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QUAND LE SON DEVIENT AIGU, JETER LA GIRAFE A LA MER.

Jacques Thollot

RIO/Avant-Prog


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Jacques Thollot Quand Le Son Devient Aigu, Jeter La Girafe A La Mer. album cover
3.09 | 4 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1971

Songs / Tracks Listing

1. Cécile (3:54)
2. Position Stagnante De Réaction Stationnaire (1:25)
3. Enlevez Les Boulons, Le Broiseur Se Désagrège (2:22)
4. Mahagony Extraits (3:07)
5. Qu'Il Se Fassent Un Village, Ou Bien C'est Nous Qui S'en Allons (2:17)
6. Aussi Long Que Large (5:06)
7. Quiet Days In Prison (2:43)
8. De D.C. Par J.T. (1:34)
9. Virginie Ou Le Manque De Tact (3:42)
10. N.G.A. (1:19)
11. Aussi Large Que Long (9:47)
12. Quand Le Son Devient Aigu, Jeter La Girafe A La Mer (4:51)
13. Marche (1:18)
14. A Suivre (0:32)

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Jacques Thollot / drums, percussion, piano, organ, effects

Releases information

Futura Records, GER 24:
LP 1971; CD 1996

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JACQUES THOLLOT Quand Le Son Devient Aigu, Jeter La Girafe A La Mer. ratings distribution


3.09
(4 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(50%)
50%
Good, but non-essential (50%)
50%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

JACQUES THOLLOT Quand Le Son Devient Aigu, Jeter La Girafe A La Mer. reviews


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Collaborators/Experts Reviews

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
3 stars Rounding it off to the upper star!!

First album from now-experimental instrumentalist (but mostly drummer/percussionist) Jacques Thollot, but this early 70's album is not representative of his classic phase second half of 70's era. This strangely titled album (roughly translating to throw the giraffe in the sea water, if the sound is too high-pitched) was released on the rare and experimental Futura label known for some very obscure and free form music coming from France. While the artwork gracing the cover is enticing and intriguing enough, the music is not exactly reflecting the hope raised by its cover, with some 15 instrumental tracks ranging from the short to the mid-length, a good deal of them featuring a sole instrument, but if often the drums, not necessarily a percussion instrument either, but piano and other keyboards as well.. There are some electronic noises and other bizarrenesses on some tracks, some can be a bit intriguing, others only interesting if you're a musician yourself.

It's hard to recommend this album to anyone, unless he's a fan to the musician's works, but even then such unbridled and totally unconventional music experiments, even if many or countless others albums sounds much more dissonant is impossible to take much. Anyway, this Giraffe album doesn't sound much like his more Zeuhlian mid-70's albums, which are much more recommendable.

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Send comments to Sean Trane (BETA) | Report this review (#187215) | Review Permalink
Posted Tuesday, October 28, 2008

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