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The Soft Machine

Canterbury Scene

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The Soft Machine Love Makes Sweet Music album cover
3.04 | 7 ratings | 1 reviews | 29% 5 stars

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Singles/EPs/Fan Club/Promo, released in 1968

Songs / Tracks Listing

1. Love Makes Sweet Music (2:27)
2. Feelin' Reelin' Squeelin' (2:50)

Total Time 5:17


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Music tabs (tablatures)

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Line-up / Musicians

- Kevin Ayers / Bass and Vocals
- Daevid Allen / Guitar
- Robert Wyatt / Drums and Vocals
- Mike Ratledge / Keyboards

Releases information

Released: February 17, 1967
Format: 7 single, 45 rpm
Recorded: January 1967, Advision Studios
Polydor 56 151 (UK)

Thanks to mogorva for the addition
and to snobb for the last updates
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Buy THE SOFT MACHINE Love Makes Sweet Music Music

No release results - showing artist results instead
5cd Original Album Classics (Third/F Ourth/Fifth/Six/Seven)5cd Original Album Classics (Third/F Ourth/Fifth/Six/Seven)
Sony Music Canada Inc. 2011
Audio CD$15.46
$13.48 (used)
Volumes One & TwoVolumes One & Two
Big Beat UK 2004
Audio CD$9.08
$6.34 (used)
Imports 2017
Audio CD$8.74
$5.62 (used)
Volume 2Volume 2
Import · Remastered
EMI Europe Generic 2009
Audio CD$5.70
$8.52 (used)
Import · Remastered
Phantasm Imports 2010
Audio CD$9.54
$9.53 (used)
Soft MachineSoft Machine
Import · Remastered
EMI Europe Generic 2009
Audio CD$5.52
$8.52 (used)
Man in a Deaf CornerMan in a Deaf Corner
Imports 2015
Audio CD$6.73
$13.18 (used)
Imports 2015
Audio CD$6.82
$10.24 (used)
BBC Radio: 1967-1971BBC Radio: 1967-1971
Hux Records 2003
Audio CD$13.76
$16.55 (used)
Import · Remastered
Sony Music Canada Inc. 2011
Audio CD$7.01
$6.03 (used)

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THE SOFT MACHINE Love Makes Sweet Music ratings distribution

(7 ratings)
Essential: a masterpiece of progressive rock music(29%)
Excellent addition to any prog rock music collection(0%)
Good, but non-essential (29%)
Collectors/fans only (43%)
Poor. Only for completionists (0%)

THE SOFT MACHINE Love Makes Sweet Music reviews

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Collaborators/Experts Reviews

Review by Warthur
3 stars With an A-side that is reminiscent of the sunny mid-1960s British Invasion pop that has only tastes of the tripped-out psychedelic Canterbury experiences to come, and B-sides that combine that approach with darker verses reminiscent of a prelude to Song From the Bottom of a Well from Kevin Ayers' third solo album, this first single from the Soft Machine - recorded even before the demo sessions which were later released as Jet Propelled Photographs - represents a very embryonic point indeed of the band's development.

Though Daevid Allen was in the lineup at this point, his presence is barely felt, whilst the jazzy influences that would inform their subsequent work are almost entirely absent - unless you count the freakier portions of Feelin' Reelin' Squealin' as free jazz. Interesting stuff, but not something to break the bank tracking down; perhaps the best way to find this is to pick up Polydor's 2009 CD remaster of the first Soft Machine album (which benefits greatly from superior sound quality to previous CD reissues that album to boot).

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