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BEAST FROM THE EAST

Mandrill

Jazz Rock/Fusion


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Mandrill Beast From The East album cover
3.10 | 2 ratings | 1 reviews | 50% 5 stars

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Studio Album, released in 1976

Songs / Tracks Listing


1. Disco Lypso
2. Honey-Butt
3. Livin' It Up
4. Love Is Happiness
5. Ratchet (Como Se Va la Cosa)
6. Dirty Ole Man
7. Panama
8. Aqua-Magic
9. Synthia Song
10. Peaceful Atmosphere

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians


- Carlos Wilson / trombone, vocals
- Lou Wilson / trumpet, vocals
- Ric Wilson / sax, vocals
- N.A.

Releases information

LP United Artists UA-LA577-G (USA 1976)

Thanks to clarke2001 for the addition
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Buy MANDRILL Beast From The East Music


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MANDRILL Beast From The East ratings distribution


3.10
(2 ratings)
Essential: a masterpiece of progressive rock music(50%)
50%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (50%)
50%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

MANDRILL Beast From The East reviews


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Collaborators/Experts Reviews

Review by js (Easy Money)
SPECIAL COLLABORATOR Honorary Collaborator / Retired Admin
3 stars Like most progressive bands with roots in the late 60s and early 70s, Mandrill found themselves becoming increasingly commercial as the 70s wore on. Beast from the East is a fairly commercial album with a disco undertone, but to Mandrill's credit this album shows that they hadn't lost much in important areas such as instrumental and vocal skills, creativity, artistic integrity and the ability to put out great interesting music within a more confining commercial space. Groove music from this era was expected to have that steady disco kick drum thud on every downbeat, but Mandrill does a great job of turning to African highlife, Latin rock, Calypso, blaxploitation soundtracks and good old American hard funk to dress up this repetitious beat and keep it interesting.

At the very end of the album Mandrill gives us a taste of their more progressive past with two excellent instrumentals. Aqua Magic opens with cascading piano arpeggios from keyboard virtuoso Claude Cave, then the woodwinds break into an ancient melody before the band kicks into a hard Latin groove that rivals early Santana. A semi-classical keyboard section interrupts their rampage before the band is off again, this time topped by a jazzy dissonant flute solo. These guys can play! The album closes with a mournful space/lounge jazz tune with a cool 'futuristic' exotic synthesizer melody.

Although this album shows Mandrill heading further from their progressive roots, it is nice to hear that they were able to get with the thump-thump-thump 70s in a way that was creative, intelligent and not damaging to their artistic integrity. If you like IDM from the 70s, then you might dig this somewhat commercial, but very high quality effort from Mandrill.

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