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BAGHIRI & NIMH: ENTITIES

Nimh

Progressive Electronic


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Nimh Baghiri & Nimh: Entities album cover
3.00 | 1 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2003

Songs / Tracks Listing

1. Primeval Entities (21:35)
2. The Disquiet Entities (8:36)
3. Revealed Entities (23:30)
4. Entities Of Chaos (17:59)

Total time 71:40

Line-up / Musicians

- Giuseppe Verticchio / performer
AND
- Amir Baghiri / performer

Note: The actual instrumentation could not be fully confirmed at this moment

Releases information

Artwork: Lance Green's painting

CDr self-released (2003, Italy)
CDr Silentes ‎- 20060609 (2006, Italy)

Thanks to Philippe Blache for the addition
and to Quinino for the last updates
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NIMH Baghiri & Nimh: Entities ratings distribution


3.00
(1 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

NIMH Baghiri & Nimh: Entities reviews


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Collaborators/Experts Reviews

Review by philippe
SPECIAL COLLABORATOR Honorary Collaborator
3 stars This collaborative project / artistic meeting between one of the pioneering figures of tribal-ambient (Amir Baghiri) and one of the finest artists of trancey drone music (Giuseppe Verticchio) is an absolute must for fans of Steve Roach, Robert Rich, Harold Budd, David Russel and other "environmental" music makers. Consequently Entities reveals a sensual, tonic and epiphanic world of sounds. The musical pieces are articulated between electronic processual treatments / oscillations / loops and amplified acoustic-ethnic-ritual instruments. The atmosphere is rather religious, nocturnal, and voluntary turned to sacred elements. The first track features dense acoustic vibes from the Didgeridoo (Aboriginal wood instrument). This leading part is accompanied by manipulated concrete sounds taken from the nature & various sources. The other pieces are composed on the same schema admitting variations. After to have explored the entire album I must confess that Amir Baghiri is the omnipresent artistic soul on the album and not necessary for the best: From my viewpoint and despite a certain charm the electronic artillery is too massive & monolithic. Good but not essential. For an other personal combination between primal-ethnic instruments and avant garde experimentalism I prefer by fare the artisan Missing Tapes (Nimh) or the visionary-mystical-alchemical efforts from old legends as Angus Maclise (.)

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