WITCHCRAFT DESTROYS MINDS AND REAPS SOULS
Coven
•Proto-Prog
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Studio Album, released in 1969 Songs / Tracks Listing 1. Black Sabbath (3:32) - Esther " Jinx" Dawson / lead vocals
Artwork: Jerry Griffith with Sig Binder (photo) and to Quinino for the last updates Edit this entry |
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COVEN Witchcraft Destroys Minds And Reaps Souls ratings distribution
(47 ratings)
Essential: a masterpiece of rock music(17%)
Excellent addition to any rock music collection(21%)
Good, but non-essential (30%)
Collectors/fans only (17%)
Poor. Only for completionists (15%)
COVEN Witchcraft Destroys Minds And Reaps Souls reviews
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Collaborators/Experts Reviews
SPECIAL COLLABORATOR Eclectic Prog Team

"Black Sabbath" The first song on this dark album features a pleasant jazzy introduction that eventually gives way to a heavier edge. Rather than give the song a spooky, sinister feel, the layers of voices only serve to annoy me. The guitar playing is overall decent. There is some cacophonic business to conclude the song.
"White Witch of Rose Hall" Second up is a jaunty number with bouncing bass and a roadhouse-like piano. Despite the bluesy, almost countrified music, the lyrics regard the mysterious character of Annie Palmer. There is a 1928 novel by H.G. de Lisser regarding the same subject.
"Coven in Charing Cross" With lyrics describing a demon-summoning ritual (along with mentioning the drinking of infant's blood) and some droning chanting, the concept overwhelms what is otherwise good music. The music even stops during the chant. Dawson vocalizes loudly over the guitar solo in the end.
"For Unlawful Carnal Knowledge" Obviously entitled after a variant of the popular canard regarding the original of a certain expletive, this song features some distorted guitar and rapid organ chords. As with other songs, the vocal harmonies are not harmonically pleasing.
"Pact with Lucifer" The music here is close to what a lot of popular blues-rock bands were doing at the time (this one reminds me of The Doors a bit). Dawson's vocals are all over the place and are raspier than ever.
"Choke, Thirst, Die" This one has some pleasant although bland music. The guitar work is quite good, running through various blues riffs, but again, Dawson feels the need to shriek over the guitarist's work, effectively ruining it.
"Wicked Woman" The second shortest track has a fairly basic structure but for a few interesting variations. At last, the guitarist gets an uninhibited chance to show his stuff.
"Dignitaries of Hell" Utilizing heavy tom work and several accents, this is the most drum-dominated song on the album. The singing about Satan and hell and all that sound out of place over such upbeat music, especially over those major chords. The guitar playing is tastier than anywhere else though.
"Portrait" The shortest song is a shadowy, more psychedelic one. The guitar is more subdued than on other tracks, allowing the bass to stand out, and the organ also achieves a bit more presence. Again, the lyrics are about Satan.
"Satanic Mass" Had I been inclined to have purchased this album without much knowledge of it, I would have been sorely disappointed. What seems to be the epic of the album is the band's attempt at recreating an actual Satanic mass. It begins with the tolling of a bell, but everything after that is chanting, preaching, the initiation of a neophyte, and a benediction. They chant The Lord's Prayer backwards. The leader says things like, "Are you prepared to serve our Lord Satan with your whole mind, body and soul, permitting nothing to deter you from the furtherance of his work?" and "I deny Jesus Christ the deceiver." The band pulled from numerous sources, including French miracle plays like "Le Miracle de Théophile," wherein one of the players sells his soul to the Devil. Much of the English dialogue was taken verbatim from Dennis Wheatley's occult novel, The Satanist. They also borrowed from Grillot de Givry's Witchcraft, Magic and Alchemy. I've heard it once- I won't hear this foolishness twice.
PROG REVIEWER

On the other hand, I find Witchcraft Destroys Souls to be a tremendously underrated album. Yes, it's not too far off to think of them as a Satanic Jefferson Airplane. Probably because they use late '60s psychedelia as their platform and a female vocalist, but while Grace Slick seems to be such an easy comparison, I more think she reminds me of Catapilla's Anna Meek. Some of the music does have early prog leanings, but might be too psych for progheads. Highlights for me include "Black Sabbath", "Coven in Charing Cross", and "For Unlawful Carnal Knowledge". "Coven in Charing Cross" also features some chanting that got me thinking of "Seven Bowls" off Aphrodite's Child's 666. "Satanic Mass" is not a song, but a Satanic initiation ritual. I was laughing when the priest yelled at the young lady (presumably Jinx Dawson herself) in the most angry and demanding tone you can imagine, "Kiss the goat!" The actual music, to me, is actually a great collection of psychedelia with early prog trappings. If you enjoy Black Widow's Sacrifice and also the music of Jefferson Airplane, this is more up your alley, than if you were expecting something like Sabbath.
Frank Zappa's 1971 movie 200 Motels featured an animated clip called "Dental Hygiene Dilemma" in which Jeff (Jeff Simmons) wanted to quit the comedy group (The Mothers) and how he wanted to be heavy, like Grand Funk, Black Sabbath, or Coven. I really laughed at that, since it's only Sabbath one can actually call heavy. Not to mention this was more or less the same group who by that time scored a hit with "One Tin Soldier" which sounded more like AM radio fare (the band had to change after the backlash of Witchcraft).
It's been said about eerie similarities to Black Sabbath. Coven's bassist was named Oz Osborne. But he's not Ozzy Osbourne, despite similar names. Coven recorded a song called "Black Sabbath", but is hardly the same song Sabbath recorded on their debut. Plus Witchcraft Destroys Minds was never released in the UK, so we can speculate the coincidences until our face turns blue.
Also interesting to note two members of Aorta, Jim Donlinger and Jim Nyeholt appeared on the album. What puzzles me is how did Jim Donlinger (James Vincent) agreed to play and even write for this album? He was openly Christian, so that's ever more puzzling. The March 1970 issue of Esquire Magazine had an article called "Evil Lurks in California" which apparently featured a picture of Charles Manson holding a copy of this album, which Mercury didn't want a backlash and quickly deleted it. Original LPs have became a rare collector's item, I was in rather shock to find a copy at a local Eugene, Oregon record store, so I bought a copy and glad I did!
I know many people won't like this album, but I do, so I won't hesitate to give it a four star rating.
COLLABORATOR Heavy Prog Team

It comes across less forced and more natural, as if all the mumbo jumbo is genuine beliefs, when the music speaks of all the good things (if there are any) with the Devil. Nice, gentle songs. That is the scariest stuff. Black Widow is such a band, Coven is another. If it is metal I am not hearing it, hard rock maybe but certainly some kind of proggish pop and rock with just a hint of folk.
The singer is crazy and her vocals are furious. Behind the blonde beauty lies Hell and she holds the key, I'll tell you. All the songs on the album are nice tunes with good enough lyrics. "White witch of Rose Hall" being my favorite, alongside "Pact with Lucifer". The so-called "Satanic mass" is maybe a track you listen to one time, I have not managed to do even that. I guess it is on there more as a novelty than anything else. On the other hand you have to realise that there was some sort of satanic music movement on the prowl, at least groups dabbling in the occult albeit dressed up in fany hippie clothes and flowers on their heads. Self t proclaimed satanists performing mock sacrifice on stage (like Black Widow) were (maybe) just out for the publicity, like so many other artists and groups before and after, but it seemed real and by that kind of scary.
Coven's first album is quite good. I would not hail it as a masterpiece, though by no means bad. It is rather solid, musically, but comes across these days as more of a novelty act than the real deal. On the other hand this outfit seems, even today, to be more scary and unpredictable than, say, Gorgoroth or Root. These boys and girls were in it for real, as it seems, and who knows, maybe there were a few apparitions gathering at the gigs, staring from the other side...
PROG REVIEWER

It's a crying shame, because if you actually ignore the last track there's some solid psychedelic rock with progressive moments on this album. Thematically more reminiscent of Dennis Wheatley and Hammer Horror movies than anything more sinister, the tame Satanism offered here would look wimpy next to even the (still quite cartoonish) antics of Venom or Mercyful Fate in the 1980s, let alone the extremes the black metal scene would reach in the 1990s, but it does offer a precedent for acts such as Blood Ceremony, Uncle Acid and even Electric Wizard, with Blood Ceremony in particular coming close to the Coven sound in their more psychedelic moments. But at the same time, we can't pretend that the band didn't offer up an album with an unforgivably high proportion of filler in the form of the Mass. Three stars seems fair.
Latest members reviews
Occult rock seems to be pretty decisive. You either dig it or are put off by it. There doesn't seem to be much of a middle ground. I fall into the "dig it" camp. I can appreciate it for what it is. A bit of cheese. DMARS is no different. Is it an amazing symphonic masterpiece? Oh, god no. It is a no
... (read more)
Report this review (#1633562) | Posted by doompaul | Thursday, October 20, 2016 | Review Permanlink
This is a strange little novelty record. The music is actually not bad: it's basically folky
psychedelic rock similar to Jefferson Airplane. The songs feature campy lyrics about Satanism,
witchcraft, and the occult; I happen to enjoy music with that sort of aesthetic, and i find the
far-out, over
... (read more)
Report this review (#202224) | Posted by AdamHearst | Monday, February 9, 2009 | Review Permanlink
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