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GOODBYE TO THE AGE OF STEAM

Big Big Train

Crossover Prog


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Big Big Train Goodbye to the Age of Steam album cover
3.48 | 194 ratings | 9 reviews | 10% 5 stars

Good, but non-essential

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Studio Album, released in 1994

Songs / Tracks Listing

1. Wind Distorted Pioneers (3:21)
2. Head Hit the Pillow (5:49)
3. Edge of the Known World (4:47)
4. Landfall (4:18)
5. Dragon Bone Hill (3:53)
6. Blow the House Down (9:20)
7. Expecting Snow (2:36)
8. Blue Silver Red (10:04)
9. Losing Your Way (7:29)

Total Time 51:37

Bonus track on Japanese Release only:
10. Two Poets Meet (4:30)

Bonus tracks on 2011 remixed edition:
10. Far Distant Thing (1993 recording) (4:35)
11. Expecting Dragons (new recording) (7:16)
12. Losing Your Way (extended version) (10:01)

Line-up / Musicians

- Martin Read / vocals
- Greg Spawton / guitar, keyboards, co-producer
- Ian Cooper / keyboards
- Andy Poole / bass, co-producer
- Steve Hughes / drums

With:
- David Longdon / flute & keyboards (11)
- Nick D'Virgilio / drums (11)
- Steve Christey / wind chimes
- Martin Orford / arrangements & backing vocals
- Gary Chandler / backing vocals
- Ken Bundy / backing vocals
- Mandy Taylor / backing vocals
- Sally French / backing vocals
- Stuart Nicholson / backing vocals
- Rob Aubrey / backing vocals, co-producer

Releases information

Artwork: Jim Trainer with Andy Poole (design)

CD Giant Electric Pea ‎- GEPCD 1007 (1994, UK)
CD English Electric Recordings ‎- EERCD008 (2011, UK) Remixed by Rob Aubrey & Andy Poole w/ 3 bonus tracks and different cover art

Thanks to ProgLucky for the addition
and to Quinino for the last updates
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BIG BIG TRAIN Goodbye to the Age of Steam ratings distribution


3.48
(194 ratings)
Essential: a masterpiece of progressive rock music(10%)
10%
Excellent addition to any prog rock music collection(40%)
40%
Good, but non-essential (38%)
38%
Collectors/fans only (10%)
10%
Poor. Only for completionists (2%)
2%

BIG BIG TRAIN Goodbye to the Age of Steam reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by loserboy
PROG REVIEWER
3 stars Rich in the English neo-prog vein of JADIS and GALAHAD, BIG BIG TRAIN deliver highly symphonic and memorable music. "Goodbye To The Age Of Steam" is a wonderful little recording with some solid guitar, keyboard and drum interplay. In many ways this album reminds very much of JADIS and in fact Steve Christey and Gary Chandler both join the lads adding some brilliance. In fact this album is hosted by a few other friends including Stu Nicholson (GALAHAD), Martin Orford (IQ) and Sally French. BIG BIG TRAIN play a very tight and bright rock with gentle passages and packed with solid instrumentation. Solid neo-prog all the way through.
Review by The Crow
PROG REVIEWER
3 stars After two interesting demos, Big Big Train released their first full length album back in 1994. And the project started good!

I must say that the production of the album sounds professional. The only problem I find in terms of sound is the dated and unfitting sound of the keyboards in some songs. I think for their attempt to create a melancholic neo-prog approach to music the keys are too strident and too much early 80's oriented. And while in other acts like Pendragon or Arena that's not a big deal, in the music of Big Big Train sounds just incorrect.

Nevertheless, Wind Distorted Pioneers introduces correctly the style of the band, despite its dubious initial guitar melody. Melancholic melodies, piano-based sections and some folk elements. Pure Big Big Train! And typical is also Head Hit the Pillow, which starts with a long instrumental introduction with old-sounding keyboards. After that, at 2:28 we can hear an excellent chorus and good bass playing. Fine song!

Edge of the Known World is not so good, because the more rocking tracks of the album are curiously also the worst. Despite the good and complex initial riff and the neo-prog elements, this song is not remarkable. Landfall's start is also very neo-prog at the beginning, especially in the keyboards. After that we can find a beautiful song dominated by the excellent voice of Martin Read and acoustic guitars. The keyboard is a bit annoying in the chorus, but the inspiring guitar solo accompanied by a fine piano melody compensates that.

Dragon Bone Hill is a dreamy instrumental tune played with Spanish guitar and delicate keyboards, and it gives way to Blow the House Down. This song starts very beautifully, just voice and keys in the first two minutes. After that the track becomes a bit more conventional, but very good nevertheless. The instrumental progression is remarkable, and the great melody of bass and keyboards which appear at 4:09 too.

Expecting Snow is another harmless instrumental with Spanish guitar, but this time with drums and bass and some acoustic chords. Not really special. Blue Silver Red is also a bit irregular, with great sections like the one which starts with the words 'So sorry'', and others which are not so good, specially the rockier ones. Nevertheless, this song has another mature and intense instrumental work. This band was good since the very beginning!

Losing Your Way starts with an epic keyboard, and even more epic guitar melody, which leads to another good song. The fans of Marillion will be specially delighted with this one! The acoustic guitar solo is the top of the track, which ended the album in its first edition.

Because Far Distant thing is an extra song added in the remastered edition, obtained from the demo The Infant Hercules. Not a bad one, but pales in comparison with the rest of the album despite the good electrical guitar works which contains. And Expecting Dragons is a new track made specially for this re-edition with the actual line-up. Is a mixture between Dragon Bone Hill and Expecting Snow, adding Big Big Train's modern elements like flutes, strings, better production and D'Virgilio.

This reissue contains also a longer version of Losing Your Way, but I honestly prefer the original.

Conclusion: a good album from a very talented band! The true personality of the band is here, despite being their first official full lenght. So, the melancholic mixture of neo-prog, folk, pop and symphonic prog will surely delight not only the fans of Big Big Train, but also to curious listeners desiring to know the origins of this gifted group of musicians. In my opinion is also not a bad place to start with them!

The unfitting keyboard sound which ruins some sections, alongside some repetitiveness prevent this album to receive four stars. But It's a good album, even very good sometimes, and it has a great singer who sings very catchy vocal lines and a very versatile and delightful guitar work.

I'm willing to hear more of this band!

Best Tracks: Head Hit the Pillow, Landfall, Blow the House Down, Losing Your Way (short version)

My Rating: ***

Review by Warthur
PROG REVIEWER
5 stars It's doubly appropriate that, after producing two demo albums, Big Big Train should have released their full-fledged debut through Giant Electric Pea. Though it swiftly expanded into releasing music by other groups as well, GEP was founded as and remains the forever-home of IQ, and not only was BBT co-founder Andy Poole a roadie for IQ (and their predecessor band, The Lens) back in the early 1980s, but the musical style here is closer to neo-prog than the more ornate, lush symphonic prog style that Big Big Train would adopt later in their career. (Martin Orford even makes a guest appearance, helping out with the arrangements and contributing some backing vocals.)

Still, their sound here is far from being a glib rehash of Marillion, IQ, or any of the other neo-prog big names: early in their career, Big Big Train have already latched onto a wistful, melancholic aesthetic which is distinctly theirs, along with showing a knack for ornate vocal harmonies which add a lovely texture to things.

Thematically, the title of the album immediately calls to mind Big Big Train's long-running tendency to give nods to Britain's industrial past. I'm actually making a point of gradually revisiting the Big Big Train discography from the beginning at the moment, because whilst initially I bounced off their style somewhat, I think that's because I was mistaking their sometimes-nostalgic tones for an endorsement of a reactionary past.

Lately I've started to think I may have been mistaken - a lot of the historical lynchpins they've celebrated over the years have been directed to the overlooked working class history of Britain, not the typical flag-waving of narrow-minded jingoists, and furthermore they're not just nodding to the past for the sake of wallowing in yesteryear but tying in these themes they are fond of with particular emotional and philosophical considerations. This album is a great example of this: though title and cover art suggest mourning a vanished landscape, lyrically they weave these ideas in with a sense of vanished relationships, personal interactions gone to pot with the passage of time.

As one would expect for a band which, at this time in its history, was taking a more neo-prog oriented approach, Big Big Train draw on then-current music in more popular strains as well as the prog past, and in some passages here and there you can almost imagine hearing this sort of music on the radio in the mid-1990s - had they sustained that for an entire song. The band's prog instincts are not to be too easily suppressed, however, and any particular song will end up combining wickedly catchy moments with delightful prog workouts.

There's also a light touch of folk influences here and there, which is a nice way to make the package seem softer and less inaccessible without necessarily pandering to fashion. Adding a pinch of folk to neo-prog is something which seems to pay dividends - though Fish's experiment with it on Internal Exile had slightly mixed results, Mostly Autumn have been able to make an entire career out of it.

What this most reminds me of, in fact, is echolyn's Suffocating the Bloom - which preceded this release by a bit, but shortly enough that I am inclined to think of this as parallel evolution rather than conscious influence. There's the same attention to harmony, the same combination of modern (for the early 1990s) instrumentation with decidedly unfashionable ornateness.

Though I was curious about this debut album, I wasn't expecting to be as blown away by it as I am, and I'm looking forward to continuing my gradual trip through the Big Big Train discography - I expect I'll have a much better appreciation of releases like The Underfall Yard or English Electric now I've got the context offered by picking up their story from the beginning. Goodbye to the Age of Steam might be rather different from the band's current musical approach, but I think it is a beautifully-executed musical statement in its own right and doesn't deserve to be overlooked.

Latest members reviews

3 stars So a review for a band that I've been checking out quite a bit. So, Big Big Train, one of modern prog's more staple bands with their unique blending of a more English and old British sound with a more neo-Prog or symphonic Prog sound. I've been loving their music for quite a bit so far, and I've ... (read more)

Report this review (#2713237) | Posted by Dapper~Blueberries | Friday, March 25, 2022 | Review Permanlink

4 stars Big Big Train first album remastered. Always to start is difficult. This guys overtake the afraid and temptation to be likeable (or not) to everybody(fans of prog) Melodies are beautiful. Yes in their last albums they were going to show us all their very talented skills in instrumenta ... (read more)

Report this review (#756650) | Posted by robbob | Tuesday, May 22, 2012 | Review Permanlink

3 stars 5/10 This is a median debut. Although Big Big Train has gained attention with his latest album (the magnificent The Underfall Yard) they are already on the road for a long time - 20 years. While their first demo was a complete abomination to me, the same can not be said Goodbye to Age of St ... (read more)

Report this review (#545107) | Posted by voliveira | Friday, October 7, 2011 | Review Permanlink

5 stars From the River to the Sea was their first demo, followed by The Infant Hercules, both pretty awful to be honest. A young band's first compositions I guess. So initially, I ignored this album, not expecting anything too much better. Eventually I think I won a CD prize and chose this as I alread ... (read more)

Report this review (#244526) | Posted by gingernut | Tuesday, October 13, 2009 | Review Permanlink

2 stars I'm no more impressed with this than the other CD i've reviewed (Bard). The singer just bores me and it appears that the singing parts are ALL EXACTLY THE SAME, tempo tone - just BORING!!! Thus when you get to the instrumental break (where it gets better) you are already realising that you wou ... (read more)

Report this review (#244510) | Posted by M27Barney | Tuesday, October 13, 2009 | Review Permanlink

3 stars yes i know big big train, not the greatest band in the worldwhen compared to the likes of spock's beard/marillion etc... but still a good effort all the same with this disc. It has its moments and is fairly original sounding, shame about the voice! goodbye... opens with wind distorted pioneer ... (read more)

Report this review (#12006) | Posted by | Saturday, August 7, 2004 | Review Permanlink

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