appear it gives just the right lift to the songs. The vocals range from emo rock like vocals to hardcore grunts. The music is mostly instrumental though. The mood is a bit lighter than much post rock/ metal I have encountered before. Itīs not happy though, but lets just say itīs a dark tunnel with a light in the end.

The musicians are very tight and Sea of the Dying Dhow oozes of class and good atmosphere among the musicians.

The production is one of the best I have heard in this kind of style and I can only praise the responsible producer for making this possible.

For fans of the genre this is a must, even though bands like Isis and Pelican have already covered most of the territory visited here. Shels have their own approach though and itīs a very enjoyable one. Iīll rate Sea of the Dying Dhow 4 stars and it comes highly recommended from me.

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Send comments to UMUR (BETA) | Report this review (#168824) | Review Permalink
Posted Sunday, April 27, 2008

Review by Any Colour You Like
PROG REVIEWER
4 stars One could be forgiven to think that any 'new' post metal/sludge artists would simply be riffing the original masters of the style. That they couldn't possibly bring anything new to a genre that seems to embrace compositional minimalism and obscurity. But *shels are different. I don't mean that in the 'avant' or silly experimentalist sense, but that they craft wonderful melodic, dynamic, heavy and subtle music with a unique atmosphere and personal drive.

As you could expect, *shels deliver a powerful mix of light/dark, light/heavy orchestrations. But what you may not expect is that they also thrive on creating minimalist passages containing an eclectic mix of conventional and non conventional instrumentation. However, unlike what you might also not expect, is that the band doesn't completely eschew melodic hooks, or necessarily delve into brazen and self-indulgent experimentation. One can only enjoy the woodwind accents present throughout the more cacophonous melodic climaxes, hedonism perhaps, but it's glorious hedonism without the noodling. The exotic ambiance of some of the passages also adds an interesting texture, helping build a less prosaic and less predictable flow. Although still largely bound by the soft/loud/soft structure, it would be ill-advised to simply pass off the compositions here as derivative. Indeed, while some of the movements are predictable, and lack the kind of infectious dynamics of a Pelican or The Ocean, it seems to matter little when the music is so apt to transport you elsewhere. Vocally, I don't see any major issues, the hardcore vocals are sparse and resemble more of a gruff Isis tone rather than the hardcore shriek (or whatever it is). The clean vocals are polished, along with the production entire - there's nothing to fault here.

'Sea of the Dying Dhow' has been of recent times, one of my favourite releases. Furthermore, in a genre of Isis clones and GY!BE-like posers, *shels deliver a truly expressive, powerful and memorable listen. I shall await their next release with barely concealed joy.

4.5/5

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Send comments to Any Colour You Like (BETA) | Report this review (#448844) | Review Permalink
Posted Tuesday, May 17, 2011

Latest members reviews

4 stars Sea of the Dying Dhow brings some new identity to the metalcore genre, a rich mixture between heavy, doomy riffs and softer moments. While the riffs are slow and distorted, they are also catchy and highly melodical. Listen to "The White Umbrella-Part II", which trades off between lush acoustic s ... (read more)

Report this review (#185194) | Posted by Vincent Hulin | Friday, October 10, 2008 | Review Permanlink

5 stars I had the great pleasure of suggesting this band to PA, and so I think I should have a review ready for this amazing album. I stumbled across this album mainly by accident, as it was recommended to me by a friend, and I thought I'd give it a go, and boy, am I glad I did. *shels is a band that ... (read more)

Report this review (#156774) | Posted by Drakk | Thursday, December 27, 2007 | Review Permanlink

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