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TARENTULE

Tarentule

Prog Folk


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Tarentule Tarentule album cover
3.09 | 4 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1978

Songs / Tracks Listing


1 Branles - Le Déserteur du Régiment d'Auvergne - Air d'Après Gaillarde d'Hassl 7:11
2 Adieu ma si Charmante Blonde - Trist' Annada - Marche de Goliath et sa Femme 5:01
3 Les Galios - Seigneurs, Sachez qui or s'en Ira 3:56
4 L'oiseau de la Meunière - Avant-Deux 6:03
5 Au Saint Nau - Noël Anglais 4:46
6 Trimousette 6

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Music tabs (tablatures)

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Line-up / Musicians


Coming up

Releases information

Reissued on Etnea , subsidiary of Musea records.

Thanks to Sean Trane for the addition
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Buy TARENTULE Tarentule Music


TarentuleTarentule
2001
Audio CD$12.81
$36.50 (used)
TarentuleTarentule
Ethnea/Musea 1977
Audio CD$8.90
$7.56 (used)
TarentuleTarentule
1999
Audio CD$14.72
TarentuleTarentule
Import
Musea Records France 2006
Audio CD$55.93 (used)
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TARENTULE Tarentule ratings distribution


3.09
(4 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(50%)
50%
Good, but non-essential (50%)
50%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

TARENTULE Tarentule reviews


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Collaborators/Experts Reviews

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
3 stars Sole album from this relatively traditional folk multi-instrumentalist quartet that came rather late in Prog Folk's heyday period, even if France and the Basque were still in full swing, then. Their ultra-traditional approach of pre-medieval folk sounded rather dry for most of the late 70's youths; and outside the truthful renditions of some tracks, there isn't that much for progheads, except maybe in the few odd meters scattered here and there.

Only six tracks, but most of them are medleys of 13 separate songs. "Gigues, rondes et ritournelles de France" would be fitting title for this album, as it is really up the aisles of folk purist, often close to baroque-era music. Only the cornet and accordion make some anachronistic intrusion in the tracks, but I bet most purists wouldn't complain. Each song is commented about its origins and the context it is played in (this is also the case for Malicorne and Asgard and La Bamboche). It's hard to give a highlight because most tracks are equivalent, but if I must give one, it'll be the closing Trimousette, because it stands on its own and is quite expressive, taking on a slightly dramatic tone. Tarentule's album is nothing essential in prog folk and unless you really want to dog deep into the pre-classical folk, you'd better stay clear of this one, although it wouldn't defavce your collection either.

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Send comments to Sean Trane (BETA) | Report this review (#163149) | Review Permalink
Posted Tuesday, March 04, 2008

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