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Bass Communion

Progressive Electronic

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Bass Communion Jonathan Coleclough/Bass Communion/Colin Potter album cover
3.76 | 12 ratings | 2 reviews | 8% 5 stars

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Studio Album, released in 2003

Songs / Tracks Listing


1. Passed (12.53)
2. Yossaria (24.13)
3. Raiser (8.48)
4. Pethidine (27.51)


1. Epidural (73.57)

Line-up / Musicians

Jonathan Coleclough, Colin Porter, Bass Communication/electronics, mixes, composers, producers

Passed: Bass Communion, music, Colin Potter, mix
Yossaria: Potter & Coleclough, music, Bass Communion, mix
Raiser: Bass Communion, music, Colin Potter, mix
Pethidine: Bass Communion & Coleclough, music, Coleclough, mix
Epidural: Bass Communion, music, Coleclough, mix

Releases information

(ICR double CD - ICR39)
Limited to 500 copies. Second edition of 500 copies issued in January 2005

Collaboration with drone artists Jonathan Coleclough and Colin Potter that grew out of the Bass Communion remix project. Yossaria is Bass Communion remixing JC+CP, the other tracks are JC+CP remixing Bass Communion.

Thanks to Ricochet for the addition
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BASS COMMUNION Jonathan Coleclough/Bass Communion/Colin Potter ratings distribution

(12 ratings)
Essential: a masterpiece of progressive rock music(8%)
Excellent addition to any prog rock music collection(33%)
Good, but non-essential (33%)
Collectors/fans only (0%)
Poor. Only for completionists (25%)

BASS COMMUNION Jonathan Coleclough/Bass Communion/Colin Potter reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by The Truth
COLLABORATOR Post/Math Rock Team
4 stars Elegant yet simple. Not prog, but beautiful.

Steven Wilson's Bass Communion project is really an interesting one. You can hear various tatters of Porcupine Tree somewhere within the massive soundscapes but this is something completely different and the collaboration with Coleclough and Potter created one of the bands best albums.

On CD 1 we get four tracks, each very hypnotic and eargasm inducing. I could literally listen to this whole album just sitting somewhere staring into space, that's how beautiful this record is.

Passed is a very spacey track reminiscent of PT scented Tangerine Dream. (That was a good way to describe it hehe)

Yossaria is a more static-filled track, but all the same as hypnotic as the first. It sounds like alot of the older Bass Communion to me.

Raiser is a short little piece (compared to the rest of the album) that sounds the most like Porcupine Tree. Definitely a Steven Wilson work. Beautiful little track too, very inquisitive almost.

Pethidine is a long static filled track which gives you the illusion of water dripping and various other subtle noises. Kind of like Ghosts on Magnetic Tape if you've heard that, very almost scary at times.

Then we get Epidural. Man what a good track. Lasting over an hour long, this piece of pure bliss makes you feel somehow at ease. You mediate with it like no other. When you're done with it you feel somehow different, I can't really explain it but you feel almost looser. Strangely beautiful track.

Pure electronic bliss. Four stars at least, because this ain't prog.

Review by TCat
SPECIAL COLLABORATOR Eclectic / Prog Metal / Heavy Prog Team
4 stars This is quite the study in ambience and minimalism. Jonathan Coleclough is a electronic drone master and minimalist with several recordings and collaborations, Bass Communion is, like many here already know, Steven Wilson's very experimental, electronic project and Colin Potter who has done a lot of work with Nurse With Wound. This is an album (a very lengthy one at that, over 2 hours) with a collection of the three artist's collaborations. Those familiar with Bass Communion will understand what the music is all about, especially for the 2nd track, which is the best one in my opinion, not just because it is mixed by Wilson, but because it has the most movement and activity.

For those that love the minimalist/ambient sound, this album is one of the best. It requires a lot of patience, of course, but if you are just sitting there listening and drifting with the music, it is very sublime. The first track is "Passed" which is based on source material from Bass Communion and is mixed by Potter. This one is based on a drone sound with movement and sounds flowing in and out around the established ground. There is some interesting things going on here, but it mostly sets the mood for whats coming. The 2nd track ("Yossaira")is based on source material from both Potter and Coleclough and mixed by Bass Communion. This one is the most interesting, but if you are using this CD to get a quiet atmosphere, this one (and the next track) probably have more involvement and movement than the rest of the album. This is more industrial sounding ambience, quite metallic and spooky, a lot like BC's earlier material. Those familiar with BC's style will recognize it as Steven Wilson's involvement. The main sound here is a constant descending drone which recharges itself and then descends again with a lot of variation in the sound. Other noises weave around the drones and at times, the drones disappear completely and we're left with natural sounds as birds, water, etc before it returns in another variance. This lasts for a very sublime 24 minutes which sails right on by as if time is not involved. Simply amazing and worth 5 stars in and of itself.

The 3rd track is another Potter mix from Bass communion source material called "Raiser". This one is the only track with some semblance of quite percussive rhythm, but you will notice early on that the rhythm only has trivial impact on the sounds going on around it. Probably the brightest of the tracks, though still ambient. This is also the shortest at 8 1/2 minutes. The next track is from source material from both Bass Communion and Coleclough and is mixed by Coleclough. This is a 27 minute drone which doesn't seem to change much except for cycles and dynamics. This was a hard one to concentrate on, but would be a great atmospheric piece that would induce calm.

The last track is source material from Bass Communion again with Coleclough as the mix master. So many reviews (at various sites throughout the internet) praise this track. At over 70 minutes in length, Coleclough takes two sources from BC's excellent "Drugged" track and slows it way down to where it's unfamiliar, and turns it into a drone with varying tones, dynamics, and feelings. It has been said that this track will definitely influence the room wherever it is played. It is calming, peaceful, and a perfect example of space minimalism with a slow, slow melody. The sudden changes in tone that take place after 12 minutes have elapsed will pull you in to a different state of mind. This music is trippy, to say the least, but the music is the only drug you need here. Simple and beautiful, harsh and calming, those are the best words to describe this. When the 49 minute mark is passed, you will hear a sudden change where the processing layers are taken away and the tones are bright and not so layered. At this point, it is like you have emerged into lightness. This is something that must be experienced by those with patience and an open ear for beauty.

This is not music in any traditional sense, these are soundscapes, so be ready for that going in to this. The music needs to be listened to through headphones, or in a place where there are no outside influences to disrupt you. That will give you the best results and you will find yourself taken away into deep realms in your mind. I know, sounds corny, but music as a drug is a lot safer than the alternative.

This is not the best collection or album that BC has been involved with, but it is still excellent. I prefer the sounds of BC as far as ambience and minimalism is concerned because the music has more of a feeling of passage and movement. However, I enjoy this one on occasion and it is a great example of music that is influenced by the sonic pictures of Tangerine Dream. This is where that style has progressed to and lovers of that era of TD will enjoy this immensely.

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