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KNUT HAMRE AND STEVE TIBBETTS: ┼

Steve Tibbetts

Jazz Rock/Fusion


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Steve Tibbetts Knut Hamre and Steve Tibbetts: ┼ album cover
3.00 | 2 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1999

Songs / Tracks Listing


1. Olav Bergsland (6:39)
2. Huldra-Mi (5:41)
3. Trebakken (4:42)
4. Huldreslňtter (4:34)
5. N°ringen (3:38)
6. ┼nde (1:36)
7. Fjellmanngjenta (3:46)
8. Huldreslňtt (6:33)
9. Spelar Guro (5:10)
10. Baansull (2:43)
11. Bygdatrňen (7:19)
12. Baansull (1:25)

Total Time 53:53

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians


- NKnut Hamre / hardingfele
- Steve Tibbetts / guitar, bouzouki
- Turid Spildo / hardingfele, voice
- Marc Anderson / drums, percussion, gongs
- Anthony Cox / bass
- Emily Khorana / cello
- Karla Ackerman / violin
- Amy Morton / viola
- John Siegfried / harp, contrabass
- Steve Hassett / psaltrey
- Ray Giles / jublang and suling

Releases information

Hannibal (Rykodisc) HNCD1438
recorded in Utne, Norway and St. Paul, Minnesota

Thanks to Neu!mann for the addition
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STEVE TIBBETTS Knut Hamre and Steve Tibbetts: ┼ ratings distribution


3.00
(2 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
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STEVE TIBBETTS Knut Hamre and Steve Tibbetts: ┼ reviews


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Collaborators/Experts Reviews

Review by Neu!mann
PROG REVIEWER
3 stars Strictly speaking, Steve Tibbetts was the guest at this 1999 recording session, a collaboration between the Minneapolis guitarist and two kindred spirits from half a world away: Norway's Knut Hamre and Turid Spildo. It had to be a match made in musical heaven, combining the typically fluid playing of Tibbetts' (on acoustic guitar) with the evocative sound of the hardingfele: a rustic local fiddle employing a series of sympathetic strings to give it a rich ethnic ambiance.

The resulting album offers another fascinating example of Tibbett's active interest in esoteric World Music, in this case the ancient folk tradition of rural Scandinavia. In keeping with the unplugged spirit of the moment Tibbetts was joined by his old friend Marc Anderson (adding a sprinkle of hand-held percussives) and a small string section, including harp and psaltery. Together this multi-cultural ensemble creates a melancholy sound conjuring the bleak but beautiful landscapes of both the northern Minnesota prairie and the permafrost of backwoods Norway.

There is some beautiful music here, but 54-minutes are more than enough for a single sitting: after a while a certain monotony creeps into the set. This is an album that doesn't exactly encourage active listening, but it can provide ideal background music for churning butter, knitting woolen socks, or taking long, brisk walks across fallow winter farmland. Approach it in the right frame of mind, and be transported.

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Posted Wednesday, March 25, 2009

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