Progarchives, the progressive rock ultimate discography


Bela Fleck and The Flecktones

Jazz Rock/Fusion

From, the ultimate progressive rock music website

Bela Fleck and The Flecktones Left of Cool album cover
2.23 | 9 ratings | 2 reviews | 0% 5 stars

Write a review
from partners
Studio Album, released in 1998

Songs / Tracks Listing

1. Throwdown At The Hoedown (Béla Fleck) - 5:09
2. Communication (4:16)
3. Big Country (5:31)
4. Sojourn Of Arjuna (5:27)
5. Let Me Be The One (4:38)
6. Trane To Conamarra (6:48)
7. Almost 12 (3:15)
8. Step Quiet (4:02)
9. Oddity (5:32)
10. Sleeping Dogs Lie (4:02)
11. Trouble and Strife (5:15)
12. Slow Walker (5:23)
13. Shanti (5:12)
14. The Big Blink (7:57)
15. Prelude To Silence (3:55)

Total Time 76:22

Line-up / Musicians

- Béla Fleck / banjo, guitar, mandolin, theremin
- Roy ''Future Man'' Wooten / synthaxe drumitar, acoustic percussion, samples, vocals
- Victor Wooten / basses, standup bass, cello, violin
- Jeff Coffin / saxophones, flutes, clarinets, saxello, singing bowl

Guest musicians:
- Dave Matthews / vocals on tracks 2 and 11
- Amy Grant / vocals on track 8

Releases information

Label - Warner Bros. Inc

Thanks to p0mt3 for the addition
Edit this entry


More places to buy BELA FLECK AND THE FLECKTONES music online Buy BELA FLECK AND THE FLECKTONES & Prog Rock Digital Music online:

BELA FLECK AND THE FLECKTONES Left of Cool ratings distribution

(9 ratings)
Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(44%)
Good, but non-essential (33%)
Collectors/fans only (22%)
Poor. Only for completionists (0%)


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Negoba
2 stars Bluegrass - Jazz - Funk - Pop Fusion (Maybe it's a little too much)

Bela Fleck is the most musically virtuosic banjo player who ever lived. There aren't many instruments that have a master so head and shoulders above, but banjo does. And it's not as if there aren't plenty of banjo shredders out there. In fact, bluegrass players in general have better technique than rock players, and the good ones possess better understanding of melody, more accurate tone, and simply faster speed than even metal guitarists. But Bela took the instrument to more new places than any 10 masters, and was and is able to stand side by side with the best of the best in multiple genres.

I saw a supergroup trio of Bela Fleck, monster bassist Edgar Meyer (also among the best ever on his instrument), and mandolin/guitar/jack of all trades Mike Marshall at the acoustically superb Sheldon theater in the late 90's. The disc from that concert is amazing, but is still extremely obscure. Bela was also working with the Flecktones at the time and this was the album from that period, which I picked up in my usual excitement for a newfound favorite.

Contrary to the band name, this version of the Flecktones is probably led more by the Wooten brothers than Bela. Victor is a maestro of the electric bass, a true legend among players of the instrument. His sound is jazzy, funky, and Caribbean influenced, which creates a very interesting and somewhat strange combination with the banjo. Unfortunately, the banjo takes a back seat during many of the songs on this album. There are (not especially memorable) vocal parts on several of the songs, healthy helpings of Kenny G style smooth jazz sax, and pretty average drumming. These elements come from members Roy Wooten and Jeff Coffin, and frankly, when they are up front, the music is not too compelling. When Bela and Victor lead the way on "Shanti," "The Big Blink," and "Oddity" the sound has a more complex, nuanced feel. This is the Bela Fleck I love to listen to, the aspect of the band that prog fans might enjoy.

I was pretty underwhelmed when I first got this album, as the early tracks offer too much soft jazz. After numerous tries to come back to the music, I've found some nice moments scattered in here, but it's not a disc I pull out often. Though Bela Fleck and Victor Wooten are masters of their instruments, this isn't the place to dive in to their music. Prog fans, even those deep into fusion, will probably not have the patience to do the sifting this album requires. Better choices recorded as Bela Fleck solo albums include Tales from the Acoustic Planet or the classical Perpetual Motion.

Review by snobb
SPECIAL COLLABORATOR Honorary Collaborator
2 stars Progressive bluegrass - you can hear it here. It means , that in fact it is a mix of Wootens' funky pulsation plus Fleck's bluegrass or sometimes (as it happens on "Throwdown at the Hoedown") even country banjo.

Music fluctuates between country with funk elements and exotic kind of fusion ( banjo leaded, again). You can feel the presence of Wooten brothers rhythm section everywhere, quite offen it gives very funky feeling. But all in all, it sounds as high quality village band in your village Autumn Harvest Eve. And pop atmosphere is always around you.

I don't think it is bad album, some moments are even interesting, but I think it is almost unacceptable for most of prog fans. Just different bird.

Latest members reviews

No review or rating for the moment | Submit a review

Post a review of BELA FLECK AND THE FLECKTONES "Left of Cool"

You must be a forum member to post a review, please register here if you are not.


As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: — jazz music reviews and archives | — metal music reviews and archives